The Project Gutenberg EBook of The Works of Charles and Mary Lamb (Vol. 6) by Charles and Mary Lamb This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Works of Charles and Mary Lamb (Vol. 6) Letters 1821-1842 Author: Charles and Mary Lamb Release Date: January 28, 2004 [EBook #10851] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK WORKS OF C. & M. LAMB, V6 *** Produced by Keren Vergon, Virginia Paque and the Online Distributed Proofreading Team. THE WORKS OF CHARLES AND MARY LAMB VI. LETTERS 1821-1842 THE LETTERS OF CHARLES AND MARY LAMB 1821-1842 EDITED BY E.V. LUCAS WITH A FRONTISPIECE CONTENTS OF VOLUME VI LETTER 1821 264 Charles Lamb to Dorothy Wordsworth Jan. 8 From Mr. Gordon Wordsworth's original. 265 Charles Lamb to Thomas Allsop No date From _Harper's Magazine_. 266 Charles Lamb to Thomas Allsop No date From _Harper's Magazine_. 267 Charles Lamb to Mrs. William Ayrton Jan. 23 From the original. 268 Charles Lamb to Miss Humphreys Jan. 27 From the original at Rowfant. 269 Charles Lamb to Mrs. William Ayrton. March 15 From the original. 270 Charles Lamb to Thomas Allsop March 30 From _Harper's Magazine_. 271 Charles Lamb to Leigh Hunt April 18 From Leigh Hunt's _Correspondence_. 272 Charles Lamb to S.T. Coleridge May 1 From the _Life of Charles Mathews_. 273 Charles Lamb to James Gillman May 2 From the _Life of Charles Mathews_. 274 Charles Lamb to John Payne Collier May 16 Mr. Hazlitt's text (Bohn). 275 Charles Lamb to B.W. Procter ?Summer From facsimile in Mrs. Field's _A Shelf of Old Authors_. 276 Charles Lamb to John Taylor June 8 Mr. Hazlitt's text (Bohn). 277 Charles Lamb to John Taylor July 21 Mr. Hazlitt's text (_The Lambs_). 278 Charles Lamb to C.A. Elton Aug. 17 From the original in the possession of Sir Edmund Elton. 279 Charles Lamb to Charles Cowden Clarke Summer From _Recollections of Writers_. 280 Mary Lamb to Mrs. William Ayrton No date From the original in the possession of Mr. A.M.S. Methuen. 281 Charles Lamb to Thomas Allsop Oct. 21 From the American owner. 282 Charles Lamb to William Ayrton Oct. 27 From the original. 1822. 283 Charles Lamb to S.T. Coleridge March 9 Mr. Hazlitt's text (Bohn). 284 Charles Lamb to William Wordsworth March 20 From Mr. Gordon Wordsworth's original. 285 Charles Lamb to W. Harrison Ainsworth May 7 Mr. Hazlitt's text (_The Lambs_). 286 Charles Lamb to William Godwin May 16 Mr. Kegan Paul's text (_William Godwin: His Friends_, etc.). 287 Charles Lamb to Mrs. John Lamb May 22 From the original in the Bodleian. 288 Charles Lamb to Mary Lamb (_fragment_) Aug. From Crabb Robinson's _Diary_. 289 Charles Lamb to John Clare Aug. 31 From the original (British Museum). 290 Charles Lamb to Bernard Barton Sept. 11 From the original (British Museum). 291 Charles Lamb to Barren Field Sept. 22 From the original in the possession of Mr. B.B. Macgeorge. 292 Charles Lamb to John Howard Payne Autumn From the _Century Magazine_. 293 Charles Lamb to Bernard Barton Oct. 9 From the original (British Museum). 294 Charles Lamb to B.R. Haydon Oct. 9 From _Haydon's Correspondence and Table Talk_. 295 Charles Lamb to John Howard Payne Oct. 22 From the _Century Magazine_. 296 Charles Lamb to B.R. Haydon Oct. 29 From _Haydon's Correspondence and Table Talk_. 297 Charles Lamb to Sir Walter Scott Oct. 29 From Scott's _Familiar Letters_. 298 Charles Lamb to Thomas Robinson Nov. 11 From the original (Dr. Williams' Library). 299 Charles Lamb to John Howard Payne Nov. 13 From the _Century Magazine_. 300 Mary Lamb to Mrs. James Kenney ?Early Dec. Mr. Hazlitt's text (_The Lambs_). 301 Charles Lamb to John Taylor Dec. 7 From _Elia_ (Bell's edition). 302 Charles Lamb to Walter Wilson Dec. 16 From the original (Bodleian). 303 Charles Lamb to Bernard Barton Dec. 23 From the original (British Museum). 1823. 304 Charles Lamb to John Howard Payne Jan. From the _Century Magazine_. 305 Charles Lamb to William Wordsworth Jan. From Mr. Gordon Wordsworth's original. 306 Charles Lamb to Mr. and Mrs. J.D. Collier Jan. 6 From the original in the possession of Mr. R.B. Adam. 307 Charles Lamb to Charles Aders Jan. 8 From the original (Mr. J. Dunlop). 308 Charles Lamb to Bernard Barton Jan. 9 From the original (British Museum). 309 Charles Lamb to John Howard Payne Jan. 23 From the _Century Magazine_. 310 Charles Lamb to John Howard Payne Feb. 9 From the _Century Magazine_. 311 Charles Lamb to Bernard Barton Feb. 17 From the original (British Museum). 312 Charles Lamb to Walter Wilson Feb. 24 From Mr. Hazlitt's text. 313 Charles Lamb to Bernard Barton March 11 From the original (British Museum). 314 Charles Lamb to Bernard Barton April 5 From the original (British Museum). 315 Charles Lamb to B.W. Procter April 13 Mr. Hazlitt's text (Bohn) with alterations. 316 Charles Lamb to Sarah Hutchinson April 25 From Mr. Gordon Wordsworth's original. 317 Charles Lamb to Miss Hutchinson (?) (_fragment_) No date From _Notes and Queries_. 318 Charles Lamb to John Bates Dibdin No date From the original in the possession of Mr. R.W. Dibdin. 319 Charles Lamb to Bernard Barton May 3 From the original (British Museum). 320 Charles Lamb to John Bates Dibdin May 6 From the original in the possession of Mr. R.W. Dibdin. 321 Mary Lamb to Mrs. Randal Norris June 18 Mr. Hazlitt's text (_The Lambs_). 322 Charles Lamb to Bernard Barton July 10 From the original (British Museum). 323 Charles Lamb to Thomas Allsop July From _Harper's Magazine_. 324 Charles Lamb to Bernard Barton Sept. 2 From the original (British Museum). 325 Charles Lamb to Thomas Allsop Sept. 6 From _Harper's Magazine_. 326 Charles Lamb to Thomas Allsop Sept. 9 From _Harper's Magazine_. 327 Charles Lamb to Thomas Allsop Sept. 10 From _Harper's Magazine_. 328 Charles Lamb to Thomas Allsop Sept. From _Harper's Magazine_. 329 Charles Lamb to Bernard Barton Sept. 17 From the original (British Museum). 330 Charles Lamb to Charles Lloyd (_fragment_) Autumn From _Letters and Poems of Bernard Barton_. 331 Charles Lamb to H.F. Cary Oct. 14 From _Memoir of H.F. Cary_. 332 Charles Lamb to Thomas Allsop ?Oct. From _Harper's Magazine_. 333 Charles Lamb to John Bates Dibdin Oct. 28 From the original in the possession of Mr. R.W. Dibdin. 334 Charles Lamb to Sarah Hazlitt Early Nov. Mr. Hazlitt's text (Bohn). 335 Charles Lamb to Robert Southey Nov. 21 Mr. Hazlitt's text (Bohn). 336 Charles Lamb to Bernard Barton Nov. 22 From the original (British Museum). 337 Charles Lamb to W. Harrison Ainsworth Dec. 9 From the original. 338 Charles Lamb to W. Harrison Ainsworth Dec. 29 From the original. 1824. 339 Charles Lamb to Bernard Barton Jan. 9 From the original (British Museum). 340 Charles Lamb to Bernard Barton Jan. 23 From the original (British Museum). 341 Charles Lamb to Bernard Barton Feb. 25 From the original (British Museum). 342 Charles Lamb to Bernard Barton March 24 From the original (British Museum). 343 Charles Lamb to Bernard Barton Early Spring From the original (British Museum). 344 Charles Lamb to Mrs. Thomas Allsop April 13 From _Harper's Magazine_. 345 Charles Lamb to William Hone April From the original in the possession of Mr. R.A. Potts. 346 Charles Lamb to Bernard Barton May 15 From the original in the possession of Mr. B.B. Macgeorge. 347 Charles Lamb to Bernard Barton July 7 Mr. Hazlitt's text (Bohn). 348 Charles Lamb to W. Marter. July 19 Mr. Hazlitt's text (_The Lambs_). 349 Charles Lamb to John Bates Dibdin July 28 From the original in the possession of Mr. R.W. Dibdin. 350 Charles Lamb to Thomas Hood (?_fragment_) Aug. 10 From the original. 351 Charles Lamb to Bernard Barton Aug. 17 From the original (British Museum). 352 Charles Lamb to Bernard Barton Sept. 30 From the original (British Museum). 353 Charles Lamb to Mrs. John Dyer Collier Nov. 2 From the original (South Kensington Museum). 354 Charles Lamb to B.W. Procter Nov. 11 From Barry Cornwall's _Charles Lamb_ with alterations. 355 Charles Lamb to Crabb Robinson Nov. 20 From the original (Dr. Williams' Library). 356 Charles Lamb to Sarah Hutchinson Nov. 25 From Mr. Gordon Wordsworth's original. 357 Charles Lamb to Leigh Hunt ?Nov. From Leigh Hunt's _Correspondence_ with alterations. 358 Charles Lamb to Bernard Barton Dec. 1 Charles Lamb to Lucy Barton From the original (British Museum). 1825. 359 Charles Lamb to John Bates Dibdin Jan. 11 From the original in the possession of Mr. R.W. Dibdin. 360 Charles Lamb to Thomas Allsop Jan. 17 From _Harper's Magazine_. 361 Charles Lamb to Sarah Hutchinson Jan. 20 From Mr. Gordon Wordsworth's original. 362 Charles Lamb to Vincent Novello Jan. 25 From the original (British Museum). 363 Charles Lamb to Bernard Barton Feb. 10 From the original (British Museum). 364 Charles Lamb to Thomas Manning ?Feb. Mr. Hazlitt's text (Bohn). 365 Charles Lamb to Sarah Hutchinson. March 1 From Mr. Gordon Wordsworth's original. 366 Charles Lamb to Bernard Barton March 23 From the original (British Museum). 367 Charles Lamb to Crabb Robinson March 29 From the original (Dr. Williams' Library). 368 Charles Lamb to William Wordsworth April 6 From Mr. Gordon Wordsworth's original. 369 Charles Lamb to Bernard Barton April 6 From the original (British Museum). 370 Charles Lamb to Sarah Hutchinson April 18 From Mr. Gordon Wordsworth's original. (Last paragraph from original scrap at Welbeck Abbey.) 371 Charles Lamb to William Hone May 2 From the original at Rowfant. 372 Charles Lamb to William Wordsworth May From Mr. Gordon Wordsworth's original. 373 Charles Lamb to Charles Chambers ?May Mr. Hazlitt's text (_The Lambs_). 374 Charles Lamb to S.T. Coleridge ?June Mr. Hazlitt's text (Bohn). 375 Charles Lamb to Henry Colburn (?) June 14 From the original (South Kensington). 376 Charles Lamb to S.T. Coleridge July 2 From the original (Morrison Collection). 377 Charles Lamb to Bernard Barton July 2 From the original (British Museum). 378 Charles Lamb to John Aitken July 5 379 Charles Lamb to Bernard Barton Aug. 10 From the original (British Museum). 380 Charles Lamb to Robert Southey Aug. 10 Mr. Hazlitt's text (Bohn). 381 Charles Lamb to Thomas Allsop Sept. 9 From _Harper's Magazine_. 382 Charles Lamb to Thomas Allsop Sept. 24 From _Harper's Magazine_. 383 Charles Lamb to William Hone Oct. 24 From the original at Rowfant. 384 Charles Lamb to Thomas Allsop Dec. 5 From _Harper's Magazine_. 385 Charles Lamb to Charles Oilier ?Dec. From the original (South Kensington). 1826. 386 Charles Lamb to Charles Oilier Early in year Mr. Hazlitt's text (Bohn). 387 Charles Lamb to Charles Oilier Jan. Mr. Hazlitt's text (Bohn). 388 Charles Lamb to Bernard Barton Feb. 7 From the original (British Museum). 389 Charles Lamb to Charles Oilier March 16 From the original in the possession of Mr. R.A. Potts. 390 Charles Lamb to Bernard Barton March 20 From the original (British Museum). 391 Charles Lamb to S.T. Coleridge March 22 Mr. Hazlitt's text (Bohn). 392 Charles Lamb to H.F. Gary April 3 Mr. Hazlitt's text. 393 Charles Lamb to Vincent Novello May 9 From the original (British Museum). 394 Charles Lamb to Bernard Barton May 16 From the original (British Museum). 395 Charles Lamb to S.T. Coleridge June 1 Mr. Hazlitt's text (Bohn). 396 Charles Lamb to John Bates Dibdin June 30 From the original in the possession of Mr. R.W. Dibdin. 397 Charles Lamb to Thomas Hill No year From the original (British Museum). 398 Charles Lamb to John Bates Dibdin July 14 From the original in the possession of Mr. R.W. Dibdin. 399 Charles Lamb to William Wordsworth Sept. 6 From Mr. Gordon Wordsworth's original. 400 Charles Lamb to Edward Moxon (fragment). No date 401 Charles Lamb to John Bates Dibdin Sept. 9 From the original in the possession of Mr. R.W. Dibdin. 402 Charles Lamb to Bernard Barton Sept. 26 From the original (British Museum). 403 Charles Lamb to Edward Moxon ?Sept. From the original in the possession of Mr. Henry Poulton. 404 Charles Lamb to Bernard Barton No date From the original (British Museum). 1827. 405 Charles Lamb to Crabb Robinson Jan. 20 Mr. Hazlitt's text (Bohn). 406 Charles Lamb to Crabb Robinson Jan. 20 From the original (Dr. Williams' Library). 407 Charles Lamb to Crabb Robinson Jan. 29 From the original (Dr. Williams' Library). 408 Charles Lamb to Crabb Robinson Jan. From the original (Dr. Williams' Library). 409 Charles Lamb to B.R. Haydon March From Taylor's _Life of Haydon_. 410 Charles Lamb to William Hone April From the original at Rowfant. 411 Charles Lamb to Thomas Hood May Mr. Hazlitt's text (_The Lambs_). 412 Charles Lamb to Bernard Barton No date From the original (British Museum). 413 Charles Lamb to William Hone May From the original at Rowfant. 414 Charles Lamb to William Hone June From the original at Rowfant. 415 Charles Lamb to Bernard Barton June 11 From the original (British Museum). 416 Charles Lamb to Crabb Robinson June 26 From the original (British Museum). 417 Charles Lamb to William Hone July From the original at Rowfant. 418 Charles Lamb to Edward Moxon July 17 From the original at Rowfant. 419 Charles Lamb to P.G. Patmore July 19 From Patmore's _My Friends and Acquaintances_. 420 Charles Lamb to Mrs. Shelley July 26 Mr. Hazlitt's text (Bohn). 421 Charles Lamb to Mrs. Basil Montagu Summer Mr. Hazlitt's text (Bohn). 422 Mary Lamb to Lady Stoddart Aug. 9 423 Charles Lamb to Sir John Stoddart From the original (Messrs. Maggs). 424 Charles Lamb to Bernard Barton Aug. 10 From the original (British Museum). 425 Charles Lamb to Bernard Barton Aug. 28 From the original (British Museum). 426 Charles Lamb to P.G. Patmore Sept. From _My Friends and Acquaintances_. 427 Charles Lamb to John Bates Dibdin Sept. 5 From the original in the possession of Mr. R.W. Dibdin. 428 Charles Lamb to John Bates Dibdin Sept. 13 From the original in the possession of Mr. R.W. Dibdin. 429 Charles Lamb to John Bates Dibdin Sept. 18 From the original in the possession of Mr. R.W. Dibdin. 430 Charles Lamb to Thomas Hood Sept. 18 From the facsimile in Mrs. Balmanno's _Pen and Pencil_. 431 Charles Lamb to Henry Colburn Sept. 25 From the original (South Kensington). 432 Charles Lamb to Edward Moxon ?Sept. 26 From the original in the possession of Mr. Henry Poulton. 433 Charles Lamb to Crabb Robinson Oct. 1 From the original (Dr. Williams' Library). 434 Charles Lamb to John Bates Dibdin Oct. 2 From the original in the possession of Mr. R.W. Dibdin. 435 Charles Lamb to Barron Field Oct. 4 From the _Memoirs of Charles Matthews_. 436 Charles Lamb to William Hone ?Oct. Mr. Hazlitt's text (_The Lambs_). 437 Charles Lamb to Thomas Hood No date From the _National Review_. 438 Charles Lamb to Bernard Barton No date From the original (British Museum). 439 Charles Lamb to Bernard Barton Dec. 4 From the original (British Museum). 440 Charles Lamb to Leigh Hunt Dec. Mr. Hazlitt's text (Bohn). 441 Charles Lamb to William Hone Dec. 15 442 Charles Lamb to Thomas Allsop ?Dec. From _Harper's Magazine_. 443 Charles Lamb to Thomas Allsop Dec. 20 From _Harper's Magazine_. 444 Charles Lamb to Edward Moxon Dec. 22 From the original at Rowfant. 445 Charles Lamb to Bernard Barton End of year From the original (British Museum). 1828. 446 Charles Lamb to Thomas Allsop Jan. 9 From _Harper's Magazine_ with alterations. 447 Charles Lamb to Edward Moxon ?Jan. From the original at Rowfant. 448 Charles Lamb to Edward Moxon Feb. 18 From the original at Rowfant. 449 Charles Lamb to Charles Cowden Clarke Feb. 25 From _Reminiscences of Writers_. 450 Charles Lamb to Crabb Robinson Feb. 26 From the original (Dr. Williams' Library). 451 Charles Lamb to Edward Moxon March 19 Mr. Hazlitt's text (Bohn). 452 Charles Lamb to Bernard Barton April 21 From the original (British Museum). 453 Charles Lamb to Thomas Allsop May 1 From _Harper's Magazine_. 454 Charles Lamb to Edward Moxon May 3 From the original. 455 Charles Lamb to Walter Wilson May 17 From the original (British Museum). 456 Charles Lamb to T.N. Talfourd May 20 From the original (Dr. Williams' Library). 457 Charles Lamb to William Wordsworth May From the original (Dr. Williams' Library). 458 Charles Lamb to Mrs. Morgan June 17 459 Mary Lamb to the Thomas Hoods ?Summer Mr. Hazlitt's text (_The Lambs_). 460 Charles Lamb to B.R. Haydon Aug. From Taylor's _Life of Haydon_. 461 Charles Lamb to John Rickman (_translation_) Oct. 3 462 Charles Lamb to Bernard Barton Oct. 11 From the original (British Museum). 463 Charles Lamb to Charles Cowden Clarke Oct. From _Recollections of Writers_. 464 Charles Lamb to Vincent Novello Nov. 6 From _Recollections of Writers_. 465 Charles Lamb to Thomas Hood Late autumn From _Hood's Own_. 466 Charles Lamb to Edward Moxon Dec. Text from Mr. Samuel Davey. 467 Charles Lamb to Bernard Barton Dec. 5 From the original (British Museum). 468 Charles Lamb to Charles Cowden Clarke Dec. From _Recollections of Writers_. 469 Charles Lamb to T.N. Talfourd End of year Mr. Hazlitt's text (Bohn). 1829. 470 Charles Lamb to George Dyer ?Jan. From the original (British Museum). 471 Charles Lamb to B.W. Procter Jan.19 Mr. Hazlitt's text (Bohn). 472 Charles Lamb to B.W. Procter Jan. 22 Mr. Hazlitt's text (Bohn) with alterations. 473 Charles Lamb to Thomas Allsop Jan. 28 From _Harper's Magazine_. 474 Charles Lamb to B.W. Procter Jan. 29 Mr. Hazlitt's text (Bohn) with alterations. 475 Charles Lamb to B.W. Procter Early in year Mr. Hazlitt's text (Bohn) with alterations. 476 Charles Lamb to B.W. Procter Feb. 2 Mr. Hazlitt's text (Bohn). 477 Charles Lamb to Charles Cowden Clarke Feb. 2 From _Recollections of Writers_. 478 Charles Lamb to Crabb Robinson Feb. 27 From the original (Dr. Williams' Library). 479 Charles Lamb to Samuel Rogers March 22 From _Rogers and His Contemporaries_. 480 Charles Lamb to Bernard Barton March 25 From the original (British Museum). 481 Charles Lamb to Miss Sarah James ?April Text from Mr. Samuel Davey. 482 Charles Lamb to Crabb Robinson ?April From the original (Dr. Williams' Library). 483 Charles Lamb to Crabb Robinson April 17 From the original (Dr. Williams' Library). 484 Charles Lamb to George Dyer April 29 From _The Mirror_, 1841. 485 Charles Lamb to Thomas Hood ?May Mr. Hazlitt's text (_The Lambs_). 486 Charles Lamb to Edward Moxon No date From _The Autographic Mirror_. 487 Charles Lamb to Walter Wilson May 28 Mr. Hazlitt's text (Bohn). 488 Charles Lamb to Bernard Barton June 3 From the original (British Museum). 489 Charles Lamb to Bernard Barton July 25 From the original (British Museum). 490 Charles Lamb to Thomas Allsop Late July From _Harper's Magazine_. 491 Charles Lamb to Edward Moxon Sept. 22 From the original at Rowfant. 492 Charles Lamb to James Gillman Oct. 26 Mr. Hazlitt's text (Bohn). 493 Charles Lamb to Vincent Novello Nov. 10 From the original (British Museum). 494 Charles Lamb to Walter Wilson Nov. 15 Mr. Hazlitt's text (Bohn). 495 Charles Lamb to James Gillman ?Nov. 29 Mr. Hazlitt's text (Bohn). 496 Charles Lamb to James Gillman Nov. 30 Mr. Hazlitt's text (Bohn). 497 Charles Lamb to Bernard Barton Dec. 8 From the original (British Museum). 498 Charles Lamb to William Wordsworth 499 Mary Lamb to Dorothy Wordsworth Jan. 22 From Mr. Gordon Wordsworth's original. 500 Charles Lamb to Bernard Barton Feb. 25 From the original (British Museum). 501 Charles Lamb to Mrs. Williams Feb. 26 Mr. Hazlitt's text (_The Lambs_). 502 Charles Lamb to Mrs. Williams March 1 Mr. Hazlitt's text (_The Lambs_). 503 Charles Lamb to Sarah Hazlitt March 4 Mr. Hazlitt's text (Bohn). 504 Charles Lamb to Mrs. Williams March 5 Mr. Hazlitt's text (Bohn). 505 Charles Lamb to James Gillman March 8 Mr. Hazlitt's text (Bohn). 506 Charles Lamb to William Ayrton March 14 Mr. Hazlitt's text (Bohn). 507 Charles Lamb to Mrs. Williams March 22 Mr. Hazlitt's text (_The Lambs_). 508 Charles Lamb to Mrs. Williams April 2 From the original in the possession of Mr. Yates Thompson. 509 Charles Lamb to Mrs. Williams April 9 From the original. 510 Charles Lamb to James Gillman ?Spring Mr. Hazlitt's text (Bohn). 511 Charles Lamb to Jacob Vale Asbury ?April From _The Athenaewn_. 512 Charles Lamb to Jacob Vale Asbury No date By permission of Mr. Edward Hartley. 513 Charles Lamb to Mrs. Williams April 21 Mr. Hazlitt's text (_The Lambs_). 514 Charles Lamb to Robert Southey May 10 Mr. Hazlitt's text (Bohn). 515 Charles Lamb to Edward Moxon May 12 From the original at Rowfant. 516 Charles Lamb to Vincent Novello May 14 From the original (British Museum). 517 Charles Lamb to Vincent Novello May 20 From the original (British Museum). 518 Charles Lamb to William Hone May 21 Mr. Hazlitt's text (Bohn). 519 Charles Lamb to Sarah Hazlitt May 24 Mr. Hazlitt's text (Bohn). 520 Charles Lamb to Sarah Hazlitt June 3 Mr. Hazlitt's text (Bohn). 521 Charles Lamb to Bernard Barton June 28 From the original (British Museum). 522 Charles Lamb to Bernard Barton Aug. 30 From the original (British Museum). 523 Charles Lamb to Samuel Rogers Oct. 5 From _Rogers and His Contemporaries_. 524 Charles Lamb to Vincent Novello Nov. 8 From _Recollections of Writers_. 525 Charles Lamb to Edward Moxon Nov. 12 Mr. Hazlitt's text (Bohn). 9526 Charles Lamb to Edward Moxon ?Dec. From the original at Rowfant. 527 Charles Lamb to George Dyer Dec. 20 Mr. Hazlitt's text (Bohn) with alterations. 528 Charles Lamb to Edward Moxon ?Christmas From the original (South Kensington). 1831. 529 Charles Lamb to Edward Moxon Feb. 3 From the original at Rowfant. 530 Charles Lamb to George Dyer Feb. 22 Mr. Hazlitt's text (Bohn). 531 Charles Lamb to Bernard Barton April 30 From the original (British Museum). 532 Charles Lamb to H.F. Cary May 6 Mr. Hazlitt's text (Bohn). 533 Charles Lamb to Edward Moxon July 14 From the original at Rowfant. 534 Charles Lamb to Edward Moxon Early Aug. From the original at Rowfant. 535 Charles Lamb to Edward Moxon Aug. 5 From the original at Rowfant. 536 Charles Lamb to Edward Moxon Sept. 5 From the original at Rowfant. 537 Charles Lamb to William Hazlitt, junior Sept. 13 Mr. Hazlitt's text (_Lamb and Hazlitt_). 538 Charles Lamb to Edward Moxon Oct. 24 From the original at Rowfant. 539 Charles Lamb to Edward Moxon Dec. 15 From the original at Rowfant. 1832. 540 Charles Lamb to Joseph Hume's daughters No date Mr. Hazlitt's text (_The Lambs_). 541 Charles Lamb to C.W. Dilke March 5 From Sir Charles Dilke's original. 542 Charles Lamb to S.T. Coleridge April 14 Mr. Hazlitt's text (Bohn). 543 Charles Lamb to James Sheridan Knowles ?April From the original (South Kensington). 544 Charles Lamb to John Forster ?Late April From the original (South Kensington). 545 Charles Lamb to Edward Moxon? June 1 From the original (South Kensington). 546 Charles Lamb to Thomas Allsop July 2 From _Harper's Magazine_. 547 Charles Lamb to Walter Wilson Aug. From the original in the Bodleian. 548 Charles Lamb to Crabb Robinson ?Early Oct. From the original (South Kensington). 549 Charles Lamb to Walter Savage Landor Oct. From the original (South Kensington). 550 Charles Lamb to Edward Moxon Late in year From the original at Rowfant. 551 Charles Lamb to Edward Moxon Winter Mr. Hazlitt's text (Bonn). 552 Charles Lamb to Edward Moxon Dec. From the original (South Kensington). 553 Charles Lamb to John Forster. Dec. 23 From the original (South Kensington). 1833. 554 Charles Lamb to Edward Moxon Jan. From Sir Charles Dilke's original. 555 Charles Lamb to Edward Moxon Jan. 3 From the original at Rowfant. 556 Charles Lamb to John Forster No date From the original (South Kensington). 557 Charles Lamb to John Forster No date From the original (South Kensington). 558 Charles Lamb to John Forster No date From the original (South Kensington). 559 Charles Lamb to Edward Moxon Jan. 24 From the original at Rowfant. 560 Charles Lamb to Edward Moxon Feb. 11 From the original (South Kensington). 561 Charles Lamb to Edward Moxon Feb. From the original (South Kensington). 562 Charles Lamb to T.N. Talfourd Feb. Mr. Hazlitt's text (Bohn). 563 Charles Lamb to Edward Moxon No date From the original in the possession of Mr. Henry Poulton. 564 Charles Lamb to C.W. Dilke Feb. From Sir Charles Dilke's original. 565 Charles Lamb to Edward Moxon Early in year From the original at Rowfant. 566 Charles Lamb to B.W. Procter. No date From Procter's Autobiographical Fragment. 567 Charles Lamb to William Hone March 6 From the original (National Portrait Gallery). 568 Charles Lamb to Edward Moxon March 19 From the original (South Kensington). 569 Charles Lamb to Edward Moxon ?Spring From the original (South Kensington). 570 Charles Lamb to Edward Moxon March 30 From the original at Rowfant. 571 Charles Lamb to Edward Moxon Spring From the original at Rowfant. 572 Charles Lamb to John Forster ?March From the original (South Kensington). 573 Charles Lamb to Edward Moxon ?April 10 From the original at Rowfant. 574 Charles Lamb to C.W. Dilke April From Sir Charles Dilke's original. 575 Charles Lamb to Mrs. William Ayrton April 16 From the original, lately in the possession of Mr. Edward Ayrton. 576 Charles Lamb to Edward Moxon April 25 From the original at Rowfant. 577 Charles Lamb to Edward Moxon April 27 From the original at Rowfant. 578 Charles Lamb to the Rev. James Gillman May 7 579 Charles Lamb to John Forster May From the original (South Kensington). 580 Charles Lamb to John Forster May 12 From the original (South Kensington). 581 Charles Lamb to William Wordsworth End of May From Mr. Gordon Wordsworth's original. 582 Charles Lamb to Sarah Hazlitt May 31 Mr. Hazlitt's text (Bohn) with alterations. 583 Charles Lamb to Mary Betham June 5 From _A House of Letters_. 584 Charles Lamb to Matilda Betham June 5 From _Fraser's Magazine_. 585 Charles Lamb to Edward Moxon July 14 From the original at Rowfant. 586 Charles Lamb to Edward Moxon July 24 From the original at Rowfant. 587 Charles and Mary Lamb to Edward and Emma Moxon ?July 31 From the original at Rowfant. 588 Charles Lamb to H.F. Cary Sept. 9 Mr. Hazlitt's text (Bohn). 589 Charles and Mary Lamb to Edward Moxon Sept. 26 From the original at Rowfant. 590 Charles Lamb to Edward Moxon Oct. 17 From the original at Rowfant. 591 Charles Lamb to Edward and Emma Moxon Nov. 29 Mr. Hazlitt's text (Bohn). 592 Charles Lamb to C.W. Dilke Mid. Dec. From Sir Charles Dilke's original. 593 Charles Lamb to Samuel Rogers Dec. 21 From _Rogers and His Contemporaries_. 594 Charles Lamb to C.W. Dilke No date From Sir Charles Dilke's original. 595 Charles Lamb to C.W. Dilke No date From Sir Charles Dilke's original. 1834. 596 Charles Lamb to the printer of _The Athenaeum_ No date From Sir Charles Dilke's original. 597 Charles Lamb to Mary Betham Jan. 24 From the original in the possession of Mr. B.B. Macgeorge. 598 Charles Lamb to Edward Moxon Jan. 28 From the original (South Kensington). 599 Charles Lamb to Miss Fryer Feb. 14 Mr. Hazlitt's text (Bohn). 600 Charles Lamb to Miss Fryer No date From the original in the possession of Mr. A.M.S. Methuen. 601 Charles Lamb to William Wordsworth Feb. 22 From Mr. Gordon Wordsworth's original. 602 Charles Lamb to T.N. Talfourd No date 603 Charles Lamb to Charles Cowden Clarke (_fragment_) End of June From the _Life and Labours of Vincent Novello._ 604 Charles Lamb to John Forster June 25 From the original (South Kensington). 605 Charles Lamb to J. Fuller Russell Summer From _Notes and Queries_. 606 Charles Lamb to J. Fuller Russell Summer From _Notes and Queries_. 607 Charles Lamb to C.W. Dilke End of July From Sir Charles Dilke's original. 608 Charles Lamb to the Rev. James Gillman Aug. 5 Mr. Hazlitt's text (Bohn). 609 Charles and Mary Lamb to H.F. Cary Sept. 12 Mr. Hazlitt's text (Bohn). 610 Charles Lamb to H.F. Cary Oct. Mr. Hazlitt's text (Bohn). 611 Charles Lamb to H.F. Cary Oct. 18 Mr. Hazlitt's text (Bohn). 612 Charles Lamb to Mr. Childs ?Dec. Mr. Hazlitt's text (Bohn). 613 Charles Lamb to Mr. Childs No date 614 Charles Lamb to Mrs. George Dyer Dec. 22 Mr. Hazlitt's text (Bohn). 615 Mary Lamb to Jane Norris Dec. 25 Mr. Hazlitt's text (_The Lambs_). 616 Mary Lamb to Jane Norris Oct. 3 1842. Mr. Hazlitt's text (_The Lambs_). Last letter. Miss James to Jane Norris July 25 1843. APPENDIX Barton's "Spiritual Law" Barton's "Translation of Enoch" Talfourd's "Verses in Memory of a Child named after Charles Lamb" FitzGerald's "Meadows in Spring" Montgomery's "The Common Lot" Barry Cornwall's "Epistle to Charles Lamb" ALPHABETICAL LIST OF LETTERS INDEX FRONTISPIECE CHARLES LAMB (aged 51). From the painting by Henry Meyer at the India Office. THE LETTERS OF CHARLES AND MARY LAMB 1821-1834 LETTER 264 CHARLES LAMB TO DOROTHY WORDSWORTH [P.M. January 8, 1821.] Mary perfectly approves of the appropriat'n of the _feathers_, and wishes them Peacocks for your fair niece's sake! Dear Miss Wordsworth, I had just written the above endearing words when Monkhouse tapped me on the shoulder with an invitation to cold goose pye, which I was not Bird of that sort enough to decline. Mrs. M. I am most happy to say is better. Mary has been tormented with a Rheumatism, which is leaving her. I am suffering from the festivities of the season. I wonder how my misused carcase holds it out. I have play'd the experimental philosopher on it, that's certain. Willy shall be welcome to a mince pye, and a bout at Commerce, whenever he comes. He was in our eye. I am glad you liked my new year's speculations. Everybody likes them, except the Author of the Pleasures of Hope. Disappointment attend him! How I like to be liked, and _what I do_ to be liked! They flatter me in magazines, newspapers, and all the minor reviews. The Quarterlies hold aloof. But they must come into it in time, or their leaves be waste paper. Salute Trinity Library in my name. Two special things are worth seeing at Cambridge, a portrait of Cromwell at Sidney, and a better of Dr. Harvey (who found out that blood was red) at Dr. Davy's. You should see them. Coleridge is pretty well, I have not seen him, but hear often of him from Alsop, who sends me hares and pheasants twice a week. I can hardly take so fast as he gives. I have almost forgotten Butcher's meat, as Plebeian. Are you not glad the Cold is gone? I find winters not so agreeable as they used to be, when "winter bleak had charms for me." I cannot conjure up a kind similitude for those snowy flakes--Let them keep to Twelfth Cakes. Mrs. Paris, our Cambridge friend, has been in Town. You do not know the Watfords? in Trumpington Street--they are capital people. Ask any body you meet, who is the biggest woman in Cambridge--and I'll hold you a wager they'll say Mrs. Smith. She broke down two benches in Trinity Gardens, one on the confines of St. John's, which occasioned a litigation between the societies as to repairing it. In warm weather she retires into an ice-cellar (literally!) and dates the returns of the years from a hot Thursday some 20 years back. She sits in a room with opposite doors and windows, to let in a thorough draught, which gives her slenderer friends tooth-aches. She is to be seen in the market every morning at 10, cheapening fowls, which I observe the Cambridge Poulterers are not sufficiently careful to stump. Having now answered most of the points containd in your Letter, let me end with assuring you of our very best kindness, and excuse Mary from not handling the Pen on this occasion, especially as it has fallen into so much better hands! Will Dr. W. accept of my respects at the end of a foolish Letter. C.L. [Miss Wordsworth was visiting her brother, Christopher Wordsworth, the Master of Trinity. Willy was William Wordsworth, junr. Lamb's New Year speculations were contained in his _Elia_ essay "New Year's Eve," in the _London Magazine_ for January, 1821. There is no evidence that Campbell disapproved of the essay. Canon Ainger suggests that Lamb may have thus alluded playfully to the pessimism of his remarks, so opposed to the pleasures of hope. When the _Quarterly_ did "come in," in 1823, it was with cold words, as we shall see. "Trinity Library." It is here that are preserved those MSS. of Milton, which Lamb in his essay "Oxford in the Vacation," in the _London Magazine_ for October, 1820, says he regrets to have seen. "Cromwell at Sidney." See Mary Lamb's letter to Miss Hutchinson, August 20, 1815. "Harvey ... at Dr. Davy's"--Dr. Martin Davy, Master of Caius. "Alsop." This is the first mention of Thomas Allsop (1795-1880), Coleridge's friend and disciple, who, meeting Coleridge in 1818, had just come into Lamb's circle. We shall meet him frequently. Allsop's _Letters, Conversations and Recollections of Samuel Taylor Coleridge_ contain much matter concerning Lamb. "Winter bleak had charms for me." I could not find this for the large edition. It is from Burns' "Epistle to William Simpson," stanza 13. Mrs. Paris was a sister of William Ayrton and the mother of John Ayrton Paris, the physician. It was at her house at Cambridge that the Lambs met Emma Isola, whom we are soon to meet. "Mrs. Smith." Lamb worked up this portion of his letter into the little humorous sketch "The Gentle Giantess," printed in the _London Magazine_ for December, 1822 (see Vol. I. of the present edition), wherein Mrs. Smith of Cambridge becomes the Widow Blacket of Oxford. "Dr. W."--Dr. Christopher Wordsworth.] LETTER 265 CHARLES LAMB TO THOMAS ALLSOP [No date. 1821.] Dear Sir--The _hairs_ of our head are numbered, but those which emanate from your heart defy arithmetic. I would send longer thanks but your young man is blowing his fingers in the Passage. Yours gratefully C.L. [The date of this scrap is unimportant; but it comes well here in connection with the reference in the preceding letter. In _Harper's Magazine_ for December, 1859, were printed fifty of Lamb's notes to Allsop, all of which are reproduced in at least two editions of Lamb's letters. I have selected only those which say anything, as for the most part Lamb was content with the merest message; moreover, the date is often so uncertain as to be only misleading. Crabb Robinson says of Allsop, "I believe his acquaintance with Lamb originated in his sending Coleridge a present of £100 in admiration of his genius."] LETTER 266 CHARLES LAMB TO THOMAS ALLSOP [No date. 1821.] D'r Sir--Thanks for the Birds and your kindness. It was but yesterd'y. I was contriving with Talf'd to meet you 1/2 way at his chamber. But night don't do so well at present. I shall want to be home at Dalston by Eight. I will pay an afternoon visit to you when you please. I dine at a chop-house at ONE always, but I can spend an hour with you after that. Yours truly C.L. Would Saturdy serve? LETTER 267 CHARLES LAMB TO MRS. WILLIAM AYRTON [Dated at end: Jan. 23, 1821.] Dear Mrs. Ayrton, my sister desires me, as being a more expert penman than herself, to say that she saw Mrs. Paris yesterday, and that she is very much out of spirits, and has expressed a great wish to see your son William, and Fanny-- I like to write that word _Fanny_. I do not know but it was one reason of taking upon me this pleasing task-- Moreover that if the said William and Frances will go and sit an hour with her at any time, she will engage that no one else shall see them but herself, and the servant who opens the door, she being confined to her private room. I trust you and the Juveniles will comply with this reasonable request. & am Dear Mrs. Ayrton your's and yours' Truly C. LAMB. Cov. Gar. 23 Jan. 1821. [Mrs. Ayrton (_née_ Arnold) was the wife of William Ayrton, the musical critic.] LETTER 268 CHARLES LAMB TO MISS HUMPHREYS London 27 Jan'y. 1821. Dear Madam, Carriages to Cambridge are in such request, owing to the Installation, that we have found it impossible to procure a conveyance for Emma before Wednesday, on which day between the hours of 3 and 4 in the afternoon you will see your little friend, with her bloom somewhat impaired by late hours and dissipation, but her gait, gesture, and general manners (I flatter myself) considerably improved by--_somebody that shall be nameless_. My sister joins me in love to all true Trumpingtonians, not specifying any, to avoid envy; and begs me to assure you that Emma has been a very good girl, which, with certain limitations, I must myself subscribe to. I wish I could cure her of making dog's ears in books, and pinching them on poor Pompey, who, for one, I dare say, will heartily rejoyce at her departure. Dear Madam, Yours truly foolish C.L. [Addressed to "Miss Humphreys, with Mrs. Paris, Trumpington Street, Cambridge." Franked by J. Rickman. This letter contains the first reference in the correspondence to Emma Isola, daughter of Charles Isola, Esquire Bedell of Cambridge University, and granddaughter of Agostino Isola, the Italian critic and teacher, of Cambridge, among whose pupils had been Wordsworth. Miss Humphreys was Emma Isola's aunt. Emma seems to have been brought to London by Mrs. Paris and left with the Lambs. Pompey seems to have been the Lamb's first dog. Later, as we shall see, they adopted Dash.] LETTER 269 CHARLES LAMB TO MRS. WILLIAM AYRTON [Dated at end: March 15, 1821.] Dear Madam, We are out of town of necessity till Wednesday next, when we hope to see one of you at least to a rubber. On some future Saturday we shall most gladly accept your kind offer. When I read your delicate little note, I am ashamed of my great staring letters. Yours most truly CHARLES LAMB. Dalston near Hackney 15 Mar. 1821. [In my large edition I give a facsimile of this letter.] LETTER 270 CHARLES LAMB TO THOMAS ALLSOP 30 March, 1821. My dear Sir--If you can come next Sunday we shall be equally glad to see you, but do not trust to any of Martin's appointments, except on business, in future. He is notoriously faithless in that point, and we did wrong not to have warned you. Leg of Lamb, as before; hot at 4. And the heart of Lamb ever. Yours truly, C.L. LETTER 271 CHARLES LAMB TO LEIGH HUNT _Indifferent Wednesday_ [April 18], 1821. Dear Hunt,--There was a sort of side talk at Mr. Novello's about our spending _Good Friday_ at Hampstead, but my sister has got so bad a cold, and we both want rest so much, that you shall excuse our putting off the visit some little time longer. Perhaps, after all, you know nothing of it.-- Believe me, yours truly, C. LAMB. LETTER 272 CHARLES LAMB TO S.T. COLERIDGE May 1st [1821], Mr. Gilman's, Highgate. Mr. C.--I will not fail you on Friday by six, and Mary, perhaps, earlier. I very much wish to meet "Master Mathew," and am much obliged to the G----s for the opportunity. Our kind respects to them always.--ELIA. Extract from a MS. note of S.T.C. in my Beaumont and Fletcher, dated April 17th 1807. _Midnight_. "God bless you, dear Charles Lamb, I am dying; I feel I have not many weeks left." [Master Mathew is in Ben Jonson's "Every Man in His Humour." Lamb's "Beaumont and Fletcher" is in the British Museum. The note quoted by Lamb is not there, or perhaps it is one that has been crossed out. This still remains: "N.B. I shall not be long here, Charles! I gone, you will not mind my having spoiled a book in order to leave a Relic. S.T.C., Oct. 1811."] LETTER 273 CHARLES LAMB TO JAMES GILLMAN [Dated at end: 2 May, 1821.] Dear Sir--You dine so late on Friday, it will be impossible for us to go home by the eight o'clock stage. Will you oblige us by securing us beds at some house from which a stage goes to the Bank in the morning? I would write to Coleridge, but cannot think of troubling a dying man with such a request. Yours truly, C. LAMB. If the beds in the town are all engaged, in consequence of Mr. Mathews's appearance, a hackney-coach will serve. Wednes'y. 2 May '21. We shall neither of us come much before the time. [Mrs. Mathews (who was half-sister of Fanny Kelly) described this evening in her _Memoirs_ of her husband, 1839. Her account of Lamb is interesting:-- Mr. Lamb's first approach was not prepossessing. His figure was small and mean; and no man certainly was ever less beholden to his tailor. His "bran" new _suit_ of black cloth (in which he affected several times during the day to take great pride, and to cherish as a novelty that he had long looked for and wanted) was drolly contrasted with his very rusty silk stockings, shown from his knees, and his much too large _thick_ shoes, without polish. His shirt rejoiced in a wide ill-plaited frill, and his very small, tight, white neckcloth was hemmed to a fine point at the ends that formed part of the little bow. His hair was black and sleek, but not formal, and his face the gravest I ever saw, but indicating great intellect, and resembling very much the portraits of King Charles I. Mr. Coleridge was very anxious about his _pet_ Lamb's first impression upon my husband, which I believe his friend saw; and guessing that he had been extolled, he mischievously resolved to thwart his panegyrist, disappoint the strangers, and altogether to upset the suspected plan of showing him off. The Mathews' were then living at Ivy Cottage, only a short distance from the Grove, Highgate, where the famous Mathews collection of pictures was to be seen of which Lamb subsequently wrote in the _London Magazine_. Here should come a note to Ayrton saying that Madame Noblet is the least graceful dancer that Lamb ever "did not see."] LETTER 274 CHARLES LAMB TO JOHN PAYNE COLLIER May 16, 1821. Dear J.P.C.,--Many thanks for the "Decameron:" I have not such a gentleman's book in my collection: it was a great treat to me, and I got it just as I was wanting something of the sort. I take less pleasure in books than heretofore, but I like books about books. In the second volume, in particular, are treasures--your discoveries about "Twelfth Night," etc. What a Shakespearian essence that speech of Osrades for food!--Shakespeare is coarse to it--beginning "Forbear and eat no more." Osrades warms up to that, but does not set out ruffian-swaggerer. The character of the Ass with those three lines, worthy to be set in gilt vellum, and worn in frontlets by the noble beasts for ever-- "Thou would, perhaps, he should become thy foe, And to that end dost beat him many times: He cares not for himself, much less thy blow." Cervantes, Sterne, and Coleridge, have said positively nothing for asses compared with this. I write in haste; but p. 24, vol. i., the line you cannot appropriate is Gray's sonnet, specimenifyed by Wordsworth in first preface to L.B., as mixed of bad and good style: p. 143, 2nd vol., you will find last poem but one of the collection on Sidney's death in Spenser, the line, "Scipio, Caesar, Petrarch of our time." This fixes it to be Raleigh's: I had guess'd it to be Daniel's. The last after it, "Silence augmenteth rage," I will be crucified if it be not Lord Brooke's. Hang you, and all meddling researchers, hereafter, that by raking into learned dust may find me out wrong in my conjecture! Dear J.P.C., I shall take the first opportunity of personally thanking you for my entertainment. We are at Dalston for the most part, but I fully hope for an evening soon with you in Russell or Bouverie Street, to talk over old times and books. Remember _us_ kindly to Mrs. J.P.C. Yours very kindly, CHARLES LAMB. I write in misery. N.B.--The best pen I could borrow at our butcher's: the ink, I verily believe, came out of the kennel. [Collier's _Poetical Decameron_, in two volumes, was published in 1820: a series of imaginary conversations on curious and little-known books. His "Twelfth Night" discoveries will be found in the Eighth Conversation; Collier deduces the play from Barnaby Rich's _Farewell to Military Profession_, 1606. He also describes Thomas Lodge's "Rosalynde," the forerunner of "As You Like It," in which is the character Rosader, whom Lamb calls Osrades. His speech for food runs thus:-- It hapned that day that _Gerismond_, the lawfull king of _France_ banished by _Torismond_, who with a lustie crew of outlawes liued in that Forrest, that day in honour of his birth, made a feast to all his bolde yeomen, and frolickt it with store of wine and venison, sitting all at a long table vnder the shadow of Limon trees: to that place by chance fortune conducted Rosader, who seeing such a crew of braue men, hauing store of that for want of which hee and Adam perished, hee slept boldly to the boords end, and saluted the Company thus.--Whatsoeuer thou be that art maister of these lustie squires, I salute thee as graciously as a man in extreame distresse may: knowe that I and a fellow friend of mine, are here famished in the forrest for want of foode: perish we must, vnlesse relieued by thy fauours. Therefore if thou be a Gentleman, giue meate to men, and such as are euery way worthie of life: let the proudest Squire that sits at thy table rise and encounter with me in any honourable point of activitie whatsoeuer, and if he and thou proue me not a man, send mee away comfortlesse: if thou refuse this, as a niggard of thy cates, I will haue amongst you with my sword, for rather wil I die valiantly, then perish with so cowardly an extreame (Collier's _Poetical Decameron_, 174, Eighth Conversation). Lamb compares with that the passage in "As You Like It," II., 7, 88, beginning with Orlando's "Forbear, and eat no more." The character of the ass is quoted by Collier from an old book, _The Noblenesse of the Asse_, 1595, in the Third Conversation:-- Thou wouldst (perhaps) he should become thy foe, And to that end doost beat him many times; He cares not for himselfe, much lesse thy blowe. Lamb wrote more fully of this passage in an article on the ass contributed to Hone's _Every-Day Book_ in 1825 (see Vol. I. of the present edition). The line from Gray's sonnet on the death of Mr. Richard West was this:-- And weep the more because I weep in vain. "Scipio, Caesar," etc. This line runs, in the epitaph on Sidney, beginning "To praise thy life"-- Scipio, Cicero, and Petrarch of our time! It is generally supposed to be by Raleigh. The next poem, "Silence Augmenteth Grief," is attributed by Malone to Sir Edward Dyer, and by Hannah to Raleigh.] LETTER 275 CHARLES LAMB TO B.W. PROCTER [No date. ?Summer, 1821.] Dear Sir, The _Wits_ (as Clare calls us) assemble at my Cell (20 Russell St. Cov.-Gar.) this evening at 1/4 before 7. Cold meat at 9. Puns at--a little after. Mr. Cary wants to see you, to scold you. I hope you will not fail. Yours &c. &c. &c. C. LAMB. Thursday. I am sorry the London Magazine is going to be given up. [I assume the date of this note to be summer, 1821, because it was then that Baldwin, Cradock & Joy, the _London Magazine's_ first publishers, gave it up. The reason was the death of John Scott, the editor, and probably to a large extent the originator, of the magazine. It was sold to Taylor & Hessey, their first number being dated July, 1821. Scott had become involved in a quarrel with _Blackwood_, which reached such a pitch that a duel was fought, between Scott and Christie, a friend of Lockhart's. The whole story, which is involved, and indeed not wholly clear, need not be told here: it will be found in Mr. Lang's memoir of Lockhart. The meeting was held at Chalk Farm on February 16, 1821. Peter George Patmore, sub-editor of the _London_, was Scott's second. Scott fell, wounded by a shot which Christie fired purely in self-defence. He died on February 27. Mr. Cary. Henry Francis Cary the translator of Dante and a contributor to the _London Magazine_. The _London Magazine_ had four periods. From 1820 to the middle of 1821, when it was Baldwin, Cradock & Joy's. From 1821 to the end of 1824, when it was Taylor & Hessey's at a shilling. From January, 1825, to August of that year, when it was Taylor & Hessey's at half-a-crown; and from September, l825, to the end, when it was Henry Southern's, and was published by Hunt & Clarke.] LETTER 276 CHARLES LAMB TO JOHN TAYLOR Margate, June 8, 1821. Dear Sir,--I am extremely sorry to be obliged to decline the article proposed, as I should have been flattered with a Plate accompanying it. In the first place, Midsummer day is not a topic I could make anything of--I am so pure a Cockney, and little read, besides, in May games and antiquities; and, in the second, I am here at Margate, spoiling my holydays with a Review I have undertaken for a friend, which I shall barely get through before my return; for that sort of work is a hard task to me. If you will excuse the shortness of my first contribution-and I _know_ I can promise nothing more for July--I will endeavour a longer article for _our next_. Will you permit me to say that I think Leigh Hunt would do the article you propose in a masterly manner, if he has not outwrit himself already upon the subject. I do not return the proof--to save postage--because it is correct, with ONE EXCEPTION. In the stanza from Wordsworth, you have changed DAY into AIR for rhyme-sake: DAY is the right reading, and I IMPLORE you to restore it. The other passage, which you have queried, is to my ear correct. Pray let it stand. D'r S'r, yours truly, C. LAMB. On second consideration, I do enclose the proof. [John Taylor (1781-1864), the publisher, with Hessey, of the _London Magazine_ was, in 1813, the first publicly to identify Sir Philip Francis with Junius. Taylor acted as editor of the _London Magazine_ from 1821 to 1824, assisted by Thomas Hood. Later his interests were centred in currency questions. "I am here at Margate." I do not know what review Lamb was writing. If written and published it has not been reprinted. It was on this visit to Margate that Lamb met Charles Cowden Clarke. "My first contribution." The first number to bear Taylor & Hessey's name was dated July, but they had presumably acquired the rights in the magazine before then. Lamb's first contribution to the _London Magazine_ had been in August, 1820, "The South-Sea House." The proof which Lamb returned was that of the _Elia_, essay on "Mackery End in Hertfordshire," printed in the July number of the _London Magazine_, in which he quoted a stanza from Wordsworth's "Yarrow Visited":-- But thou, that didst appear so fair To fond imagination, Dost rival in the light of day Her delicate creation. Here should come a scrap from Lamb to Ayrton, dated July 17, 1821, referring to the Coronation. Lamb says that in consequence of this event he is postponing his Wednesday evening to Friday.] LETTER 277 CHARLES LAMB TO JOHN TAYLOR July 21, 1821. D'r Sir,--The _Lond. Mag._ is chiefly pleasant to me, because some of my friends write in it. I hope Hazlitt intends to go on with it, we cannot spare Table Talk. For myself I feel almost exhausted, but I will try my hand a little longer, and shall not at all events be written out of it by newspaper paragraphs. Your proofs do not seem to want my helping hand, they are quite correct always. For God's sake change _Sisera_ to _Jael_. This last paper will be a choke-pear I fear to some people, but as you do not object to it, I can be under little apprehension of your exerting your Censorship too rigidly. Thanking you for your extract from M'r. E.'s letter, I remain, D'r Sir, Your obliged, C. LAMB. [Hazlitt continued his Table Talk in the _London Magazine_ until December, 1821. Lamb seems to have been treated foolishly by some newspaper critic; but I have not traced the paragraphs in question. The proof was that of the _Elia_ essay "Imperfect Sympathies," which was printed (with a fuller title) in the number for August, 1821. The reference to Jael is in the passage on Braham and the Jewish character. I do not identify Mr. E. Possibly Elton. See next letter. Here should come a further letter to Taylor, dated July 30, 1821, in which Lamb refers to some verses addressed to him by "Olen" (Charles Abraham Elton: see note to next letter) in the _London Magazine_ for August, remonstrating with him for the pessimism of the _Elia_ essay "New Year's Eve" (see Vol. II. of this edition). Lamb also remarks that he borrowed the name Elia (pronounced Ellia) from an old South-Sea House clerk who is now dead. Elia has recently been identified by Mr. R.W. Goulding, the librarian at Welbeck Abbey, as F. Augustus Elia, author of a French tract entitled _Considération sur l'état actuel de la France au mois de Juin 1815. Par une anglais_. It is privately reprinted in _Letters from the originals at Welbeck Abbey_, 1909.] LETTER 278 CHARLES LAMB TO CHARLES ABRAHAM ELTON India House to which place all letters addressed to C.L. commonly come. [August 17, 1821 (?).] My dear Sir, You have overwhelmed me with your favours. I have received positively a little library from Baldwyn's. I do not know how I have deserved such a bounty. We have been up to the ear in the classics ever since it came. I have been greatly pleased, but most, I think, with the Hesiod,--the Titan battle quite amazed me. Gad, it was no child's play--and then the homely aphorisms at the end of the works--how adroitly you have turned them! Can he be the same Hesiod who did the Titans? the latter is-- "-----wine Which to madness does incline." But to read the Days and Works, is like eating nice brown bread, homely sweet and nutritive. Apollonius was new to me. I had confounded him with the conjuror of that name. Medea is glorious; but I cannot give up Dido. She positively is the only Fine Lady of Antiquity: her courtesy to the Trojans is altogether queen-like. Eneas is a most disagreeable person. Ascanius a pretty young master. Mezentius for my money. His dying speech shames Turpin--not the Archbishop I mean, but the roadster of that name. I have been ashamed to find how many names of classics (and more than their names) you have introduced me to, that before I was ignorant of. Your commendation of Master Chapman arrideth me. Can any one read the pert modern Frenchify'd notes, &c., in Pope's translation, and contrast them with solemn weighty prefaces of Chapman, writing in full faith, as he evidently does, of the plenary inspiration of his author--worshipping his meanest scraps and relics as divine--without one sceptical misgiving of their authenticity, and doubt which was the properest to expound Homer to their countrymen. Reverend Chapman! you have read his hymn to Pan (the Homeric)--why, it is Milton's blank verse clothed with rhyme. Paradise Lost could scarce lose, could it be so accoutred. I shall die in the belief that he has improved upon Homer, in the Odyssey in particular--the disclosure of Ulysses of himself, to Alcinous, his previous behaviour at the song of the stern strife arising between Achilles and himself (how it raises him above the _Iliad_ Ulysses!) but you know all these things quite as well as I do. But what a deaf ear old C. would have turned to the doubters in Homer's real personality! They might as well have denied the appearance of J.C. in the flesh.--He apparently believed all the fables of H.'s birth, &c. Those notes of Bryant have caused the greatest disorder in my brain-pan. Well, I will not flatter when I say that we have had two or three long evening's _good reading_ out of your kind present. I will say nothing of the tenderest parts in your own little volume, at the end of such a slatternly scribble as this, but indeed they cost us some tears. I scrawl away because of interruptions every moment. You guess how it is in a busy office--papers thrust into your hand when your hand is busiest--and every anti-classical disavocation. [_Conclusion cut away_.] [Sir Charles Abraham Elton (1778-1853) seems to have sent Lamb a number of his books, principally his _Specimens of the Classical_ _Poets ... from Homer to Tryphiodorus translated into English Verse_, Baldwin, 1814, in three volumes. Lamb refers first to the passage from Hesiod's _Theogony_, and then to his _Works and Days_ (which Chapman translated)--"Dispensation of Providence to the Just and Unjust." Apollonius Rhodius was the author of _The Argonautics_. Lamb then passes on to Virgil. For the death of Mezentius see the _Aeneid_, Book X., at the end. The makers of broadsides had probably credited Dick Turpin with a dying speech. "Those notes of Bryant." Lamb possibly refers to Jacob Bryant's _Essay on the Original Genius and Writings of Homer_, 1775, or his pamphlet on the Trojan War, 1795, 1799. "Your own little volume." Probably _The Brothers and Other Poems_, by Elton, 1820.] LETTER 279 CHARLES LAMB TO CHARLES COWDEN CLARKE [Summer, 1821.] My dear Sir--Your letter has lain in a drawer of my desk, upbraiding me every time I open the said drawer, but it is almost impossible to answer such a letter in such a place, and I am out of the habit of replying to epistles otherwhere than at office. You express yourself concerning H. like a true friend, and have made me feel that I have somehow neglected him, but without knowing very well how to rectify it. I live so remote from him--by Hackney--that he is almost out of the pale of visitation at Hampstead. And I come but seldom to Cov't Gard'n this summer time--and when I do, am sure to pay for the late hours and pleasant Novello suppers which I incur. I also am an invalid. But I will hit upon some way, that you shall not have cause for your reproof in future. But do not think I take the hint unkindly. When I shall be brought low by any sickness or untoward circumstance, write just such a letter to some tardy friend of mine--or come up yourself with your friendly Henshaw face--and that will be better. I shall not forget in haste our casual day at Margate. May we have many such there or elsewhere! God bless you for your kindness to H., which I will remember. But do not show N. this, for the flouting infidel doth mock when Christians cry God bless us. Yours and _his, too_, and all our little circle's most affect'e. C. LAMB. Mary's love included. [Charles Cowden Clarke (1787-1877) was the son of a schoolmaster who had served as usher with George Dyer at Northampton. Afterwards he established a school at Enfield, where Keats was one of the scholars. Charles Cowden Clarke, at this time a bookseller, remained one of Keats' friends and was a friend also of Leigh Hunt's, on whose behalf he seems to have written to Lamb. Later he became a partner of Alfred Novello, the musical publisher, son of Vincent Novello. In 1828 he married Mary Victoria Novello. "Friendly Henshaw face." I cannot explain this. Leigh Hunt left England for Italy in November, 1821, to join Shelley and Byron. Here should come a brief note to Allan Cunningham asking him to an evening party of _London Magazine_ contributors at 20 Russell St., given in the Boston Bibliophile edition.] LETTER 280 MARY LAMB TO MRS. WILLIAM AYRTON [No date. ?1821.] Thursday Morning. MY dear friend, The kind interest you took in my perplexities of yesterday makes me feel that you will be well pleased to hear I got through my complicated business far better than I had ventured to hope I should do. In the first place let me thank you, my good friend, for your good advice; for, had I not gone to Martin first he would have sent a senseless letter to Mr. Rickman, and _now_ he is coming here to-day in order to frame one in conjunction with my brother. What will be Mr. Rickman's final determination I know not, but he and Mrs. Rickman both gave me a most kind reception, and a most patient hearing, and then Mr. R. walked with me as far as Bishopsgate Street, conversing the whole way on the same unhappy subject. I will see you again the very first opportunity till when farewel with grateful thanks. How senseless I was not to make you go back in that empty coach. I never have but one idea in my poor head at a time. Yours affectionately M. LAMB. at Mr. Coston's No. 14 Kingsland Row Dalston. [The explanation of this letter is found in an entry in Crabb Robinson's _Diary_, the unpublished portion, which tells us that owing to certain irregularities Rickman, who was Clerk Assistant at the table of the House of Commons, had been obliged to discharge Martin Burney, who was one of his clerks. Here should come another scrap from Lamb to Ayrton, dated August 14, stating that at to-morrow's rubber the windows will be closed on account of Her Majesty's death. Her Majesty was Queen Caroline, whom Lamb had championed. She died on August 7.] LETTER 281 CHARLES LAMB TO THOMAS ALLSOP Oct. 21, 1819. My dear Sir, I have to thank you for a fine hare, and unless I am mistaken for _two_, the first I received a week since, the account given with it was that it came from Mr. Alfourd--I have no friend of that name, but two who come near it Mr. Talfourd Mr. Alsop so my gratitude must be divided between you, till I know the true sender. We are and shall be some time, I fear, at Dalston, a distance which does not improve hares by the circuitous route of Cov't Garden, though for the sweetness of _this last_ I will answer. We dress it to-day. I suppose you know my sister has been & is ill. I do not see much hopes, though there is a glimmer, of her speedy recovery. When we are all well, I hope to come among our town friends, and shall have great pleasure in welcoming you from Beresford Hall. Yours, & old Mr. Walton's, & honest Mr. Cotton's Piscatorum Amicus, C.L. India House 19 Oct. 21 LETTER 282 CHARLES LAMB TO WILLIAM AYRTON [Oct. 27, 1821.] I Come, Grimalkin! Dalston, near Hackney, 27th Oct'r. One thousand 8 hundred and twenty one years and a wee-bit since you and I were redeemed. I doubt if _you_ are done properly yet. [A further letter to Ayrton, dated from Dalston, October 30, is printed by Mr. Macdonald, in which Lamb speaks of his sister's illness and the death of his brother John, who died on October 26, aged fifty-eight. It is reasonable to suppose that Lamb, when the above note was written, was unaware of his brother's death (see note to Letter 284 on page 610). On October 26, however, he had written to the editor of the _London Magazine_ saying that he was most uncomfortably situated at home and expecting some trouble which might prevent further writing for some time--which may have been an allusion to his brother's illness or to signs of Mary Lamb's approaching malady. Here should come a note to William Hone, evidently in reply to a comment on Lamb's essay on "Saying Grace." Here should come a letter from Lamb to Rickman, dated November 20, 1821, referring to Admiral Burney's death. "I have been used to death lately. Poor Jim White's departure last year first broke the spell. I had been so fortunate as to have lost no friends in that way for many long years, and began to think people did not die." He says that Mary Lamb has recovered from a long illness and is pretty well resigned to John Lamb's death.] LETTER 283 CHARLES LAMB TO S.T. COLERIDGE March 9th, 1822. Dear C.,--It gives me great satisfaction to hear that the pig turned out so well--they are interesting creatures at a certain age--what a pity such buds should blow out into the maturity of rank bacon! You had all some of the crackling --and brain sauce--did you remember to rub it with butter, and gently dredge it a little, just before the crisis? Did the eyes come away kindly with no Oedipean avulsion? Was the crackling the colour of the ripe pomegranate? Had you no complement of boiled neck of mutton before it, to blunt the edge of delicate desire? Did you flesh maiden teeth in it? Not that I sent the pig, or can form the remotest guess what part Owen could play in the business. I never knew him give anything away in my life. He would not begin with strangers. I suspect the pig, after all, was meant for me; but at the unlucky juncture of time being absent, the present somehow went round to Highgate. To confess an honest truth, a pig is one of those things I could never think of sending away. Teals, wigeons, snipes, barn-door fowl, ducks, geese--your tame villatic things--Welsh mutton, collars of brawn, sturgeon, fresh or pickled, your potted char, Swiss cheeses, French pies, early grapes, muscadines, I impart as freely unto my friends as to myself. They are but self-extended; but pardon me if I stop somewhere--where the fine feeling of benevolence giveth a higher smack than the sensual rarity--there my friends (or any good man) may command me; but pigs are pigs, and I myself therein am nearest to myself. Nay, I should think it an affront, an undervaluing done to Nature who bestowed such a boon upon me, if in a churlish mood I parted with the precious gift. One of the bitterest pangs of remorse I ever felt was when a child--when my kind old aunt had strained her pocketstrings to bestow a sixpenny whole plum-cake upon me. In my way home through the Borough, I met a venerable old man, not a mendicant, but thereabouts--a look-beggar, not a verbal petitionist; and in the coxcombry of taught-charity I gave away the cake to him. I walked on a little in all the pride of an Evangelical peacock, when of a sudden my old aunt's kindness crossed me--the sum it was to her--the pleasure she had a right to expect that I--not the old impostor --should take in eating her cake--the cursed ingratitude by which, under the colour of a Christian virtue, I had frustrated her cherished purpose. I sobbed, wept, and took it to heart so grievously, that I think I never suffered the like--and I was right. It was a piece of unfeeling hypocrisy, and proved a lesson to me ever after. The cake has long been masticated, consigned to dunghill with the ashes of that unseasonable pauper. But when Providence, who is better to us all than our aunts, gives me a pig, remembering my temptation and my fall, I shall endeavour to act towards it more in the spirit of the donor's purpose. Yours (short of pig) to command in everything. C.L. [This letter probably led to the immediate composition of the _Elia_ essay "A Dissertation on Roast Pig" (see Vol. II. of the present edition), which was printed in the _London Magazine_ for September, 1822. See also "Thoughts on Presents of Game," Vol. I. of this edition. "Owen." Lamb's landlord in Russell Street. "My kind old aunt... the Borough." This is rather perplexing. Lamb, to the best of our knowledge, never as a child lived anywhere but in the Temple. His only aunt of whom we know anything lived with the family also in the Temple. But John Lamb's will proves Lamb to have had two aunts. The reference to the Borough suggests therefore that the aunt in question was not Sarah Lamb (Aunt Hetty) but her sister.] LETTER 284 CHARLES LAMB TO WILLIAM WORDSWORTH 20th March, 1822. My dear Wordsworth--A letter from you is very grateful, I have not seen a Kendal postmark so long! We are pretty well save colds and rheumatics, and a certain deadness to every thing, which I think I may date from poor John's Loss, and another accident or two at the same time, that has made me almost bury myself at Dalston, where yet I see more faces than I could wish. Deaths over-set one and put one out long after the recent grief. Two or three have died within this last two twelvem'ths, and so many parts of me have been numbed. One sees a picture, reads an anecdote, starts a casual fancy, and thinks to tell of it to this person in preference to every other--the person is gone whom it would have peculiarly suited. It won't do for _another_. Every departure destroys a class of sympathies. There's Capt. Burney gone!--what fun has whist now? what matters it what you lead, if you can no longer fancy him looking over you? One never hears any thing, but the image of the particular person occurs with whom alone almost you would care to share the intelligence. Thus one distributes oneself about--and now for so many parts of me I have lost the market. Common natures do not suffice me. Good people, as they are called, won't serve. I want individuals. I am made up of queer points and I want so many answering needles. The going away of friends does not make the remainder more precious. It takes so much from them as there was a common link. A. B. and C. make a party. A. dies. B. not only loses A. but all A.'s part in C. C. loses A.'s part in B., and so the alphabet sickens by subtraction of interchangeables. I express myself muddily, capite dolente. I have a dulling cold. My theory is to enjoy life, but the practice is against it. I grow ominously tired of official confinement. Thirty years have I served the Philistines, and my neck is not subdued to the yoke. You don't know how wearisome it is to breathe the air of four pent walls without relief day after day, all the golden hours of the day between 10 and 4 without ease or interposition. Taedet me harum quotidianarum formarum, these pestilential clerk faces always in one's dish. O for a few years between the grave and the desk! they are the same, save that at the latter you are outside the machine. The foul enchanter--letters four do form his name--Busirane is his name in hell--that has curtailed you of some domestic comforts, hath laid a heavier hand on me, not in present infliction, but in taking away the hope of enfranchisement. I dare not whisper to myself a Pension on this side of absolute incapacitation and infirmity, till years have sucked me dry. Otium cum indignitate. I had thought in a green old age (O green thought!) to have retired to Ponder's End--emblematic name how beautiful! in the Ware road, there to have made up my accounts with Heaven and the Company, toddling about between it and Cheshunt, anon stretching on some fine Izaac Walton morning to Hoddesdon or Amwell, careless as a Beggar, but walking, walking ever, till I fairly walkd myself off my legs, dying walking! The hope is gone. I sit like Philomel all day (but not singing) with my breast against this thorn of a Desk, with the only hope that some Pulmonary affliction may relieve me. Vide Lord Palmerston's report of the Clerks in the war office (Debates, this morning's Times) by which it appears in 20 years, as many Clerks have been coughd and catarrhd out of it into their freer graves. Thank you for asking about the Pictures. Milton hangs over my fire side in Covt. Card, (when I am there), the rest have been sold for an old song, wanting the eloquent tongue that should have set them off! You have gratifyd me with liking my meeting with Dodd. For the Malvolio story--the thing is become in verity a sad task and I eke it out with any thing. If I could slip out of it I sh'd be happy, but our chief reputed assistants have forsaken us. The opium eater crossed us once with a dazzling path, and hath as suddenly left us darkling; and in short I shall go on from dull to worse, because I cannot resist the Bookseller's importunity--the old plea you know of authors, but I believe on my part sincere. Hartley I do not so often see, but I never see him in unwelcome hour. I thoroughly love and honor him. I send you a frozen Epistle, but it is winter and dead time of the year with me. May heaven keep something like spring and summer up with you, strengthen your eyes and make mine a little lighter to encounter with them, as I hope they shall yet and again, before all are closed. Yours, with every kind rem'be. C.L. I had almost forgot to say, I think you thoroughly right about presentation copies. I should like to see you print a book I should grudge to purchase for its size. D----n me, but I would have it though! [John Lamb's will left everything to his brother. We must suppose that his widow was independently provided for. I doubt if the brothers had seen each other except casually for some time. The _Elia_ essay "My Relations" contains John Lamb's full-length portrait under the name of James Elia. Captain Burney died on November 17, 1821, "The foul enchanter--letters four do form his name." From Coleridge's war eclogue, "Fire, Famine and Slaughter," where the letters form the name of Pitt. Here they stand for Joseph Hume, not Lamb's friend, but Joseph Hume, M.P. (1777-1855), who had attacked with success abuses in the East India Company; had revised economically the system of collecting the revenue, thus touching Wordsworth as Distributor of Stamps; and had opposed Vansittart's scheme for the reduction of pension charges. "_Vide_ Lord Palmerston's report." In the _Times_ of March 21 is the report of a debate on the estimates. Palmerston proved a certain amount of reduction of salary in the War Office. Incidentally he remarked that "since 1810 not fewer than twenty-six clerks had died of pulmonary complaints, and disorders arising from sedentary habits." Milton was the portrait, already described, which had been left to Lamb. Lamb gave it as a dowry to Emma Isola when she became Mrs. Moxon. "My meeting with Dodd ... Malvolio story." In the essay "The Old Actors," in the London Magazine for February, 1822 (see Vol. II. of this edition). "Our chief reputed assistants." Hazlitt had left the _London Magazine_; Scott, the original editor, was dead. De Quincey, whose _Confessions of an Opium-Eater_ were appearing in its pages, has left a record of a visit to the Lambs about this time. See his "London Reminiscences." "Hartley." Hartley Coleridge, then a young man of twenty-five, was living in London after the unhappy sudden termination of his Oxford career. Here should come a brief note to Mrs. Norris, dated March 26, 1822, given in the Boston Bibliophile edition. Here should come a letter from Lamb to William Godwin, dated April 13, in which Lamb remarks that he cannot think how Godwin, who in his writings never expresses himself disrespectfully of any one but his Maker, can have given offence to Rickman. This reminds one of Godwin's remark about Coleridge, "God bless him--to use a vulgar expression," as recorded by Coleridge in one of his letters. Lamb also said of Godwin (and to him) that he had read more books that were not worth reading than any man in England.] LETTER 285 CHARLES LAMB TO W. HARRISON AINSWORTH [Dated at end: May 7, 1822.] Dear Sir,--I have read your poetry with pleasure. The tales are pretty and prettily told, the language often finely poetical. It is only sometimes a little careless, I mean as to redundancy. I have marked certain passages (in pencil only, which will easily obliterate) for your consideration. Excuse this liberty. For the distinction you offer me of a dedication, I feel the honor of it, but I do not think it would advantage the publication. I am hardly on an eminence enough to warrant it. The Reviewers, who are no friends of mine--the two big ones especially who make a point of taking no notice of anything I bring out--may take occasion by it to decry us both. But I leave you to your own judgment. Perhaps, if you wish to give me a kind word, it will be more appropriate _before your republication of Tourneur_. The "Specimens" would give a handle to it, which the poems might seem to want. But I submit it to yourself with the old recollection that "beggars should not be chusers" and remain with great respect and wishing success to both your publications Your obe't. Ser't. C. LAMB. No hurry at all for Tourneur. Tuesday 7 May '22. [William Harrison Ainsworth (1805-1882), afterwards known as a novelist, was then articled to a Manchester solicitor, but had begun his literary career. The book to which Lamb refers was called _The Works of Cheviot Tichburn_, 1822, and was dedicated to him in the following terms:--"To my friend Charles Lamb, as a slight mark of gratitude for his kindness and admiration of his character, these poems are inscribed." Ainsworth was meditating an edition of the works of Cyril Tourneur, author of "The Atheist's Tragedy," to whom Lamb had drawn attention in the _Dramatic Specimens_, 1808. The book was never published.] LETTER 286 CHARLES LAMB TO WILLIAM GODWIN May 16, 1822. Dear Godwin--I sincerely feel for all your trouble. Pray use the enclosed £50, and pay me when you can. I shall make it my business to see you very shortly. Yours truly C. LAMB. [Owing largely to a flaw in the title-deed of his house at 41 Skinner Street, which he had to forfeit, Godwin had come upon poverty greater than any he had previously suffered, although he had been always more or less necessitous. Lamb now lent him £50. In the following year, after being mainly instrumental in putting on foot a fund for Godwin's benefit, he transformed this loan into a gift. An appeal was issued in 1823 asking for; £600, the following postscript to which, in Lamb's hand, is preserved at the South Kensington Museum:-- "There are few circumstances belonging to the case which are not sufficiently adverted to in the above letter. "Mr. Godwin's opponent declares himself determined to act against him with the last degree of hostility: the law gives him the power the first week in November to seize upon Mr. Godwin's property, furniture, books, &c. together with all his present sources of income for the support of himself and his family. Mr. Godwin has at this time made considerable progress in a work of great research, and requiring all the powers of his mind, to the completion of which he had lookd for future pecuniary advantage. His mind is at this moment so entirely occupied in this work, that he feels within himself the firmness and resolution that no _prospect_ of evil or calamity shall draw him off from it or suspend his labours. But the _calamity itself_, if permitted to arrive, will produce the physical impossibility for him to proceed. His books and the materials of his work, as well as his present sources of income, will be taken from him. Those materials have been the collection of several years, and it would require a long time to replace them, if they could ever be replaced. "The favour of an early answer is particularly requested, that the extent of the funds supplied may as soon as possible be ascertained, particularly as any aid, however kindly intended, will, after the lapse of a very few weeks, become useless to the purpose in view." The signatories to the appeal were: Crabb Robinson (£30), William Ayrton (£10), John Murray (£10 10s.), Charles Lamb (£50), Lord Francis Leveson-Gower (£10), Lord Dudley (£50), the Hon. W. Lamb (£20) and Sir James Macintosh (£10). Other contributions were: Lord Byron, £26 5s.; T.M. Alsager, £10; and "A B C, by Charles Lamb," £10. A B C was Sir Walter Scott. The work on which Godwin was then labouring was his _History of the Commonwealth_, 1824-1828. His new home was in the Strand. In 1833 he received the post of Yeoman Usher of the Exchequer, which he held till his death in 1836, although its duties had vanished ere then.] LETTER 287 CHARLES LAMB TO MRS. JOHN LAMB 22 May 1822. Dear Mrs. Lamb, A letter has come to Arnold for Mrs. Phillips, and, as I have not her address, I take this method of sending it to you. That old rogue's name is Sherwood, as you guessed, but as I named the shirts to him, I think he must have them. Your character of him made me almost repent of the bounty. You must consider this letter as Mary's--for writing letters is such a trouble and puts her to such twitters (family modesty, you know; it is the way with me, but I try to get over it) that in pity I offer to do it for her.-- We hold our intention of seeing France, but expect to see you here first, as we do not go till the 20th of next month. A steam boat goes to Dieppe, I see.-- Christie has not sent to me, and I suppose is in no hurry to settle the account. I think in a day or two (if I do not hear from you to the contrary) I shall refresh his memory. I am sorry I made you pay for two Letters. I Peated it, and re-peated it. Miss Wright is married, and I am a hamper in her debt, which I hope will now not be remembered. She is in great good humour, I hear, and yet out of spirits. Where shall I get such full flavor'd Geneva again? Old Mr. Henshaw died last night precisely at 1/2 past 11.--He has been open'd by desire of Mrs. McKenna; and, where his heart should have been, was found a stone. Poor Arnold is inconsolable; and, not having shaved since, looks deplorable. With our kind remembrances to Caroline and your friends We remain yours affectionaly C.L. AND M. LAMB. [_Occupying the entire margin up the left-hand side of the letter is, in Mary Lamb's hand_:--] I thank you for your kind letter, and owe you one in return, but Charles is in such a hurry to send this to be franked. Your affectionate sister M. LAMB. [_On the right-hand margin, beside the paragraph about Mr. Henshaw, is written in the same hand, underlined_:--] He is not dead. [John Lamb's widow had been a Mrs. Dowden, with an unmarried daughter, probably the Caroline referred to. The letter treats of family matters which could not now be explained even if it were worth while. The Lambs were arranging a visit to Versailles, to the Kenneys. Mr. Henshaw was Lamb's godfather, a gunsmith.] LETTER 288 (_Fragment_) CHARLES LAMB TO MARY LAMB (in Paris). [August, 1822.] Then you must walk all along the Borough side of the Seine facing the Tuileries. There is a mile and a half of print shops and book stalls. If the latter were but English. Then there is a place where the Paris people put all their dead people and bring em flowers and dolls and ginger bread nuts and sonnets and such trifles. And that is all I think worth seeing as sights, except that the streets and shops of Paris are themselves the best sight. [The Lambs had left England for France in June. While they were there Mary Lamb was taken ill again--in a diligence, according to Moore--and Lamb had to return home alone, leaving a letter, of which this is the only portion that has been preserved, for her guidance on her recovery. It is also the only writing from Lamb to his sister that exists. Mary Lamb, who had taken her nurse with her in case of trouble, was soon well again, and in August had the company of Crabb Robinson in Paris. Mrs. Aders was also there, and Foss, the bookseller in Pall Mall, and his brother. And it was on this visit that the Lambs met John Howard Payne, whom we shall shortly see.] LETTER 289 CHARLES LAMB TO JOHN CLARE India House, 31 Aug., 1822. Dear Clare--I thank you heartily for your present. I am an inveterate old Londoner, but while I am among your choice collections, I seem to be native to them, and free of the country. The quantity of your observation has astonished me. What have most pleased me have been Recollections after a Ramble, and those Grongar Hill kind of pieces in eight syllable lines, my favourite measure, such as Cowper Hill and Solitude. In some of your story-telling Ballads the provincial phrases sometimes startle me. I think you are too profuse with them. In poetry _slang_ of every kind is to be avoided. There is a rustick Cockneyism, as little pleasing as ours of London. Transplant Arcadia to Helpstone. The true rustic style, the Arcadian English, I think is to be found in Shenstone. Would his Schoolmistress, the prettiest of poems, have been better, if he had used quite the Goody's own language? Now and then a home rusticism is fresh and startling, but where nothing is gained in expression, it is out of tenor. It may make folks smile and stare, but the ungenial coalition of barbarous with refined phrases will prevent you in the end from being so generally tasted, as you deserve to be. Excuse my freedom, and take the same liberty with my _puns_. I send you two little volumes of my spare hours. They are of all sorts, there is a methodist hymn for Sundays, and a farce for Saturday night. Pray give them a place on your shelf. Pray accept a little volume, of which I have [a] duplicate, that I may return in equal number to your welcome presents. I think I am indebted to you for a sonnet in the London for August. Since I saw you I have been in France, and have eaten frogs. The nicest little rabbity things you ever tasted. Do look about for them. Make Mrs. Clare pick off the hind quarters, boil them plain, with parsley and butter. The fore quarters are not so good. She may let them hop off by themselves. Yours sincerely, CHAS. LAMB. [John Clare (1793-1864) was the Northamptonshire poet whom the _London Magazine_ had introduced to fame. Octavius Gilchrist had played to him the same part that Capell Lofft had to Bloomfield. His first volume, _Poems Descriptive of Rural Life and Scenery_, was published in January, 1820; his next, _The Village Minstrel_, in September of the next year. These he had probably sent to Lamb. Helpstone was Clare's birthplace. Lamb's two little return volumes were his _Works_. The sonnet in the August _London Magazine_ was not signed by Clare. It runs thus:-- TO ELlA ELIA, thy reveries and vision'd themes To Care's lorn heart a luscious pleasure prove; Wild as the mystery of delightful dreams, Soft as the anguish of remember'd love: Like records of past days their memory dances Mid the cool feelings Manhood's reason brings, As the unearthly visions of romances Peopled with sweet and uncreated things;-- And yet thy themes thy gentle worth enhances! Then wake again thy wild harp's tenderest strings, Sing on, sweet Bard, let fairy loves again Smile in thy dreams, with angel ecstacies; Bright o'er our souls will break the heavenly strain Through the dull gloom of earth's realities. Clare addressed to Lamb a sonnet on his _Dramatic Specimens_ which was printed in Hone's _Year Book_ in 1831. Here should come a letter from Lamb to Ayrton dated Sept. 5, 1822, referring to the writer's "drunken caput" and loss of memory. Here should come a letter from Lamb to Mrs. James Kenney, dated Sept. 11, 1822, in which Lamb says that Mary Lamb had reached home safely from France, and that she failed to smuggle Crabb Robinson's waistcoat. He adds that the Custom House people could not comprehend how a waistcoat, marked Henry Robinson, could be a part of Miss Lamb's wearing apparel. At the end of the letter is a charming note to Mrs. Kenney's little girl, Sophy, whom Lamb calls his dear wife. He assures her that the few short days of connubial felicity which he passed with her among the pears and apricots of Versailles were some of the happiest of his life.] LETTER 290 CHARLES LAMB TO BERNARD BARTON India House, 11 Sept. 1822. Dear Sir--You have misapprehended me sadly, if you suppose that I meant to impute any inconsistency (in your writing poetry) with your religious profession. I do not remember what I said, but it was spoken sportively, I am sure. One of my levities, which you are not so used to as my older friends. I probably was thinking of the light in which your so indulging yourself would appear to _Quakers_, and put their objection in my own foolish mouth. I would eat my words (provided they should be written on not very coarse paper) rather than I would throw cold water upon your, and my once, harmless occupation. I have read Napoleon and the rest with delight. I like them for what they are, and for what they are not. I have sickened on the modern rhodomontade & Byronism, and your plain Quakerish Beauty has captivated me. It is all wholesome cates, aye, and toothsome too, and withal Quakerish. If I were George Fox, and George Fox Licenser of the Press, they should have my absolute IMPRIMATUR. I hope I have removed the impression. I am, like you, a prisoner to the desk. I have been chained to that gally thirty years, a long shot. I have almost grown to the wood. If no imaginative poet, I am sure I am a figurative one. Do "Friends" allow puns? _verbal_ equivocations?--they are unjustly accused of it, and I did my little best in the "imperfect Sympathies" to vindicate them. I am very tired of clerking it, but have no remedy. Did you see a sonnet to this purpose in the Examiner?-- "Who first invented Work--and tied the free And holy-day rejoycing spirit down To the ever-haunting importunity Of business, in the green fields, and the town-- To plough--loom--anvil--spade--&, oh, most sad, To this dry drudgery of the desk's dead wood? Who but the Being Unblest, alien from good, Sabbathless Satan! he who his unglad Task ever plies 'mid rotatory burnings, That round and round incalculably reel-- For wrath Divine hath made him like a wheel-- In that red realm from whence are no returnings; Where toiling and turmoiling ever and aye He, and his Thoughts, keep pensive worky-day." C.L. I fancy the sentiment exprest above will be nearly your own, the expression of it probably would not so well suit with a follower of John Woolman. But I do not know whether diabolism is a part of your creed, or where indeed to find an exposition of your creed at all. In feelings and matters not dogmatical, I hope I am half a Quaker. Believe me, with great respect, yours C. LAMB. I shall always be happy to see, or hear from you.-- [This is the first of the letters to Bernard Barton (1784-1849), a clerk in a bank at Woodbridge, in Suffolk, who was known as the Quaker poet. Lamb had met him at a _London Magazine_ dinner at 13 Waterloo Place, and had apparently said something about Quakers and poetry which Barton, on thinking it over, had taken too seriously. Bernard Barton was already the author of four volumes of poetry, of which _Napoleon and other Poems_ was the latest, published in 1822. Lamb's essay on "Imperfect Sympathies" had been printed in the _London Magazine_ for August, 1821. For John Woolman, see note on page 93. The sonnet "Work" had been printed in the _Examiner_, August 29, 1819.] LETTER 291 CHARLES LAMB TO BARRON FIELD Sept. 22, 1822. My dear F.,--I scribble hastily at office. Frank wants my letter presently. I & sister are just returned from Paris!! We have eaten frogs. It has been such a treat! You know our monotonous general Tenor. Frogs are the nicest little delicate things--rabbity-flavoured. Imagine a Lilliputian rabbit! They fricassee them; but in my mind, drest seethed, plain, with parsley and butter, would have been the decision of Apicius. Shelley the great Atheist has gone down by water to eternal fire! Hunt and his young fry are left stranded at Pisa, to be adopted by the remaining duumvir, Lord Byron--his wife and 6 children & their maid. What a cargo of Jonases, if they had foundered too! The only use I can find of friends, is that they do to borrow money of you. Henceforth I will consort with none but rich rogues. Paris is a glorious picturesque old City. London looks mean and New to it, as the town of Washington would, seen after _it_. But they have no St. Paul's or Westminster Abbey. The Seine, so much despised by Cockneys, is exactly the size to run thro' a magnificent street; palaces a mile long on one side, lofty Edinbro' stone (O the glorious antiques!): houses on the other. The Thames disunites London & Southwark. I had Talma to supper with me. He has picked up, as I believe, an authentic portrait of Shakspere. He paid a broker about £40 English for it. It is painted on the one half of a pair of bellows--a lovely picture, corresponding with the Folio head. The bellows has old carved wings round it, and round the visnomy is inscribed, near as I remember, not divided into rhyme--I found out the rhyme-- "Whom have we here, Stuck on this bellows, But the Prince of good fellows, Willy Shakspere?" At top-- "O base and coward luck! To be here stuck.--POINS." At bottom-- "Nay! rather a glorious lot is to him assign'd, Who, like the Almighty, rides upon the wind.--PISTOL." This is all in old carved wooden letters. The countenance smiling, sweet, and intellectual beyond measure, even as He was immeasurable. It may be a forgery. They laugh at me and tell me Ireland is in Paris, and has been putting off a portrait of the Black Prince. How far old wood may be imitated I cannot say. Ireland was not found out by his parchments, but by his poetry. I am confident no painter on either side the Channel could have painted any thing near like the face I saw. Again, would such a painter and forger have expected £40 for a thing, if authentic, worth £4000? Talma is not in the secret, for he had not even found out the rhymes in the first inscription. He is coming over with it, and, my life to Southey's Thalaba, it will gain universal faith. The letter is wanted, and I am wanted. Imagine the blank filled up with all kind things. Our joint hearty remembrances to both of you. Yours as ever, C. LAMB. [Frank was Francis John Field, Barron Field's brother, in the India House. Shelley was drowned on July 8, 1822. Talma was François Joseph Talma (1763-1826), the great French tragedian. Lamb, introduced by John Howard Payne, saw him in "Regulus," but not understanding French was but mildly interested. "Ah," said Talma in the account by James Kenney printed in Henry Angelo's _Pic Nic_, "I was not very happy to-night; you must see me in 'Scylla.'" "Incidit in Scyllam," said Lamb, "qui vult vitare Charybdiro." "Ah, you are a rogue; you are a great rogue," was Talma's reply. Talma had bought a pair of bellows with Shakespeare's head on it. Lamb's belief in the authenticity of this portrait was misplaced, as the following account from _Chambers' Journal_ for September 27, 1856, will show:-- About the latter part of the last century, one Zincke, an artist of little note, but grandson of the celebrated enameller of that name, manufactured fictitious Shakespeares by the score.... The most famous of Zincke's productions is the well-known Talma Shakespeare, which gentle Charles Lamb made a pilgrimage to Paris to see; and when he did see, knelt down and kissed with idolatrous veneration. Zincke painted it on a larger panel than was necessary for the size of the picture, and then cut away the superfluous wood, so as to leave the remainder in the shape of a pair of bellows.... Zincke probably was thinking of "a muse of fire" when he adopted this strange method of raising the wind; but he made little by it, for the dealer into whose hands the picture passed, sold it as a curiosity, not an original portrait, for £5. The buyer, being a person of ingenuity, and fonder of money than curiosities, fabricated a series of letters to and from Sir Kenelm Digby, and, passing over to France, _planted_--the slang term used among the less honest of the curiosity-dealing fraternity--the picture and the letters in an old château near Paris. Of course a confederate managed to discover the _plant_, in the presence of witnesses, and great was the excitement that ensued. Sir Kenelm Digby had been in France in the reign of Charles I., and the fictitious correspondence _proved_ that the picture was an original, and had been painted by Queen Elizabeth's command, on the lid of her favourite pair of bellows! It really would seem that the more absurd a deception is, the better it succeeds. All Paris was in delight at possessing an original Shakespeare, while the London amateurs were in despair at such a treasure being lost to England. The ingenious person soon found a purchaser, and a high price recompensed him for his trouble. But more remains to be told. The happy purchaser took his treasure to Ribet, the first Parisian picture-cleaner of the day, to be cleaned. Ribet set to work; but we may fancy his surprise as the superficial _impasto_ of Zincke washed off beneath the sponge, and Shakespeare became a female in a lofty headgear adorned with blue ribbons. In a furious passion the purchaser ran to the seller. "Let us talk over the affair quietly," said the latter; "I have been cheated as well as you: let us keep the matter secret; if we let the public know it, all Paris and even London too, will be laughing at us. I will return you your money, and take back the picture, if you will employ Ribet to restore it to the same condition as it was in when you received it." This fair proposition was acceded to, and Ribet restored the picture; but as he was a superior artist to Zincke, he greatly improved it, and this improvement was attributed to his skill as a cleaner. The secret being kept, and the picture, improved by cleaning, being again in the market, Talma, the great Tragedian, purchased it at even a higher price than that given by the first buyer. Talma valued it highly, enclosed it in a case of morocco and gold, and subsequently refused 1000 Napoleons for it; and even when at last its whole history was disclosed, he still cherished it as a genuine memorial of the great bard. By kind permission of Mr. B.B. MacGeorge, the owner both of the letter and bellows, I was enabled to give a reproduction of the portrait in my large edition. Ireland was the author of "Vortigern," the forged play attributed to Shakespeare.] LETTER 292 CHARLES LAMB TO JOHN HOWARD PAYNE [Autumn, 1822.] Dear Payne--A friend and fellow-clerk of mine, Mr. White (a good fellow) coming to your parts, I would fain have accompanied him, but am forced instead to send a part of me, verse and prose, most of it from 20 to 30 years old, such as I then was, and I am not much altered. Paris, which I hardly knew whether I liked when I was in it, is an object of no small magnitude with me now. I want to be going, to the Jardin des Plantes (is that right, Louisa?) with you to Pere de la Chaise, La Morgue, and all the sentimentalities. How is Talma, and his (my) dear Shakspeare? N.B.--My friend White knows Paris thoroughly, and does not want a guide. We did, and had one. We both join in thanks. Do you remember a Blue-Silk Girl (English) at the Luxembourg, that did not much seem to attend to the Pictures, who fell in love with you, and whom I fell in love with--an inquisitive, prying, curious Beauty--where is she? _Votre Très Humble Serviteur_, CHARLOIS AGNEAU, _alias_ C. LAMB. Guichy is well, and much as usual. He seems blind to all the distinctions of life, except to those of sex. Remembrance to Kenny and Poole. [John Howard Payne (1792-1852) was born in New York. He began life as an actor in 1809 as Young Norval in "Douglas," and made his English _début_ in 1813 in the same part. For several years he lived either in London or Paris, where among his friends were Washington Irving and Talma. He wrote a number of plays, and in one of them, "Clari, or the Maid of Milan," is the song "Home, Sweet Home," with Bishop's music, on which his immortality rests. Payne died in Tunis, where he was American Consul, in 1852, and when in 1883 he was reinterred at Washington, it was as the author of "Home, Sweet Home." He seems to have been a charming but ill-starred man, whom to know was to love. Mr. White was Edward White of the India House, by whom Lamb probably sent a copy of the 1818 edition of his _Works_. Louisa was Louisa Holcroft. Guichy was possibly the Frenchman, mentioned by Crabb Robinson, with whom the Lambs had travelled to France. Poole was, I imagine, John Poole, the dramatist, author of burlesque plays in the _London Magazine_ and later of "Paul Pry," which, it is quite likely, he based on Lamb's sketch "Tom Pry."] LETTER 293 CHARLES LAMB TO BERNARD BARTON [Dated at end: 9 October 1822.] Dear Sir--I am asham'd not sooner to have acknowledged your letter and poem. I think the latter very temperate, very serious and very seasonable. I do not think it will convert the club at Pisa, neither do I think it will satisfy the bigots on our side the water. Something like a parody on the song of Ariel would please them better. Full fathom five the Atheist lies, Of his bones are hell-dice made.-- I want time, or fancy, to fill up the rest. I sincerely sympathise with you on your doleful confinement. Of Time, Health, and Riches, the first in order is not last in excellence. Riches are chiefly good, because they give us Time. What a weight of wearisome prison hours have [I] to look back and forward to, as quite cut out [of] life--and the sting of the thing is, that for six hours every day I have no business which I could not contract into two, if they would let me work Task-work. I shall be glad to hear that your grievance is mitigated. Shelly I saw once. His voice was the most obnoxious squeak I ever was tormented with, ten thousand times worse than the Laureat's, whose voice is the worst part about him, except his Laureatcy. Lord Byron opens upon him on Monday in a Parody (I suppose) of the "Vision of Judgment," in which latter the Poet I think did not much show _his_. To award his Heaven and his Hell in the presumptuous manner he has done, was a piece of immodesty as bad as Shelleyism. I am returning a poor letter. I was formerly a great Scribbler in that way, but my hand is out of order. If I said my head too, I should not be very much out, but I will tell no tales of myself. I will therefore end (after my best thanks, with a hope to see you again some time in London), begging you to accept this Letteret for a Letter--a Leveret makes a better present than a grown hare, and short troubles (as the old excuse goes) are best. I hear that C. Lloyd is well, and has returned to his family. I think this will give you pleasure to hear. I remain, dear Sir, yours truly C. LAMB. E.I.H. 9 Oct. 22. [Barton had just published his _Verses on the Death of P.B. Shelley_, a lament for misapplied genius. The club at Pisa referred particularly to Byron, Leigh Hunt, and Trelawney. Trelawney placed three lines from Ariel's song in "The Tempest" on Shelley's monument; but whether Lamb knew this, or his choice of rival lines is a coincidence, I do not know. Trelawney chose the lines:-- Nothing of him that doth fade But doth suffer a sea-change Into something rich and strange. There is no other record of Lamb's meeting with Shelley, who, by the way, admired Lamb's writings warmly, particularly _Mrs. Leicester's School_ (see the letter to Barton, August 17, 1824). Byron's _Vision of Judgment_, a burlesque of Southey's poem of the same name, was printed in _The Liberal_ for 1822.] LETTER 294 CHARLES LAMB TO B.R. HAYDON India House, 9th October, 1822. Dear Haydon, Poor Godwin has been turned out of his house and business in Skinner Street, and if he does not pay two years' arrears of rent, he will have the whole stock, furniture, &c., of his new house (in the Strand) seized when term begins. We are trying to raise a subscription for him. My object in writing this is simply to ask you, if this is a kind of case which would be likely to interest Mrs. Coutts in his behalf; and who in your opinion is the best person to speak with her on his behalf. Without the aid of from £300 to £400 by that time, early in November, he must be ruined. You are the only person I can think of, of her acquaintance, and can, perhaps, if not yourself, recommend the person most likely to influence her. Shelley had engaged to clear him of all demands, and he has gone down to the deep insolvent. Yours truly, C. LAMB. Is Sir Walter to be applied to, and by what channel? [Mrs. Coutts was probably Harriot Mellon, the actress, widow of the banker, Thomas Coutts, and afterwards Duchess of St. Albans. She had played the part of the heroine Melesinda in "Mr. H."] LETTER 295 CHARLES LAMB TO JOHN HOWARD PAYNE Thursday [Oct. 22], 1822. "Ali Pacha" will do. I sent my sister the first night, not having been able to go myself, and her report of its effect was most favourable. I saw it last night--the third night--and it was most satisfactorily received. I have been sadly disappointed in Talfourd, who does the critiques in the "Times," and who promised his strenuous services; but by some damn'd arrangement he was sent to the wrong house, and a most iniquitous account of Ali substituted for his, which I am sure would have been a kind one. The "Morning Herald" did it ample justice, without appearing to puff it. It is an abominable misrepresentation of the "Times," that Farren played Ali like Lord Ogilby. He acted infirmity of body, but not of voice or purpose. His manner was even grand. A grand old gentleman. His falling to the earth when his son's death was announced was fine as anything I ever saw. It was as if he had been blasted. Miss Foote looked helpless and beautiful, and greatly helped the piece. It is going on steadily, I am sure, for _many nights_. Marry, I was a little disappointed with Hassan, who tells us he subsists by cracking court jests before Hali, but he made none. In all the rest, scenery and machinery, it was faultless. I hope it will bring you here. I should be most glad of that. I have a room for you, and you shall order your own dinner three days in the week. I must retain my own authority for the rest. As far as magazines go, I can answer for Talfourd in the "New Monthly." He cannot be put out there. But it is established as a favourite, and can do without these expletives. I long to talk over with you the Shakspeare Picture. My doubts of its being a forgery mainly rest upon the goodness of the picture. The bellows might be trumped up, but where did the painter spring from? Is Ireland a consummate artist--or any of Ireland's accomplices?--but we shall confer upon it, I hope. The "New Times," I understand was favorable to "Ali," but I have not seen it. I am sensible of the want of method in this letter, but I have been deprived of the connecting organ, by a practice I have fallen into since I left Paris, of taking too much strong spirits of a night. I must return to the Hotel de l'Europe and Macon. How is Kenney? Have you seen my friend White? What is Poole about, &c.? Do not write, but come and answer me. The weather is charming, and there is a mermaid to be seen in London. You may not have the opportunity of inspecting such a _Poisarde_ once again in ten centuries. My sister joins me in the hope of seeing you. Yours truly, C. LAMB. [Lamb had met John Howard Payne, the American dramatist, at Kenney's, in France. "Ali Pacha," a melodrama in two acts, was produced at Covent Garden on October 19, 1822. It ran altogether sixteen nights. William Farren played the hero. Lord Ogleby, an antiquated fop, is a character in "The Clandestine Marriage" by Colman and Garrick. Miss Foote played Helena. See notes to the letter above for other references.] LETTER 296 CHARLES LAMB TO B.R. HAYDON Tuesday, 29th [October, 1822]. Dear H., I have written a very respectful letter to Sir W.S. Godwin did not write, because he leaves all to his committee, as I will explain to you. If this rascally weather holds, you will see but one of us on that day. Yours, with many thanks, C. LAMB. LETTER 297 CHARLES LAMB TO SIR WALTER SCOTT East India House, London, 29th October 1822. Dear Sir,--I have to acknowledge your kind attention to my application to Mr. Haydon. I have transmitted your draft to Mr. G[odwin]'s committee as an anonymous contribution through me. Mr. Haydon desires his thanks and best respects to you, but was desirous that I should write to you on this occasion. I cannot pass over your kind expressions as to myself. It is not likely that I shall ever find myself in Scotland, but should the event ever happen, I should be proud to pay my respects to you in your own land. My disparagement of heaths and highlands--if I said any such thing in half earnest,--you must put down as a piece of the old Vulpine policy. I must make the most of the spot I am chained to, and console myself for my flat destiny as well as I am able. I know very well our mole-hills are not mountains, but I must cocker them up and make them look as big and as handsome as I can, that we may both be satisfied. Allow me to express the pleasure I feel on an occasion given me of writing to you, and to subscribe myself, dear sir, your obliged and respectful servant, CHARLES LAMB. [See note to the letter to Godwin above. Lamb and Scott never met. Talfourd, however, tells us that "he used to speak with gratitude and pleasure of the circumstances under which he saw him once in Fleet-street. A man, in the dress of a mechanic, stopped him just at Inner Temple-gate, and said, touching his hat, 'I beg your pardon, sir, but perhaps you would like to see Sir Walter Scott; that is he just crossing the road;' and Lamb stammered out his hearty thanks to his truly humane informer." Mr. Lang has recently discovered that also in 1818 or thereabouts Sir Walter invited Lamb to Abbotsford.] LETTER 298 CHARLES LAMB TO THOMAS ROBINSON [Dated at end: Nov. 11, 1822.] Dear Sir, We have to thank you, or Mrs. Robinson-- for I think her name was on the direction--for the best pig, which myself, the warmest of pig-lovers, ever tasted. The dressing and the sauce were pronounced incomparable by two friends, who had the good fortune to drop in to dinner yesterday, but I must not mix up my cook's praises with my acknowledgments; let me but have leave to say that she and we did your pig justice. I should dilate on the crackling--done to a turn--but I am afraid Mrs. Clarkson, who, I hear, is with you, will set me down as an Epicure. Let it suffice, that you have spoil'd my appetite for boiled mutton for some time to come. Your brother Henry partook of the cold relics--by which he might give a good guess at what it had been _hot_. With our thanks, pray convey our kind respects to Mrs. Robinson, and the Lady before mentioned. Your obliged Ser't CHARLES LAMB. India House 11 Nov. 22. [This letter is addressed to R. Robinson, Esq., Bury, Suffolk, but I think there is no doubt that Thomas Robinson was the recipient. Thomas Robinson of Bury St. Edmunds was Henry Crabb Robinson's brother. Lamb's "Dissertation on Roast Pig" had been printed in the _London Magazine_ in September, 1822, and this pig was one of the first of many such gifts that came to him.] LETTER 299 CHARLES LAMB TO JOHN HOWARD PAYNE Wednesday, 13 November, '22. Dear P.--Owing to the inconvenience of having two lodgings, I did not get your letter quite so soon as I should. The India House is my proper address, where I am sure for the fore part of every day. The instant I got it, I addressed a letter, for Kemble to see, to my friend Henry Robertson, the Treasurer of Covent Garden Theatre. He had a conference with Kemble, and the result is, that Robertson, in the name of the management, recognized to me the full ratifying of your bargain: £250 for Ali, the Slaves, and another piece which they had not received. He assures me the whole will be paid you, or the proportion for the two former, as soon as ever the Treasury will permit it. He offered to write the same to you, if I pleased. He thinks in a month or so they will be able to liquidate it. He is positive no trick could be meant you, as Mr. Planche's alterations, which were trifling, were not at all considered as affecting your bargain. With respect to the copyright of Ali, he was of opinion no money would be given for it, as Ali is quite laid aside. This explanation being given, you would not think of printing the two copies together by way of recrimination. He told me the secret of the two Galley Slaves at Drury Lane. Elliston, if he is informed right, engaged Poole to translate it, but before Poole's translation arrived, finding it coming out at Cov. Gar., he procured copies of two several translations of it in London. So you see here are four translations, reckoning yours. I fear no copyright would be got for it, for anybody may print it and anybody has. Your's has run seven nights, and R. is of opinion it will not exceed in number of nights the nights of Ali,--about thirteen. But your full right to your bargain with the management is in the fullest manner recognized by him officially. He gave me every hope the money will be spared as soon as they can spare it. He said _a month or two_, but seemed to me to mean about _a month_. A new lady is coming out in Juliet, to whom they look very confidently for replenishing their treasury. Robertson is a very good fellow and I can rely upon his statement. Should you have any more pieces, and want to get a copyright for them, I am the worst person to negotiate with any bookseller, having been cheated by all I have had to do with (except Taylor and Hessey,--but they do not publish theatrical pieces), and I know not how to go about it, or who to apply to. But if you had no better negotiator, I should know the minimum you expect, for I should not like to make a bargain out of my own head, being (after the Duke of Wellington) the worst of all negotiators. I find from Robertson you have written to Bishop on the subject. Have you named anything of the copyright of the Slaves. R. thinks no publisher would pay for it, and you would not risque it on your own account. This is a mere business letter, so I will just send my love to my little wife at Versailles, to her dear mother, etc. Believe me, yours truly, C.L. [Payne's translation of the French play was produced at Covent Garden on November 6, 1822, under the title "The Soldier's Daughter." On the same night appeared a rival version at Drury