Google

Legends and Lyrics: First Series, by Adelaide Anne Procter

The Project Gutenberg eBook, Legends and Lyrics: First Series, by Adelaide
Anne Procter, et al


This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net





Title: Legends and Lyrics: First Series

Author: Adelaide Anne Procter

Release Date: October 20, 2004  [eBook #2303]

Language: English

Character set encoding: ISO-646-US (US-ASCII)


***START OF THE PROJECT GUTENBERG EBOOK LEGENDS AND LYRICS: FIRST SERIES***

This etext was prepared by David Price, email ccx074@coventry.ac.uk from the 1890 George Bell and Sons edition.

LEGENDS AND LYRICS—FIRST SERIES
by Adelaide Ann Procter

Contents:

Dedication
An Introduction by Charles Dickens
The Angel’s Story
Echoes
A False Genius
My Picture
Judge Not
Friend Sorrow
One by One
True Honours
A Woman’s Question
The Three Rulers
A Dead Past
A Doubting Heart
A Student
A Knight Errant
Linger, oh, gentle Time
Homeward Bound
Life and Death
Now
Cleansing Fires
The Voice of the Wind
Treasures
Shining Stars
Waiting
The Cradle Song of the Poor
Be strong
God’s Gifts
A Tomb in Ghent
The Angel of Death
A Dream
The Present
Changes
Strive, Wait, and Pray
A Lament for the Summer
The Unknown Grave
Give me thy Heart
The Wayside Inn
Voices of the Past
The Dark Side
A First Sorrow
Murmurs
Give
My Journal
A Chain
The Pilgrims
Incompleteness
A Legend of Bregenz
A Farewell
Sowing and Reaping
The Storm
Words
A Love Token
A Tryst with Death
Fidelis
A Shadow
The Sailor Boy
A Crown of Sorrow
The Lesson of the War
The Two Spirits
A Little Longer
Grief
The Triumph of Time
A Parting
The Golden Gate
Phantoms
Thankfulness
Home-sickness
Wishes
The Peace of God
Life in Death and Death in Life
Recollections
Illusion
A Vision
Pictures in the Fire
The Settlers
Hush!
Hours
The Two Interpreters
Comfort
Home at last
Unexpressed
Because
Rest at Evening
A Retrospect
True or False
Golden Words

DEDICATION

TO MATILDA M. HAYS.

“Our tokens of love are for the most part barbarous.  Cold and lifeless, because they do not represent our life.  The only gift is a portion of thyself.  Therefore let the farmer give his corn; the miner, a gem; the sailor, coral and shells; the painter, his picture; and the poet, his poem.”—Emerson’s Essays.

A. A. P.

May, 1858

AN INTRODUCTION BY CHARLES DICKENS

In the spring of the year 1853, I observed, as conductor of the weekly journal Household Words, a short poem among the proffered contributions, very different, as I thought, from the shoal of verses perpetually setting through the office of such a periodical, and possessing much more merit.  Its authoress was quite unknown to me.  She was one Miss Mary Berwick, whom I had never heard of; and she was to be addressed by letter, if addressed at all, at a circulating library in the western district of London.  Through this channel, Miss Berwick was informed that her poem was accepted, and was invited to send another.  She complied, and became a regular and frequent contributor.  Many letters passed between the journal and Miss Berwick, but Miss Berwick herself was never seen.

How we came gradually to establish, at the office of Household Words, that we knew all about Miss Berwick, I have never discovered.  But we settled somehow, to our complete satisfaction, that she was governess in a family; that she went to Italy in that capacity, and returned; and that she had long been in the same family.  We really knew nothing whatever of her, except that she was remarkably business-like, punctual, self-reliant, and reliable: so I suppose we insensibly invented the rest.  For myself, my mother was not a more real personage to me, than Miss Berwick the governess became.

This went on until December, 1854, when the Christmas number, entitled The Seven Poor Travellers, was sent to press.  Happening to be going to dine that day with an old and dear friend, distinguished in literature as Barry Cornwall, I took with me an early proof of that number, and remarked, as I laid it on the drawing-room table, that it contained a very pretty poem, written by a certain Miss Berwick.  Next day brought me the disclosure that I had so spoken of the poem to the mother of its writer, in its writer’s presence; that I had no such correspondent in existence as Miss Berwick; and that the name had been assumed by Barry Cornwall’s eldest daughter, Miss Adelaide Anne Procter.

The anecdote I have here noted down, besides serving to explain why the parents of the late Miss Procter have looked to me for these poor words of remembrance of their lamented child, strikingly illustrates the honesty, independence, and quiet dignity, of the lady’s character.  I had known her when she was very young; I had been honoured with her father’s friendship when I was myself a young aspirant; and she had said at home, “If I send him, in my own name, verses that he does not honestly like, either it will be very painful to him to return them, or he will print them for papa’s sake, and not for their own.  So I have made up my mind to take my chance fairly with the unknown volunteers.”

Perhaps it requires an editor’s experience of the profoundly unreasonable grounds on which he is often urged to accept unsuitable articles—such as having been to school with the writer’s husband’s brother-in-law, or having lent an alpenstock in Switzerland to the writer’s wife’s nephew, when that interesting stranger had broken his own—fully to appreciate the delicacy and the self-respect of this resolution.

Some verses by Miss Procter had been published in the Book of Beauty, ten years before she became Miss Berwick.  With the exception of two poems in the Cornhill Magazine, two in Good Words, and others in a little book called A Chaplet of Verses (issued in 1862 for the benefit of a Night Refuge), her published writings first appeared in Household Words, or All the Year Round.  The present edition contains the whole of her Legends and Lyrics, and originates in the great favour with which they have been received by the public.

Miss Procter was born in Bedford Square, London, on the 30th of October, 1825.  Her love of poetry was conspicuous at so early an age, that I have before me a tiny album made of small note-paper, into which her favourite passages were copied for her by her mother’s hand before she herself could write.  It looks as if she had carried it about, as another little girl might have carried a doll.  She soon displayed a remarkable memory, and great quickness of apprehension.  When she was quite a young child, she learned with facility several of the problems of Euclid.  As she grew older, she acquired the French, Italian, and German languages; became a clever pianoforte player; and showed a true taste and sentiment in drawing.  But, as soon as she had completely vanquished the difficulties of any one branch of study, it was her way to lose interest in it, and pass to another.  While her mental resources were being trained, it was not at all suspected in her family that she had any gift of authorship, or any ambition to become a writer.  Her father had no idea of her having ever attempted to turn a rhyme, until her first little poem saw the light in print.

When she attained to womanhood, she had read an extraordinary number of books, and throughout her life she was always largely adding to the number.  In 1853 she went to Turin and its neighbourhood, on a visit to her aunt, a Roman Catholic lady.  As Miss Procter had herself professed the Roman Catholic Faith two years before, she entered with the greater ardour on the study of the Piedmontese dialect, and the observation of the habits and manners of the peasantry.  In the former, she soon became a proficient.  On the latter head, I extract from her familiar letters written home to England at the time, two pleasant pieces of description.

A BETROTHAL

“We have been to a ball, of which I must give you a description.  Last Tuesday we had just done dinner at about seven, and stepped out into the balcony to look at the remains of the sunset behind the mountains, when we heard very distinctly a band of music, which rather excited my astonishment, as a solitary organ is the utmost that toils up here.  I went out of the room for a few minutes, and, on my returning, Emily said, ‘Oh!  That band is playing at the farmer’s near here.  The daughter is fiancée to-day, and they have a ball.’  I said, ‘I wish I was going!’  ‘Well,’ replied she, ‘the farmer’s wife did call to invite us.’  ‘Then I shall certainly go,’ I exclaimed.  I applied to Madame B., who said she would like it very much, and we had better go, children and all.  Some of the servants were already gone.  We rushed away to put on some shawls, and put off any shred of black we might have about us (as the people would have been quite annoyed if we had appeared on such an occasion with any black), and we started.  When we reached the farmer’s, which is a stone’s throw above our house, we were received with great enthusiasm; the only drawback being, that no one spoke French, and we did not yet speak Piedmontese.  We were placed on a bench against the wall, and the people went on dancing.  The room was a large whitewashed kitchen (I suppose), with several large pictures in black frames, and very smoky.  I distinguished the Martyrdom of Saint Sebastian, and the others appeared equally lively and appropriate subjects.  Whether they were Old Masters or not, and if so, by whom, I could not ascertain.  The band were seated opposite us.  Five men, with wind instruments, part of the band of the National Guard, to which the farmer’s sons belong.  They played really admirably, and I began to be afraid that some idea of our dignity would prevent me getting a partner; so, by Madame B.’s advice, I went up to the bride, and offered to dance with her.  Such a handsome young woman!  Like one of Uwins’s pictures.  Very dark, with a quantity of black hair, and on an immense scale.  The children were already dancing, as well as the maids.  After we came to an end of our dance, which was what they called a Polka-Mazourka, I saw the bride trying to screw up the courage of her fiancé to ask me to dance, which after a little hesitation he did.  And admirably he danced, as indeed they all did—in excellent time, and with a little more spirit than one sees in a ball-room.  In fact, they were very like one’s ordinary partners, except that they wore earrings and were in their shirt-sleeves, and truth compels me to state that they decidedly smelt of garlic.  Some of them had been smoking, but threw away their cigars when we came in.  The only thing that did not look cheerful was, that the room was only lighted by two or three oil-lamps, and that there seemed to be no preparation for refreshments.  Madame B., seeing this, whispered to her maid, who disengaged herself from her partner, and ran off to the house; she and the kitchenmaid presently returning with a large tray covered with all kinds of cakes (of which we are great consumers and always have a stock), and a large hamper full of bottles of wine, with coffee and sugar.  This seemed all very acceptable.  The fiancée was requested to distribute the eatables, and a bucket of water being produced to wash the glasses in, the wine disappeared very quickly—as fast as they could open the bottles.  But, elated, I suppose, by this, the floor was sprinkled with water, and the musicians played a Monferrino, which is a Piedmontese dance.  Madame B. danced with the farmer’s son, and Emily with another distinguished member of the company.  It was very fatiguing—something like a Scotch reel.  My partner was a little man, like Perrot, and very proud of his dancing.  He cut in the air and twisted about, until I was out of breath, though my attempts to imitate him were feeble in the extreme.  At last, after seven or eight dances, I was obliged to sit down.  We stayed till nine, and I was so dead beat with the heat that I could hardly crawl about the house, and in an agony with the cramp, it is so long since I have danced.”

A MARRIAGE

The wedding of the farmer’s daughter has taken place.  We had hoped it would have been in the little chapel of our house, but it seems some special permission was necessary, and they applied for it too late.  They all said, “This is the Constitution.  There would have been no difficulty before!” the lower classes making the poor Constitution the scapegoat for everything they don’t like.  So as it was impossible for us to climb up to the church where the wedding was to be, we contented ourselves with seeing the procession pass.  It was not a very large one, for, it requiring some activity to go up, all the old people remained at home.  It is not etiquette for the bride’s mother to go, and no unmarried woman can go to a wedding—I suppose for fear of its making her discontented with her own position.  The procession stopped at our door, for the bride to receive our congratulations.  She was dressed in a shot silk, with a yellow handkerchief, and rows of a large gold chain.  In the afternoon they sent to request us to go there.  On our arrival we found them dancing out of doors, and a most melancholy affair it was.  All the bride’s sisters were not to be recognised, they had cried so.  The mother sat in the house, and could not appear.  And the bride was sobbing so, she could hardly stand!  The most melancholy spectacle of all to my mind was, that the bridegroom was decidedly tipsy.  He seemed rather affronted at all the distress.  We danced a Monferrino; I with the bridegroom; and the bride crying the whole time.  The company did their utmost to enliven her by firing pistols, but without success, and at last they began a series of yells, which reminded me of a set of savages.  But even this delicate method of consolation failed, and the wishing good-bye began.  It was altogether so melancholy an affair that Madame B. dropped a few tears, and I was very near it, particularly when the poor mother came out to see the last of her daughter, who was finally dragged off between her brother and uncle, with a last explosion of pistols.  As she lives quite near, makes an excellent match, and is one of nine children, it really was a most desirable marriage, in spite of all the show of distress.  Albert was so discomfited by it, that he forgot to kiss the bride as he had intended to do, and therefore went to call upon her yesterday, and found her very smiling in her new house, and supplied the omission.  The cook came home from the wedding, declaring she was cured of any wish to marry—but I would not recommend any man to act upon that threat and make her an offer.  In a couple of days we had some rolls of the bride’s first baking, which they call Madonnas.  The musicians, it seems, were in the same state as the bridegroom, for, in escorting her home, they all fell down in the mud.  My wrath against the bridegroom is somewhat calmed by finding that it is considered bad luck if he does not get tipsy at his wedding.”

* * * * *

Those readers of Miss Procter’s poems who should suppose from their tone that her mind was of a gloomy or despondent cast, would be curiously mistaken.  She was exceedingly humorous, and had a great delight in humour.  Cheerfulness was habitual with her, she was very ready at a sally or a reply, and in her laugh (as I remember well) there was an unusual vivacity, enjoyment, and sense of drollery.  She was perfectly unconstrained and unaffected: as modestly silent about her productions, as she was generous with their pecuniary results.  She was a friend who inspired the strongest attachments; she was a finely sympathetic woman, with a great accordant heart and a sterling noble nature.  No claim can be set up for her, thank God, to the possession of any of the conventional poetical qualities.  She never by any means held the opinion that she was among the greatest of human beings; she never suspected the existence of a conspiracy on the part of mankind against her; she never recognised in her best friends, her worst enemies; she never cultivated the luxury of being misunderstood and unappreciated; she would far rather have died without seeing a line of her composition in print, than that I should have maundered about her, here, as “the Poet”, or “the Poetess”.

With the recollection of Miss Procter as a mere child and as a woman, fresh upon me, it is natural that I should linger on my way to the close of this brief record, avoiding its end.  But, even as the close came upon her, so must it come here.

Always impelled by an intense conviction that her life must not be dreamed away, and that her indulgence in her favourite pursuits must be balanced by action in the real world around her, she was indefatigable in her endeavours to do some good.  Naturally enthusiastic, and conscientiously impressed with a deep sense of her Christian duty to her neighbour, she devoted herself to a variety of benevolent objects.  Now, it was the visitation of the sick, that had possession of her; now, it was the sheltering of the houseless; now, it was the elementary teaching of the densely ignorant; now, it was the raising up of those who had wandered and got trodden under foot; now, it was the wider employment of her own sex in the general business of life; now, it was all these things at once.  Perfectly unselfish, swift to sympathise and eager to relieve, she wrought at such designs with a flushed earnestness that disregarded season, weather, time of day or night, food, rest.  Under such a hurry of the spirits, and such incessant occupation, the strongest constitution will commonly go down.  Hers, neither of the strongest nor the weakest, yielded to the burden, and began to sink.

To have saved her life, then, by taking action on the warning that shone in her eyes and sounded in her voice, would have been impossible, without changing her nature.  As long as the power of moving about in the old way was left to her, she must exercise it, or be killed by the restraint.  And so the time came when she could move about no longer, and took to her bed.

All the restlessness gone then, and all the sweet patience of her natural disposition purified by the resignation of her soul, she lay upon her bed through the whole round of changes of the seasons.  She lay upon her bed through fifteen months.  In all that time, her old cheerfulness never quitted her.  In all that time, not an impatient or a querulous minute can be remembered.

At length, at midnight on the second of February, 1864, she turned down a leaf of a little book she was reading, and shut it up.

The ministering hand that had copied the verses into the tiny album was soon around her neck, and she quietly asked, as the clock was on the stroke of one:

“Do you think I am dying, mamma?”

“I think you are very, very ill to-night, my dear!”

“Send for my sister.  My feet are so cold.  Lift me up?”

Her sister entering as they raised her, she said: “It has come at last!”  And with a bright and happy smile, looked upward, and departed.

Well had she written:

Why shouldst thou fear the beautiful angel, Death,
Who waits thee at the portals of the skies,
Ready to kiss away thy struggling breath,
Ready with gentle hand to close thine eyes?

Oh what were life, if life were all?  Thine eyes
Are blinded by their tears, or thou wouldst see
Thy treasures wait thee in the far-off skies,
And Death, thy friend, will give them all to thee.

VERSE: THE ANGEL’S STORY

Through the blue and frosty heavens
Christmas stars were shining bright;
Glistening lamps throughout the City
Almost matched their gleaming light;
While the winter snow was lying,
And the winter winds were sighing,
Long ago, one Christmas night.

While, from every tower and steeple,
Pealing bells were sounding clear,
(Never with such tones of gladness,
Save when Christmas time is near,)
Many a one that night was merry
Who had toiled through all the year.

That night saw old wrongs forgiven,
Friends, long parted, reconciled;
Voices all unused to laughter,
Mournful eyes that rarely smiled,
Trembling hearts that feared the morrow,
From their anxious thoughts beguiled.

Rich and poor felt love and blessing
From the gracious season fall;
Joy and plenty in the cottage,
Peace and feasting in the hall;
And the voices of the children
Ringing clear above it all!

Yet one house was dim and darkened;
Gloom, and sickness, and despair,
Dwelling in the gilded chambers.
Creeping up the marble stair,
Even stilled the voice of mourning—
For a child lay dying there.

Silken curtains fell around him,
Velvet carpets hushed the tread.
Many costly toys were lying,
All unheeded, by his bed;
And his tangled golden ringlets
Were on downy pillows spread.

The skill of all that mighty City
To save one little life was vain;
One little thread from being broken,
One fatal word from being spoken;
Nay, his very mother’s pain,
And the mighty love within her,
Could not give him health again.

So she knelt there still beside him,
She alone with strength to smile,
Promising that he should suffer
No more in a little while,
Murmuring tender song and story
Weary hours to beguile.

Suddenly an unseen Presence
Checked those constant moaning cries,
Stilled the little heart’s quick fluttering,
Raised those blue and wondering eyes,
Fixed on some mysterious vision,
With a startled sweet surprise.

For a radiant angel hovered,
Smiling, o’er the little bed;
White his raiment, from his shoulders
Snowy dove-like pinions spread,
And a starlike light was shining
In a Glory round his head.

While, with tender love, the angel,
Leaning o’er the little nest,
In his arms the sick child folding,
Laid him gently on his breast,
Sobs and wailings told the mother
That her darling was at rest.

So the angel, slowing rising,
Spread his wings; and, through the air,
Bore the child, and while he held him
To his heart with loving care,
Placed a branch of crimson roses
Tenderly beside him there.

While the child, thus clinging, floated
Towards the mansions of the Blest,
Gazing from his shining guardian
To the flowers upon his breast,
Thus the angel spake, still smiling
On the little heavenly guest:

“Know, dear little one, that Heaven
Does no earthly thing disdain,
Man’s poor joys find there an echo
Just as surely as his pain;
Love, on earth so feebly striving,
Lives divine in Heaven again!

“Once in that great town below us,
In a poor and narrow street,
Dwelt a little sickly orphan;
Gentle aid, or pity sweet,
Never in life’s rugged pathway
Guided his poor tottering feet.

“All the striving anxious forethought
That should only come with age,
Weighed upon his baby spirit,
Showed him soon life’s sternest page;
Grim Want was his nurse, and Sorrow
Was his only heritage.

“All too weak for childish pastimes,
Drearily the hours sped;
On his hands so small and trembling
Leaning his poor aching head,
Or, through dark and painful hours,
Lying sleepless on his bed.

“Dreaming strange and longing fancies
Of cool forests far away;
And of rosy, happy children,
Laughing merrily at play,
Coming home through green lanes, bearing
Trailing boughs of blooming May.

“Scarce a glimpse of azure heaven
Gleamed above that narrow street,
And the sultry air of Summer
(That you call so warm and sweet)
Fevered the poor Orphan, dwelling
In the crowded alley’s heat.

“One bright day, with feeble footsteps
Slowly forth he tried to crawl,
Through the crowded city’s pathways,
Till he reached a garden-wall;
Where ’mid princely halls and mansions
Stood the lordliest of all.

“There were trees with giant branches,
Velvet glades where shadows hide;
There were sparkling fountains glancing,
Flowers, which in luxuriant pride
Even wafted breaths of perfume
To the child who stood outside.

“He against the gate of iron
Pressed his wan and wistful face,
Gazing with an awe-struck pleasure
At the glories of the place;
Never had his brightest day-dream
Shone with half such wondrous grace.

“You were playing in that garden,
Throwing blossoms in the air,
Laughing when the petals floated
Downwards on your golden hair;
And the fond eyes watching o’er you,
And the splendour spread before you,
Told a House’s Hope was there.

“When your servants, tired of seeing
Such a face of want and woe,
Turning to the ragged Orphan,
Gave him coin, and bade him go,
Down his cheeks so thin and wasted,
Bitter tears began to flow.

“But that look of childish sorrow
On your tender child-heart fell,
And you plucked the reddest roses
From the tree you loved so well,
Passed them through the stern cold grating,
Gently bidding him ‘Farewell!’

“Dazzled by the fragrant treasure
And the gentle voice he heard,
In the poor forlorn boy’s spirit,
Joy, the sleeping Seraph, stirred;
In his hand he took the flowers,
In his heart the loving word.

“So he crept to his poor garret;
Poor no more, but rich and bright,
For the holy dreams of childhood—
Love, and Rest, and Hope, and Light—
Floated round the Orphan’s pillow
Through the starry summer night.

“Day dawned, yet the visions lasted;
All too weak to rise he lay;
Did he dream that none spake harshly—
All were strangely kind that day?
Surely then his treasured roses
Must have charmed all ills away.

“And he smiled, though they were fading;
One by one their leaves were shed;
‘Such bright things could never perish,
They would bloom again,’ he said.
When the next day’s sun had risen
Child and flowers both were dead.

“Know, dear little one! our Father
Will no gentle deed disdain;
Love on the cold earth beginning
Lives divine in Heaven again,
While the angel hearts that beat there
Still all tender thoughts retain.”

So the angel ceased, and gently
O’er his little burthen leant;
While the child gazed from the shining,
Loving eyes that o’er him bent,
To the blooming roses by him,
Wondering what that mystery meant.

Thus the radiant angel answered,
And with tender meaning smiled:
“Ere your childlike, loving spirit,
Sin and the hard world defiled,
God has given me leave to seek you—
I was once that little child!”

* * *

In the churchyard of that city
Rose a tomb of marble rare,
Decked, as soon as Spring awakened,
With her buds and blossoms fair—
And a humble grave beside it—
No one knew who rested there.

VERSE: ECHOES

Still the angel stars are shining,
Still the rippling waters flow,
But the angel-voice is silent
That I heard so long ago.
Hark! the echoes murmur low,
Long ago!

Still the wood is dim and lonely,
Still the plashing fountains play,
But the past and all its beauty,
Whither has it fled away?
Hark! the mournful echoes say,
Fled away!

Still the bird of night complaineth,
(Now, indeed, her song is pain,)
Visions of my happy hours,
Do I call and call in vain?
Hark! the echoes cry again,
All in vain!

Cease, oh echoes, mournful echoes!
Once I loved your voices well;
Now my heart is sick and weary—
Days of old, a long farewell!
Hark! the echoes sad and dreary
Cry farewell, farewell!

VERSE: A FALSE GENIUS

I see a Spirit by thy side,
Purple-winged and eagle-eyed,
Looking like a Heavenly guide.

Though he seem so bright and fair,
Ere thou trust his proffered care,
Pause a little, and beware!

If he bid thee dwell apart,
Tending some ideal smart
In a sick and coward heart;

In self-worship wrapped alone,
Dreaming thy poor griefs are grown
More than other men have known;

Dwelling in some cloudy sphere,
Though God’s work is waiting here,
And God deigneth to be near;

If his torch’s crimson glare
Show thee evil everywhere,
Tainting all the wholesome air;

While with strange distorted choice,
Still disdaining to rejoice,
Thou wilt hear a wailing voice;

If a simple, humble heart,
Seem to thee a meaner part,
Than thy noblest aim and art;

If he bid thee bow before
Crownèd Mind and nothing more,
The great idol men adore;

And with starry veil enfold
Sin, the trailing serpent old,
Till his scales shine out like gold;

Though his words seem true and wise,
Soul, I say to thee—Arise.
He is a Demon in disguise!

VERSE: MY PICTURE

Stand this way—more near the window—
By my desk—you see the light
Falling on my picture better—
Thus I see it while I write!

Who the head may be I know not,
But it has a student air;
With a look half sad, half stately,
Grave sweet eyes and flowing hair.

Little care I who the painter,
How obscure a name he bore;
Nor, when some have named Velasquez,
Did I value it the more.

As it is, I would not give it
For the rarest piece of art;
It has dwelt with me, and listened
To the secrets of my heart.

Many a time, when to my garret,
Weary, I returned at night,
It has seemed to look a welcome
That has made my poor room bright.

Many a time, when ill and sleepless,
I have watched the quivering gleam
Of my lamp upon that picture,
Till it faded in my dream.

When dark days have come, and friendship
Worthless seemed, and life in vain,
That bright friendly smile has sent me
Boldly to my task again.

Sometimes when hard need has pressed me
To bow down where I despise,
I have read stern words of counsel
In those sad reproachful eyes.

Nothing that my brain imagined,
Or my weary hand has wrought,
But it watched the dim Idea
Spring forth into armèd Thought.

It has smiled on my successes,
Raised me when my hopes were low,
And by turns has looked upon me
With all the loving eyes I know.

Do you wonder that my picture
Has become so like a friend?—
It has seen my life’s beginnings,
It shall stay and cheer the end!

VERSE: JUDGE NOT

Judge not; the workings of his brain
And of his heart thou canst not see;
What looks to thy dim eyes a stain,
In God’s pure light may only be
A scar, brought from some well-won field,
Where thou wouldst only faint and yield.

The look, the air, that frets thy sight,
May be a token, that below
The soul has closed in deadly fight
With some infernal fiery foe,
Whose glance would scorch thy smiling grace,
And cast thee shuddering on thy face!

The fall thou darest to despise—
May be the angel’s slackened hand
Has suffered it, that he may rise
And take a firmer, surer stand;
Or, trusting less to earthly things,
May henceforth learn to use his wings.

And judge none lost; but wait, and see,
With hopeful pity, not disdain;
The depth of the abyss may be
The measure of the height of pain
And love and glory that may raise
This soul to God in after days!

VERSE: FRIEND SORROW

Do not cheat thy Heart and tell her,
“Grief will pass away,
Hope for fairer times in future,
And forget to-day.”—
Tell her, if you will, that sorrow
Need not come in vain;
Tell her that the lesson taught her
Far outweighs the pain.

Cheat her not with the old comfort,
“Soon she will forget”—
Bitter truth, alas—but matter
Rather for regret;
Bid her not “Seek other pleasures,
Turn to other things:”—
Rather nurse her cagèd sorrow
’Till the captive sings.

Rather bid her go forth bravely.
And the stranger greet;
Not as foe, with spear and buckler,
But as dear friends meet;
Bid her with a strong clasp hold her,
By her dusky wings—
Listening for the murmured blessing
Sorrow always brings.

VERSE: ONE BY ONE

One by one the sands are flowing,
One by one the moments fall;
Some are coming, some are going;
Do not strive to grasp them all.

One by one thy duties wait thee,
Let thy whole strength go to each,
Let no future dreams elate thee,
Learn thou first what these can teach.

One by one (bright gifts from Heaven)
Joys are sent thee here below;
Take them readily when given,
Ready too to let them go.

One by one thy griefs shall meet thee,
Do not fear an armèd band;
One will fade as others greet thee;
Shadows passing through the land.

Do not look at life’s long sorrow;
See how small each moment’s pain;
God will help thee for to-morrow,
So each day begin again.

Every hour that fleets so slowly
Has its task to do or bear;
Luminous the crown, and holy,
When each gem is set with care.

Do not linger with regretting,
Or for passing hours despond;
Nor, the daily toil forgetting,
Look too eagerly beyond.

Hours are golden links, God’s token,
Reaching Heaven; but one by one
Take them, lest the chain be broken
Ere the pilgrimage be done.

VERSE: TRUE HONOURS

Is my darling tired already,
Tired of her day of play?
Draw your little stool beside me,
Smooth this tangled hair away.
Can she put the logs together,
Till they make a cheerful blaze?
Shall her blind old Uncle tell her
Something of his youthful days?

Hark!  The wind among the cedars
Waves their white arms to and fro;
I remember how I watched them
Sixty Christmas Days ago:
Then I dreamt a glorious vision
Of great deeds to crown each year—
Sixty Christmas Days have found me
Useless, helpless, blind—and here!

Yes, I feel my darling stealing
Warm soft fingers into mine—
Shall I tell her what I fancied
In that strange old dream of mine?
I was kneeling by the window,
Reading how a noble band,
With the red cross on their breast-plates,
Went to gain the Holy Land.

While with eager eyes of wonder
Over the dark page I bent,
Slowly twilight shadows gathered
Till the letters came and went;
Slowly, till the night was round me;
Then my heart beat loud and fast,
For I felt before I saw it
That a spirit near me passed.

Then I raised my eyes, and shining
Where the moon’s first ray was bright
Stood a wingèd Angel-warrior
Clothed and panoplied in light:
So, with Heaven’s love upon him,
Stern in calm and resolute will,
Looked St. Michael—does the picture
Hang in the old cloister still?

Threefold were the dreams of honour
That absorbed my heart and brain;
Threefold crowns the Angel promised,
Each one to be bought by pain:
While he spoke, a threefold blessing
Fell upon my soul like rain.
HELPER OF THE POOR AND SUFFERING;
VICTOR IN A GLORIOUS STRIFE;
SINGER OF A NOBLE POEM:
Such the honours of my life.

Ah, that dream!  Long years that gave me
Joy and grief as real things
Never touched the tender memory
Sweet and solemn that it brings—
Never quite effaced the feeling
Of those white and shadowing wings.

Do those blue eyes open wider?
Does my faith too foolish seem?
Yes, my darling, years have taught me
It was nothing but a dream.
Soon, too soon, the bitter knowledge
Of a fearful trial rose,
Rose to crush my heart, and sternly
Bade my young ambition close.

More and more my eyes were clouded,
Till at last God’s glorious light
Passed away from me for ever,
And I lived and live in night.
Dear, I will not dim your pleasure,
Christmas should be only gay—
In my night the stars have risen,
And I wait the dawn of day.

Spite of all I could be happy;
For my brothers’ tender care
In their boyish pastimes ever
Made me take, or feel a share.
Philip, even then so thoughtful,
Max so noble, brave and tall,
And your father, little Godfrey,
The most loving of them all.

Philip reasoned down my sorrow,
Max would laugh my gloom away,
Godfrey’s little arms put round me,
Helped me through my dreariest day;
While the promise of my Angel,
Like a star, now bright, now pale,
Hung in blackest night above me,
And I felt it could not fail.

Years passed on, my brothers left me,
Each went out to take his share
In the struggle of life; my portion
Was a humble one—to bear.
Here I dwelt, and learnt to wander
Through the woods and fields alone,
Every cottage in the village
Had a corner called my own.

Old and young, all brought their troubles,
Great or small, for me to hear;
I have often blessed my sorrow
That drew others’ grief so near.
Ah, the people needed helping—
Needed love—(for Love and Heaven
Are the only gifts not bartered,
They alone are freely given)—

And I gave it.  Philip’s bounty,
(We were orphans, dear,) made toil
Prosper, and want never fastened
On the tenants of the soil.
Philip’s name (Oh, how I gloried,
He so young, to see it rise!)
Soon grew noted among statesmen
As a patriot true and wise.

And his people all felt honoured
To be ruled by such a name;
I was proud too that they loved me;
Through their pride in him it came.
He had gained what I had longed for,
I meanwhile grew glad and gay,
’Mid his people, to be serving
Him and them, in some poor way.

How his noble earnest speeches,
With untiring fervour came;
HELPER OF THE POOR AND SUFFERING;
Truly he deserved the name!
Had my Angel’s promise failed me?
Had that word of hope grown dim?
Why, my Philip had fulfilled it,
And I loved it best in him!

Max meanwhile—ah, you, my darling,
Can his loving words recall—
’Mid the bravest and the noblest,
Braver, nobler, than them all.
How I loved him! how my heart thrilled
When his sword clanked by his side.
When I touched his gold embroidery,
Almost saw him in his pride!

So we parted; he all eager
To uphold the name he bore,
Leaving in my charge—he loved me—
Some one whom he loved still more:
I must tend this gentle flower,
I must speak to her of him,
For he feared—Love still is fearful—
That his memory might grow dim.

I must guard her from all sorrow,
I must play a brother’s part,
Shield all grief and trial from her,
If it need be, with my heart.
Years passed, and his name grew famous;
We were proud, both she and I;
And we lived upon his letters,
While the slow days fleeted by.

Then at last—you know the story,
How a fearful rumour spread,
Till all hope had slowly faded,
And we heard that he was dead.
Dead!  Oh, those were bitter hours;
Yet within my soul there dwelt
A warning, and while others mourned him,
Something like a hope I felt.

His was no weak life as mine was,
But a life, so full and strong—
No, I could not think he perished
Nameless, ’mid a conquered throng.
How she drooped!  Years passed; no tidings
Came, and yet that little flame
Of strange hope within my spirit
Still burnt on, and lived the same.

Ah! my child, our hearts will fail us,
When to us they strongest seem;
I can look back on those hours
As a fearful, evil dream.
She had long despaired; what wonder
That her heart had turned to mine?
Earthly loves are deep and tender,
Not eternal and divine!

Can I say how bright a future
Rose before my soul that day?
Oh, so strange, so sweet, so tender—
And I had to turn away.
Hard and terrible the struggle,
For the pain not mine alone;
I called back my Brother’s spirit,
And I bade him claim his own.

Told her—now I dared to do it—
That I felt the day would rise
When he would return to gladden
My weak heart and her bright eyes.
And I pleaded—pleaded sternly—
In his name, and for his sake:
Now, I can speak calmly of it,
Then, I thought my heart would break.

Soon—ah, Love had not deceived me,
(Love’s true instincts never err,)
Wounded, weak, escaped from prison,
He returned to me; to her.
I could thank God that bright morning,
When I felt my Brother’s gaze,
That my heart was true and loyal,
As in our old boyish days.

Bought by wounds and deeds of daring,
Honours he had brought away;
Glory crowned his name—my Brother’s;
Mine too!—we were one that day.
Since the crown on him had fallen,
“VICTOR IN A NOBLE STRIFE,”
I could live and die contented
With my poor ignoble life.

Well, my darling, almost weary
Of my story?  Wait awhile;
For the rest is only joyful;
I can tell it with a smile.
One bright promise still was left me,
Wound so close about my soul,
That, as one by one had failed me,
This dream now absorbed the whole.

“SINGER OF A NOBLE POEM,”—
Ah, my darling, few and rare
Burn the glorious names of Poets,
Like stars in the purple air.
That too, and I glory in it,
That great gift my Godfrey won;
I have my dear share of honour,
Gained by that belovèd one.

One day shall my darling read it;
Now she cannot understand
All the noble thoughts, that lighten
Through the genius of the land.
I am proud to be his brother,
Proud to think that hope was true;
Though I longed and strove so vainly,
What I failed in, he could do.

I was long before I knew it,
Longer ere I felt it so;
Then I strung my rhymes together
Only for the poor and low.
And, it pleases me to know it,
(For I love them well indeed,)
They care for my humble verses,
Fitted for their humble need.

And, it cheers my heart to bear it,
Where the far-off settlers roam,
My poor words are sung and cherished,
Just because they speak of Home.
And the little children sing them,
(That, I think, has pleased me best,)
Often, too, the dying love them,
For they tell of Heaven and rest.

So my last vain dream has faded;
(Such as I to think of fame!)
Yet I will not say it failed me,
For it crowned my Godfrey’s name.
No; my Angel did not cheat me,
For my long life has been blest;
He did give me Love and Sorrow,
He will bring me Light and Rest.

VERSE: A WOMAN’S QUESTION

Before I trust my Fate to thee,
Or place my hand in thine,
Before I let thy Future give
Colour and form to mine,
Before I peril all for thee, question thy soul to-night for me.

I break all slighter bonds, nor feel
A shadow of regret:
Is there one link within the Past,
That holds thy spirit yet?
Or is thy Faith as clear and free as that which I can pledge to thee?

Does there within thy dimmest dreams
A possible future shine,
Wherein thy life could henceforth breathe,
Untouched, unshared by mine?
If so, at any pain or cost, oh, tell me before all is lost.

Look deeper still.  If thou canst feel
Within thy inmost soul,
That thou hast kept a portion back,
While I have staked the whole;
Let no false pity spare the blow, but in true mercy tell me so.

Is there within thy heart a need
That mine cannot fulfil?
One chord that any other hand
Could better wake or still?
Speak now—lest at some future day my whole life wither and decay.

Lives there within thy nature bid
The demon-spirit Change,
Shedding a passing glory still
On all things new and strange?—
It may not be thy fault alone—but shield my heart against thy own.

Couldst thou withdraw thy hand one day
And answer to my claim,
That Fate, and that to-day’s mistake,
Not thou—had been to blame?
Some soothe their conscience thus: but thou, wilt surely warn and save me now.

Nay, answer not—I dare not hear,
The words would come too late;
Yet I would spare thee all remorse,
So, comfort thee, my Fate—
Whatever on my heart may fall—remember I would risk it all!

VERSE: THE THREE RULERS

I saw a Ruler take his stand
And trample on a mighty land;
The People crouched before his beck,
His iron heel was on their neck,
His name shone bright through blood and pain,
His sword flashed back their praise again.

I saw another Ruler rise—
His words were noble, good, and wise;
With the calm sceptre of his pen
He ruled the minds and thoughts of men;
Some scoffed, some praised—while many heard,
Only a few obeyed his word.

Another Ruler then I saw—
Love and sweet Pity were his law:
The greatest and the least had part
(Yet most the unhappy) in his heart—
The People, in a mighty band,
Rose up, and drove him from the land!

VERSE: A DEAD PAST

Spare her at least: look, you have taken from me
The Present, and I murmur not, nor moan;
The Future too, with all her glorious promise;
But do not leave me utterly alone.

Spare me the Past—for, see, she cannot harm you,
She lies so white and cold, wrapped in her shroud;
All, all my own! and, trust me, I will hide her
Within my soul, nor speak to her aloud.

I folded her soft hands upon her bosom,
And strewed my flowers upon her—they still live—
Sometimes I like to kiss her closed white eye-lids,
And think of all the joy she used to give.

Cruel indeed it were to take her from me;
She sleeps, she will not wake—no fear—again:
And so I laid her, such a gentle burthen,
Quietly on my heart to still its pain.

I do not think that any smiling Present,
Any vague Future, spite of all her charms,
Could ever rival her.  You know you laid her,
Long years ago, then living, in my arms.

Leave her at least—while my tears fall upon her,
I dream she smiles, just as she did of yore;
As dear as ever to me—nay, it may be,
Even dearer still—since I have nothing more.

VERSE: A DOUBTING HEART

Where are the swallows fled?
Frozen and dead,
Perchance upon some bleak and stormy shore.
Oh doubting heart!
Far over purple seas,
They wait, in sunny ease,
The balmy southern breeze,
To bring them to their northern homes once more.

Why must the flowers die?
Prisoned they lie
In the cold tomb, heedless of tears or rain.
Oh doubting heart!
They only sleep below
The soft white ermine snow,
While winter winds shall blow,
To breathe and smile upon you soon again.

The sun has hid its rays
These many days;
Will dreary hours never leave the earth?
Oh doubting heart!
The stormy clouds on high
Veil the same sunny sky,
That soon (for spring is nigh)
Shall wake the summer into golden mirth.

Fair hope is dead, and light
Is quenched in night.
What sound can break the silence of despair?
Oh doubting heart!
Thy sky is overcast,
Yet stars shall rise at last,
Brighter for darkness past,
And angels’ silver voices stir the air.

VERSE: A STUDENT

Over an ancient scroll I bent,
Steeping my soul in wise content,
Nor paused a moment, save to chide
A low voice whispering at my side.

I wove beneath the stars’ pale shine
A dream, half human, half divine;
And shook off (not to break the charm)
A little hand laid on my arm.

I read; until my heart would glow
With the great deeds of long ago;
Nor heard, while with those mighty dead,
Pass to and fro a faltering tread.

On the old theme I pondered long—
The struggle between right and wrong;
I could not check such visions high,
To soothe a little quivering sigh.

I tried to solve the problem—Life;
Dreaming of that mysterious strife,
How could I leave such reasonings wise,
To answer two blue pleading eyes?

I strove how best to give, and when,
My blood to save my fellow-men—
How could I turn aside, to look
At snowdrops laid upon my book?

Now Time has fled—the world is strange,
Something there is of pain and change;
My books lie closed upon the shelf;
I miss the old heart in myself.

I miss the sunbeams in my room—
It was not always wrapped in gloom:
I miss my dreams—they fade so fast,
Or flit into some trivial past.

The great stream of the world goes by;
None care, or heed, or question, why
I, the lone student, cannot raise
My voice or hand as in old days.

No echo seems to wake again
My heart to anything but pain,
Save when a dream of twilight brings
The fluttering of an angel’s wings!

VERSE: A KNIGHT ERRANT

Though he lived and died among us,
Yet his name may be enrolled
With the knights whose deeds of daring
Ancient chronicles have told.

Still a stripling, he encountered
Poverty, and struggled long,
Gathering force from every effort,
Till he knew his arm was strong.

Then his heart and life he offered
To his radiant mistress—Truth;
Never thought, or dream, or faltering,
Marred the promise of his youth.

So he rode forth to defend her,
And her peerless worth proclaim;
Challenging each recreant doubter
Who aspersed her spotless name.

First upon his path stood Ignorance,
Hideous in his brutal might;
Hard the blows and long the battle
Ere the monster took to flight.

Then, with light and fearless spirit,
Prejudice he dared to brave;
Hunting back the lying craven
To her black sulphureous cave.

Followed by his servile minions,
Custom, the old Giant, rose;
Yet he, too, at last was conquered
By the good Knight’s weighty blows.

Then he turned, and, flushed with victory
Struck upon the brazen shield
Of the world’s great king, Opinion
And defied him to the field.

Once again he rose a conqueror,
And, though wounded in the fight,
With a dying smile of triumph
Saw that Truth had gained her right.

On his failing ear re-echoing
Came the shouting round her throne;
Little cared he that no future
With her name would link his own.

Spent with many a hard-fought battle,
Slowly ebbed his life away,
And the crowd that flocked to greet her
Trampled on him where he lay.

Gathering all his strength, he saw her
Crowned and reigning in her pride!
Looked his last upon her beauty,
Raised his eyes to God, and died.

VERSE: LINGER, OH, GENTLE TIME

Linger, oh, gentle Time,
Linger, oh, radiant grace of bright To-day!
Let not the hours’ chime
Call thee away,
But linger near me still with fond delay.

Linger, for thou art mine!
What dearer treasures can the future hold?
What sweeter flowers than thine
Can she unfold?
What secrets tell my heart thou hast not told?

Oh, linger in thy flight!
For shadows gather round, and should we part,
A dreary starless night
May fill my heart,—
Then pause and linger yet ere thou depart.

Linger, I ask no more,—
Thou art enough for ever—thou alone;
What future can restore,
When thou art flown,
All that I hold from thee and call my own?

VERSE: HOMEWARD BOUND

I have seen a fiercer tempest,
Known a louder whirlwind blow;
I was wrecked off red Algiers,
Six-and-thirty years ago.
Young I was, and yet old seamen
Were not strong or calm as I;
While life held such treasures for me,
I felt sure I could not die.

Life I struggled for—and saved it;
Life alone—and nothing more;
Bruised, half dead, alone and helpless,
I was cast upon the shore.
I feared the pitiless rocks of Ocean;
So the great sea rose—and then
Cast me from her friendly bosom,
On the pitiless hearts of men.

Gaunt and dreary ran the mountains,
With black gorges, up the land;
Up to where the lonely Desert
Spreads her burning, dreary sand:
In the gorges of the mountains,
On the plain beside the sea,
Dwelt my stern and cruel masters,
The black Moors of Barbary.

Ten long years I toiled among them,
Hopeless—as I used to say;
Now I know Hope burnt within me
Fiercer, stronger, day by day:
Those dim years of toil and sorrow
Like one long dark dream appear;
One long day of weary waiting—
Then each day was like a year.

How I cursed the land—my prison;
How I cursed the serpent sea—
And the Demon Fate that showered
All her curses upon me;
I was mad, I think—God pardon
Words so terrible and wild—
This voyage would have been my last one,
For I left a wife and child.

Never did one tender vision
Fade away before my sight,
Never once through all my slavery,
Burning day or dreary night;
In my soul it lived, and kept me,
Now I feel, from black despair,
And my heart was not quite broken,
While they lived and blest me there.

When at night my task was over,
I would hasten to the shore;
(All was strange and foreign inland,
Nothing I had known before;)
Strange looked the bleak mountain passes,
Strange the red glare and black shade,
And the Oleanders, waving
To the sound the fountains made.

Then I gazed at the great Ocean,
Till she grew a friend again;
And because she knew old England,
I forgave her all my pain:
So the blue still sky above me,
With its white clouds’ fleecy fold,
And the glimmering stars, (though brighter,)
Looked like home and days of old.

And a calm would fall upon me,
Worn perhaps with work and pain,
The wild hungry longing left me,
And I was myself again:
Looking at the silver waters,
Looking up at the far sky,
Dreams of home and all I left there
Floated sorrowfully by.

A fair face, but pale with sorrow,
With blue eyes, brimful of tears,
And the little red mouth, quivering
With a smile, to hide its fears;
Holding out her baby towards me,
From the sky she looked on me;
So it was that last I saw her,
As the ship put out to sea.

Sometimes, (and a pang would seize me
That the years were floating on,)
I would strive to paint her, altered,
And the little baby gone:
She no longer young and girlish,
The child, standing by her knee,
And her face, more pale and saddened
With the weariness for me.

Then I saw, as night grew darker.
How she taught my child to pray,
Holding its small hands together,
For its father, far away;
And I felt her sorrow, weighing
Heavier on me than my own;
Pitying her blighted spring-time,
And her joy so early flown.

Till upon my hands (now hardened
With the rough, harsh toil of years)
Bitter drops of anguish falling,
Woke me from my dream, to tears;
Woke me as a slave, an outcast.
Leagues from home, across the deep;
So—though you may call it childish—
So I sobbed myself to sleep.

Well, the years sped on—my Sorrow,
Calmer, and yet stronger grown,
Was my shield against all suffering,
Poorer, meaner, than her own.
Thus my cruel master’s harshness
Fell upon me all in vain,
Yet the tale of what we suffered
Echoed back from main to main.

You have heard in a far country
Of a self-devoted band,
Vowed to rescue Christian captives
Pining in a foreign land.
And these gentle-hearted strangers
Year by year go forth from Rome,
In their hands the hard-earned ransom,
To restore some exiles home.

I was freed: they broke the tidings
Gently to me: but indeed
Hour by hour sped on, I knew not
What the words meant—I was freed!
Better so, perhaps; while sorrow
(More akin to earthly things)
Only strains the sad heart’s fibres—
Joy, bright stranger, breaks the strings.

Yet at last it rushed upon me,
And my heart beat full and fast;
What were now my years of waiting,
What was all the dreary past?
Nothing—to the impatient throbbing
I must bear across the sea:
Nothing—to the eternal hours
Still between my home and me!

How the voyage passed, I know not;
Strange it was once more to stand
With my countrymen around me,
And to clasp an English hand.
But, through all, my heart was dreaming
Of the first words I should hear,
In the gentle voice that echoed,
Fresh as ever, on my ear.

Should I see her start of wonder,
And the sudden truth arise,
Flushing all her face and lightening
The dimmed splendour of her eyes?
Oh! to watch the fear and doubting
Stir the silent depths of pain,
And the rush of joy—then melting
Into perfect peace again.

And the child!—but why remember
Foolish fancies that I thought?
Every tree and every hedge-row
From the well-known past I brought:
I would picture my dear cottage,
See the crackling wood-fire burn,
And the two beside it seated,
Watching, waiting, my return.

So, at last we reached the harbour.
I remember nothing more
Till I stood, my sick heart throbbing,
With my hand upon the door.
There I paused—I heard her speaking;
Low, soft, murmuring words she said;
Then I first knew the dumb terror
I had had, lest she were dead.

It was evening in late autumn,
And the gusty wind blew chill;
Autumn leaves were falling round me,
And the red sun lit the hill.
Six-and-twenty years are vanished
Since then—I am old and grey,
But I never told to mortal
What I saw, until this day.

She was seated by the fire,
In her arms she held a child,
Whispering baby-words caressing,
And then, looking up, she smiled:
Smiled on him who stood beside her—
Oh! the bitter truth was told,
In her look of trusting fondness—
I had seen the look of old!

But she rose and turned towards me
(Cold and dumb I waited there)
With a shriek of fear and terror,
And a white face of despair.
He had been an ancient comrade—
Not a single word we said,
While we gazed upon each other,
He the living: I the dead!

I drew nearer, nearer to her,
And I took her trembling hand,
Looking on her white face, looking
That her heart might understand
All the love and all the pity
That my lips refused to say—
I thank God no thought save sorrow
Rose in our crushed hearts that day.

Bitter tears that desolate moment,
Bitter, bitter tears we wept,
We three broken hearts together,
While the baby smiled and slept.
Tears alone—no words were spoken,
Till he—till her husband said
That my boy, (I had forgotten
The poor child,) that he was dead.

Then at last I rose, and, turning,
Wrung his hand, but made no sign;
And I stooped and kissed her forehead
Once more, as if she were mine.
Nothing of farewell I uttered,
Save in broken words to pray
That God would ever guard and bless her—
Then in silence passed away.

Over the great restless ocean
Six-and-twenty years I roam;
All my comrades, old and weary,
Have gone back to die at home.—
Home! yes, I shall reach a haven,
I, too, shall reach home and rest;
I shall find her waiting for me
With our baby on her breast.

VERSE: LIFE AND DEATH

“What is Life, Father?”
“A Battle, my child,
Where the strongest lance may fail,
Where the wariest eyes may be beguiled,
And the stoutest heart may quail.
Where the foes are gathered on every hand,
And rest not day or night,
And the feeble little ones must stand
In the thickest of the fight.”

“What is Death, Father?”
“The rest, my child,
When the strife and the toil are o’er;
The Angel of God, who, calm and mild,
Says we need fight no more;
Who, driving away the demon band,
Bids the din of the battle cease;
Takes banner and spear from our failing hand,
And proclaims an eternal Peace.”

“Let me die, Father!  I tremble and fear
To yield in that terrible strife!”

“The crown must be won for Heaven, dear,
In the battle-field of life:
My child, though thy foes are strong and tried,
He loveth the weak and small;
The Angels of Heaven are on thy side,
And God is over all!”

VERSE: NOW

Rise! for the day is passing,
And you lie dreaming on;
The others have buckled their armour,
And forth to the fight are gone:
A place in the ranks awaits you,
Each man has some part to play;
The Past and the Future are nothing,
In the face of the stern To-day.

Rise from your dreams of the Future—
Of gaining some hard-fought field;
Of storming some airy fortress,
Or bidding some giant yield;
Your Future has deeds of glory,
Of honour (God grant it may!)
But your arm will never be stronger,
Or the need so great as To-day.

Rise! if the Past detains you,
Her sunshine and storms forget;
No chains so unworthy to hold you
As those of a vain regret:
Sad or bright, she is lifeless ever,
Cast her phantom arms away,
Nor look back, save to learn the lesson
Of a nobler strife To-day.

Rise! for the day is passing:
The sound that you scarcely hear
Is the enemy marching to battle—
Arise! for the foe is here!
Stay not to sharpen your weapons,
Or the hour will strike at last,
When, from dreams of a coming battle,
You may wake to find it past!

VERSE: CLEANSING FIRES

Let thy gold be cast in the furnace,
Thy red gold, precious and bright,
Do not fear the hungry fire,
With its caverns of burning light:
And thy gold shall return more precious,
Free from every spot and stain;
For gold must be tried by fire,
As a heart must be tried by pain!

In the cruel fire of Sorrow
Cast thy heart, do not faint or wail;
Let thy hand be firm and steady,
Do not let thy spirit quail:
But wait till the trial is over,
And take thy heart again;
For as gold is tried by fire,
So a heart must be tried by pain!

I shall know by the gleam and glitter
Of the golden chain you wear,
By your heart’s calm strength in loving,
Of the fire they have had to bear.
Beat on, true heart, for ever;
Shine bright, strong golden chain;
And bless the cleansing fire,
And the furnace of living pain!

VERSE: THE VOICE OF THE WIND

Let us throw more logs on the fire!
We have need of a cheerful light,
And close round the hearth to gather,
For the wind has risen to-night.
With the mournful sound of its wailing
It has checked the children’s glee,
And it calls with a louder clamour
Than the clamour of the sea.
Hark to the voice of the wind!

Let us listen to what it is saying,
Let us hearken to where it has been;
For it tells, in its terrible crying,
The fearful sights it has seen.
It clatters loud at the casements,
Round the house it hurries on,
And shrieks with redoubled fury,
When we say “The blast is gone!”
Hark to the voice of the wind!

It has been on the field of battle,
Where the dying and wounded lie;
And it brings the last groan they uttered,
And the ravenous vulture’s cry.
It has been where the icebergs were meeting,
And closed with a fearful crash;
On shores where no foot has wandered,
It has heard the waters dash.
Hark to the voice of the wind!

It has been on the desolate ocean,
When the lightning struck the mast;
It has heard the cry of the drowning,
Who sank as it hurried past;
The words of despair and anguish,
That were heard by no living ear;
The gun that no signal answered:
It brings them all to us here.
Hark to the voice of the wind!

It has been on the lonely moorland,
Where the treacherous snow-drift lies,
Where the traveller, spent and weary,
Gasped fainter and fainter cries;
It has heard the bay of the bloodhounds,
On the track of the hunted slave,
The lash and the curse of the master,
And the groan that the captive gave.
Hark to the voice of the wind!

It has swept through the gloomy forest,
Where the sledge was urged to its speed,
Where the howling wolves were rushing
On the track of the panting steed.
Where the pool was black and lonely,
It caught up a splash and a cry—
Only the bleak sky heard it,
And the wind as it hurried by.
Hark to the voice of the wind!

Then throw more logs on the fire,
Since the air is bleak and cold,
And the children are drawing nigher,
For the tales that the wind has told.
So closer and closer gather
Round the red and crackling light;
And rejoice (while the wind is blowing)
We are safe and warm to-night.
Hark to the voice of the wind!

VERSE: TREASURES

Let me count my treasures,
All my soul holds dear,
Given me by dark spirits
Whom I used to fear.

Through long days of anguish,
And sad nights, did Pain
Forge my shield, Endurance,
Bright and free from stain!

Doubt, in misty caverns,
’Mid dark horrors sought,
Till my peerless jewel,
Faith to me she brought.

Sorrow, that I wearied
Should remain so long,
Wreathed my starry glory,
The bright Crown of Song.

Strife, that racked my spirit,
Without hope or rest,
Left the blooming flower,
Patience, on my breast.

Suffering, that I dreaded,
Ignorant of her charms,
Laid the fair child, Pity,
Smiling, in my arms.

So I count my treasures,
Stored in days long past—
And I thank the givers,
Whom I know at last!

VERSE: SHINING STARS

Shine, ye stars of heaven,
On a world of pain!
See old Time destroying
All our hoarded gain;
All our sweetest flowers,
Every stately shrine,
All our hard-earned glory,
Every dream divine!

Shine, ye stars of heaven,
On the rolling years!
See how Time, consoling,
Dries the saddest tears,
Bids the darkest storm-clouds
Pass in gentle rain;
While upspring in glory,
Flowers and dreams again!

Shine, ye stars of heaven,
On a world of fear!
See how Time, avenging,
Bringeth judgment here;
Weaving ill-won honours
To a fiery crown;
Bidding hard hearts perish;
Casting proud hearts down.

Shine, ye stars of heaven,
On the hours’ slow flight!
See how Time, rewarding,
Gilds good deeds with light;
Pays with kingly measure;
Brings earth’s dearest prize;
Or, crowned with rays diviner,
Bids the end arise!

VERSE: WAITING

“Wherefore dwell so sad and lonely,
By the desolate sea-shore,
With the melancholy surges
Beating at your cottage door?

“You shall dwell beside the castle
Shadowed by our ancient trees;
And your life shall pass on gently,
Cared for, and in rest and ease.”

“Lady, one who loved me dearly
Sailed for distant lands away;
And I wait here his returning
Hopefully from day to day.

“To my door I bring my spinning,
Watching every ship I see;
Waiting, hoping, till the sunset
Fades into the western sea.

“After sunset, at my casement,
Still I place a signal light;
He will see its well-known shining
Should his ship return at night.

“Lady, see your infant smiling,
With its flaxen curling hair—
I remember when your mother
Was a baby just as fair.

“I was watching then, and hoping:
Years have brought great change to all;
To my neighbours in their cottage,
To you nobles at the hall.

“Not to me—for I am waiting,
And the years have fled so fast,
I must look at you to tell me
That a weary time has past!

“When I hear a footstep coming
On the shingle—years have fled—
Yet amid a thousand others,
I shall know his quick, light tread.

“When I hear (to-night it may be)
Some one pausing at my door,
I shall know the gay soft accents,
Heard and welcomed oft before!

“So each day I am more hopeful,
He may come before the night:
Every sunset I feel surer
He must come ere morning light.

“Then I thank you, noble lady,
But I cannot do your will:
Where he left me, he must find me.
Waiting, watching, hoping, still!”

VERSE: THE CRADLE SONG OF THE POOR

Hush!  I cannot bear to see thee
Stretch thy tiny hands in vain;
Dear, I have no bread to give thee,
Nothing, child, to ease thy pain!
When God sent thee first to bless me,
Proud, and thankful too, was I;
Now, my darling I, thy mother,
Almost long to see thee die.
Sleep, my darling, thou art weary;
God is good, but life is dreary.

I have watched thy beauty fading,
And thy strength sink day by day;
Soon, I know, will Want and Fever
Take thy little life away.
Famine makes thy father reckless,
Hope has left both him and me;
We could suffer all, my baby,
Had we but a crust for thee.
Sleep, my darling, thou art weary;
God is good, but life is dreary.

Better thou shouldst perish early,
Starve so soon, my darling one,
Than in helpless sin and sorrow
Vainly live, as I have done.
Better that thy angel spirit
With my joy, my peace, were flown,
Than thy heart grew cold and careless,
Reckless, hopeless, like my own.
Sleep, my darling, thou art weary;
God is good, but life is dreary.

I am wasted, dear, with hunger,
And my brain is all opprest,
I have scarcely strength to press thee,
Wan and feeble, to my breast.
Patience, baby, God will help us,
Death will come to thee and me,
He will take us to his Heaven,
Where no want or pain can be.
Sleep, my darling, thou art weary;
God is good, but life is dreary.

Such the plaint that, late and early,
Did we listen, we might hear
Close beside us,—but the thunder
Of a city dulls our ear.
Every heart, as God’s bright Angel,
Can bid one such sorrow cease;
God has glory when his children
Bring his poor ones joy and peace!
Listen, nearer while she sings
Sounds the fluttering of wings!

VERSE: BE STRONG

Be strong to hope, oh Heart!
Though day is bright,
The stars can only shine
In the dark night.
Be strong, oh Heart of mine,
Look towards the light!

Be strong to bear, oh Heart!
Nothing is vain:
Strive not, for life is care,
And God sends pain,
Heaven is above, and there
Rest will remain!

Be strong to love, oh Heart!
Love knows not wrong,
Didst thou love—creatures even,
Life were not long;
Didst thou love God in Heaven,
Thou wouldst be strong!

VERSE: GOD’S GIFTS

God gave a gift to Earth:- a child,
Weak, innocent, and undefiled,
Opened its ignorant eyes and smiled.

It lay so helpless, so forlorn,
Earth took it coldly and in scorn,
Cursing the day when it was born.

She gave it first a tarnished name,
For heritage, a tainted fame,
Then cradled it in want and shame.

All influence of Good or Right,
All ray of God’s most holy light,
She curtained closely from its sight.

Then turned her heart, her eyes away,
Ready to look again, the day
Its little feet began to stray.

In dens of guilt the baby played,
Where sin, and sin alone, was made
The law that all around obeyed.

With ready and obedient care,
He learnt the tasks they taught him there;
Black sin for lesson—oaths for prayer.

Then Earth arose, and, in her might,
To vindicate her injured right,
Thrust him in deeper depths of night.

Branding him with a deeper brand
Of shame, he could not understand,
The felon outcast of the land.

* * *

God gave a gift to Earth:- a child,
Weak, innocent, and undefiled,
Opened its ignorant eyes and smiled.

And Earth received the gift, and cried
Her joy and triumph far and wide,
Till echo answered to her pride.

She blest the hour when first he came
To take the crown of pride and fame,
Wreathed through long ages for his name.

Then bent her utmost art and skill
To train the supple mind and will,
And guard it from a breath of ill.

She strewed his morning path with flowers,
And Love, in tender dropping showers,
Nourished the blue and dawning hours.

She shed, in rainbow hues of light,
A halo round the Good and Right,
To tempt and charm the baby’s sight.

And every step, of work or play.
Was lit by some such dazzling ray,
Till morning brightened into day.

And then the World arose, and said—
Let added honours now be shed
On such a noble heart and head!

O World, both gifts were pure and bright,
Holy and sacred in God’s sight:-
God will judge them and thee aright!

VERSE: A TOMB IN GHENT

A smiling look she had, a figure slight,
With cheerful air, and step both quick and light;
A strange and foreign look the maiden bore,
That suited the quaint Belgian dress she wore
Yet the blue fearless eyes in her fair face,
And her soft voice told her of English race;
And ever, as she flitted to and fro,
She sang, (or murmured, rather,) soft and low,
Snatches of song, as if she did not know
That she was singing, but the happy load
Of dream and thought thus from her heart o’erflowed:
And while on household cares she passed along,
The air would bear me fragments of her song;
Not such as village maidens sing, and few
The framers of her changing music knew;
Chants such as heaven and earth first heard of when
The master Palestrina held the pen.
But I with awe had often turned the page,
Yellow with time, and half defaced by age,
And listened, with an ear not quite unskilled,
While heart and soul to the grand echo thrilled;
And much I marvelled, as her cadence fell
From the Laudate, that I knew so well,
Into Scarlatti’s minor fugue, how she
Had learned such deep and solemn harmony.
But what she told I set in rhyme, as meet
To chronicle the influence, dim and sweet,
’Neath which her young and innocent life had grown:
Would that my words were simple as her own.

Many years since, an English workman went
Over the seas, to seek a home in Ghent,
Where English skill was prized; nor toiled in vain;
Small, yet enough, his hard-earned daily gain.
He dwelt alone—in sorrow, or in pride.
He mixed not with the workers by his side;
He seemed to care but for one present joy—
To tend, to watch, to teach his sickly boy.
Severe to all beside, yet for the child
He softened his rough speech to soothings mild;
For him he smiled, with him each day he walked
Through the dark gloomy streets; to him he talked
Of home, of England, and strange stories told
Of English heroes in the days of old;
And, (when the sunset gilded roof and spire,)
The marvellous tale which never seemed to tire:
How the gilt dragon, glaring fiercely down
From the great belfry, watching all the town,
Was brought, a trophy of the wars divine,
By a Crusader from far Palestine,
And given to Bruges; and how Ghent arose,
And how they struggled long as deadly foes,
Till Ghent, one night, by a brave soldier’s skill,
Stole the great dragon; and she keeps it still.
One day the dragon—so ’tis said—will rise,
Spread his bright wines, and glitter in the skies.
And over desert lands and azure seas,
Will seek his home ’mid palm and cedar trees.
So, as he passed the belfry every day,
The boy would look if it were flown away;
Each day surprised to find it watching there,
Above him, as he crossed the ancient square,
To seek the great cathedral, that had grown
A home for him—mysterious and his own.

Dim with dark shadows of the ages past,
St. Bavon stands, solemn and rich and vast;
The slender pillars, in long vistas spread,
Like forest arches meet and close o’erhead;
So high that, like a weak and doubting prayer,
Ere it can float to the carved angels there,
The silver clouded incense faints in air:
Only the organ’s voice, with peal on peal,
Can mount to where those far-off angels kneel.
Here the pale boy, beneath a low side-arch,
Would listen to its solemn chant or march;
Folding his little hands, his simple prayer
Melted in childish dreams, and both in air:
While the great organ over all would roll,
Speaking strange secrets to his innocent soul,
Bearing on eagle-wings the great desire
Of all the kneeling throng, and piercing higher
Than aught but love and prayer can reach, until
Only the silence seemed to listen still;
Or gathering like a sea still more and more,
Break in melodious waves at heaven’s door,
And then fall, slow and soft, in tender rain,
Upon the pleading longing hearts again.

Then he would watch the rosy sunlight glow,
That crept along the marble floor below,
Passing, as life does, with the passing hours,
Now by a shrine all rich with gems and flowers,
Now on the brazen letters of a tomb,
Then, leaving it again to shade and gloom,
And creeping on, to show, distinct and quaint,
The kneeling figure of some marble saint:
Or lighting up the carvings strange and rare,
That told of patient toil, and reverent care;
Ivy that trembled on the spray, and ears,
Of heavy corn, and slender bulrush spears,
And all the thousand tangled weeds that grow
In summer, where the silver rivers flow;
And demon-heads grotesque, that seemed to glare
In impotent wrath on all the beauty there:
Then the gold rays up pillared shaft would climb,
And so be drawn to heaven, at evening time.
And deeper silence, darker shadows flowed
On all around, only the windows glowed
With blazoned glory, like the shields of light
Archangels bear, who, armed with love and might,
Watch upon heaven’s battlements at night.
Then all was shade; the silver lamps that gleamed,
Lost in the daylight, in the darkness seemed
Like sparks of fire in the dim aisles to shine,
Or trembling stars before each separate shrine.
Grown half afraid, the child would leave them there,
And come out, blinded by the noisy glare
That burst upon him from the busy square.

The church was thus his home for rest or play,
And as he came and went again each day,
The pictured faces that he knew so well,
Seemed to smile on him welcome and farewell.
But holier, and dearer far than all,
One sacred spot his own he loved to call;
Save at mid-day, half-hidden by the gloom;
The people call it The White Maiden’s Tomb:
For there she stands; her folded hands are pressed
Together, and laid softly on her breast,
As if she waited but a word to rise
From the dull earth, and pass to the blue skies;
Her lips expectant part, she holds her breath,
As listening for the angel voice of death.
None know how many years have seen her so,
Or what the name of her who sleeps below.
And here the child would come, and strive to trace,
Through the dim twilight, the pure gentle face
He loved so well, and here he oft would bring
Some violet blossom of the early spring;
And climbing softly by the fretted stand,
Not to disturb her, lay it in her hand;
Or, whispering a soft loving message sweet,
Would stoop and kiss the little marble feet.
So, when the organ’s pealing music rang,
He thought amid the gloom the Maiden sang;
With reverent simple faith by her he knelt,
And fancied what she thought, and what she felt.
“Glory to God,” re-echoed from her voice,
And then his little spirit would rejoice;
Or when the Requiem sobbed upon the air,
His baby tears dropped with her mournful prayer.

So years fled on, while childish fancies past,
The childish love and simple faith could last.
The artist-soul awoke in him, the flame
Of genius, like the light of Heaven, came
Upon his brain, and (as it will, if true)
It touched his heart and lit his spirit, too
His father saw, and with a proud content
Let him forsake the toil where he had spent
His youth’s first years, and on one happy day
Of pride, before the old man passed away,
He stood with quivering lips, and the big tears
Upon his cheek, and heard the dream of years
Living and speaking to his very heart—
The low hushed murmur at the wondrous art
Of him, who with young trembling fingers made
The great church-organ answer as he played;
And, as the uncertain sound grew full and strong,
Rush with harmonious spirit-wings along,
And thrill with master-power the breathless throng.

The old man died, and years passed on, and still
The young musician bent his heart and will
To his dear toil.  St. Bavon now had grown
More dear to him, and even more his own;
And as he left it every night he prayed
A moment by the archway in the shade,
Kneeling once more within the sacred gloom
Where the White Maiden watched upon her tomb.
His hopes of travel and a world-wide fame,
Cold Time had sobered, and his fragile frame;
Content at last only in dreams to roam,
Away from the tranquillity of home;
Content that the poor dwellers by his side
Saw in him but the gentle friend and guide,
The patient counsellor in the poor strife
And petty details of their common life,
Who comforted where woe and grief might fall,
Nor slighted any pain or want as small,
But whose great heart took in and felt for all.

Still he grew famous—many came to be
His pupils in the art of harmony.
One day a voice floated so pure and free
Above his music, that he turned to see
What angel sang, and saw before his eyes,
What made his heart leap with a strange surprise,
His own White Maiden, calm, and pure, and mild,
As in his childish dreams she sang and smiled;
Her eyes raised up to Heaven, her lips apart,
And music overflowing from her heart.
But the faint blush that tinged her cheek betrayed
No marble statue, but a living maid;
Perplexed and startled at his wondering look,
Her rustling score of Mozart’s Sanctus shook;
The uncertain notes, like birds within a snare,
Fluttered and died upon the trembling air.

Days passed; each morning saw the maiden stand,
Her eyes cast down, her lesson in her hand,
Eager to study, never weary, while
Repaid by the approving word or smile
Of her kind master; days and months fled on;
One day the pupil from the choir was gone;
Gone to take light, and joy, and youth once more,
Within the poor musician’s humble door;
And to repay, with gentle happy art,
The debt so many owed his generous heart.
And now, indeed, was one who knew and felt
That a great gift of God within him dwelt;
One who could listen, who could understand,
Whose idle work dropped from her slackened hand,
While with wet eyes entranced she stood, nor knew
How the melodious wingèd hours flew;
Who loved his art as none had loved before,
Yet prized the noble tender spirit more.
While the great organ brought from far and near
Lovers of harmony to praise and hear,
Unmarked by aught save what filled every day,
Duty, and toil, and rest, years passed away:
And now by the low archway in the shade
Beside her mother knelt a little maid,
Who, through the great cathedral learned to roam,
Climb to the choir, and bring her father home;
And stand, demure and solemn by his side,
Patient till the last echo softly died;
Then place her little hand in his, and go
Down the dark winding stair to where below
The mother knelt, within the gathering gloom
Waiting and praying by the Maiden’s Tomb.

So their life went, until, one winter’s day,
Father and child came there alone to pray—
The mother, gentle soul, had fled away!
Their life was altered now, and yet the child
Forgot her passionate grief in time, and smiled,
Half wondering why, when spring’s fresh breezes came,
To see her father was no more the same.
Half guessing at the shadow of his pain,
And then contented if he smiled again,
A sad cold smile, that passed in tears away,
As re-assured she ran once more to play.
And now each year that added grace to grace,
Fresh bloom and sunshine to the young girl’s face,
Brought a strange light in the musician’s eyes,
As if he saw some starry hope arise,
Breaking upon the midnight of sad skies.
It might be so: more feeble year by year,
The wanderer to his resting-place drew near.
One day the Gloria he could play no more,
Echoed its grand rejoicing as of yore;
His hands were clasped, his weary head was laid,
Upon the tomb where the White Maiden prayed:
Where the child’s love first dawned, his soul first spoke,
The old man’s heart there throbbed its last and broke.
The grave cathedral that had nursed his youth,
Had helped his dreaming, and had taught him truth,
Had seen his boyish grief and baby tears,
And watched the sorrows and the joys of years,
Had lit his fame and hope with sacred rays,
And consecrated sad and happy days—
Had blessed his happiness, and soothed his pain,
Now took her faithful servant home again.

He rests in peace: some travellers mention yet
An organist whose name they all forget.
He has a holier and a nobler fame
By poor men’s hearths, who love and bless the name
Of a kind friend; and in low tones to-day,
Speak tenderly of him who passed away.
Too poor to help the daughter of their friend,
They grieved to see the little pittance end;
To see her toil and strive with cheerful heart,
To bear the lonely orphan’s struggling part;
They grieved to see her go at last alone
To English kinsmen she had never known:
And here she came; the foreign girl soon found
Welcome, and love, and plenty all around,
And here she pays it back with earnest will,
By well-taught housewife watchfulness and skill;
Deep in her heart she holds her father’s name,
And tenderly and proudly keeps his fame;
And while she works with thrifty Belgian care,
Past dreams of childhood float upon the air;
Some strange old chant, or solemn Latin hymn,
That echoed through the old cathedral dim,
When as a little child each day she went
To kneel and pray by an old tomb in Ghent.

VERSE: THE ANGEL OF DEATH

Why shouldst thou fear the beautiful angel, Death,
Who waits thee at the portals of the skies,
Ready to kiss away thy struggling breath,
Ready with gentle hand to close thine eyes?

How many a tranquil soul has passed away,
Fled gladly from fierce pain and pleasures dim,
To the eternal splendour of the day;
And many a troubled heart still calls for him.

Spirits too tender for the battle here
Have turned from life, its hopes, its fears, its charms;
And children, shuddering at a world so drear,
Have smiling passed away into his arms.

He whom thou fearest will, to ease its pain,
Lay his cold hand upon thy aching heart:
Will soothe the terrors of thy troubled brain,
And bid the shadow of earth’s grief depart.

He will give back what neither time, nor might,
Nor passionate prayer, nor longing hope restore.
(Dear as to long blind eyes recovered sight,)
He will give back those who are gone before.

Oh, what were life, if life were all?  Thine eyes
Are blinded by their tears, or thou wouldst see
Thy treasures wait thee in the far-off skies,
And Death, thy friend, will give them all to thee.

VERSE: A DREAM

All yesterday I was spinning,
Sitting alone in the sun;
And the dream that I spun was so lengthy,
It lasted till day was done.

I heeded not cloud or shadow
That flitted over the hill,
Or the humming-bees, or the swallows,
Or the trickling of the rill.

I took the threads for my spinning,
All of blue summer air,
And a flickering ray of sunlight
Was woven in here and there.

The shadows grew longer and longer,
The evening wind passed by,
And the purple splendour of sunset
Was flooding the western sky.

But I could not leave my spinning,
For so fair my dream had grown.
I heeded not, hour by hour,
How the silent day had flown.

At last the grey shadows fell round me,
And the night came dark and chill,
And I rose and ran down the valley,
And left it all on the hill.

I went up the hill this morning
To the place where my spinning lay—
There was nothing but glistening dewdrops
Remained of my dream to-day.

VERSE: THE PRESENT

Do not crouch to-day, and worship
The old Past, whose life is fled,
Hush your voice to tender reverence;
Crowned he lies, but cold and dead:
For the Present reigns our monarch,
With an added weight of hours;
Honour her, for she is mighty!
Honour her, for she is ours!

See the shadows of his heroes
Girt around her cloudy throne;
Every day the ranks are strengthened
By great hearts to him unknown;
Noble things the great Past promised,
Holy dreams, both strange and new;
But the Present shall fulfil them,
What he promised, she shall do.

She inherits all his treasures,
She is heir to all his fame,
And the light that lightens round her
Is the lustre of his name;
She is wise with all his wisdom,
Living on his grave she stands,
On her brow she bears his laurels,
And his harvest in her hands.

Coward, can she reign and conquer
If we thus her glory dim?
Let us fight for her as nobly
As our fathers fought for him.
God, who crowns the dying ages,
Bids her rule, and us obey—
Bids us cast our lives before her,
Bids us serve the great To-day.

VERSE: CHANGES

Mourn, O rejoicing heart!
The hours are flying;
Each one some treasure takes,
Each one some blossom breaks,
And leaves it dying;
The chill dark night draws near,
Thy sun will soon depart,
And leave thee sighing;
Then mourn, rejoicing heart,
The hours are flying!

Rejoice, O grieving heart!
The hours fly fast;
With each some sorrow dies,
With each some shadow flies,
Until at last
The red dawn in the east
Bids weary night depart,
And pain is past.
Rejoice then, grieving heart,
The hours fly fast!

VERSE: STRIVE, WAIT, AND PRAY

Strive; yet I do not promise
The prize you dream of to-day
Will not fade when you think to grasp it,
And melt in your hand away;
But another and holier treasure,
You would now perchance disdain,
Will come when your toil is over,
And pay you for all your pain.

Wait; yet I do not tell you
The hour you long for now,
Will not come with its radiance vanished,
And a shadow upon its brow;
Yet far through the misty future,
With a crown of starry light,
An hour of joy you know not
Is winging her silent flight.

Pray; though the gift you ask for
May never comfort your fears,
May never repay your pleading,
Yet pray, and with hopeful tears;
An answer, not that you long for,
But diviner, will come one day,
Your eyes are too dim to see it,
Yet strive, and wait, and pray.

VERSE: A LAMENT FOR THE SUMMER

Moan, oh ye Autumn Winds!
Summer has fled,
The flowers have closed their tender leaves and die;
The Lily’s gracious head
All low must lie,
Because the gentle Summer now is dead.

Grieve, oh ye Autumn Winds!
Summer lies low;
The rose’s trembling leaves will soon be shed,
For she that loved her so,
Alas, is dead!
And one by one her loving children go.

Wail, oh ye Autumn Winds!
She lives no more,
The gentle Summer, with her balmy breath,
Still sweeter than before
When nearer death,
And brighter every day the smile she wore!

Mourn, mourn, oh Autumn Winds,
Lament and mourn;
How many half-blown buds must close and die;
Hopes with the Summer born
All faded lie,
And leave us desolate and Earth forlorn!

VERSE: THE UNKNOWN GRAVE

No name to bid us know
Who rests below,
No word of death or birth,
Only the grass’s wave,
Over a mound of earth,
Over a nameless grave.

Did this poor wandering heart
In pain depart?
Longing, but all too late,
For the calm home again,
Where patient watchers wait,
And still will wait in vain.

Did mourners come in scorn,
And thus forlorn,
Leave him, with grief and shame.
To silence and decay,
And hide the tarnished name
Of the unconscious clay?

It may be from his side
His loved ones died,
And last of some bright band,
(Together now once more,)
He sought his home, the land
Where they had gone before.

No matter—limes have made
As cool a shade,
And lingering breezes pass
As tenderly and slow,
As if beneath the grass
A monarch slept below.

No grief, though loud and deep,
Could stir that sleep;
And earth and heaven tell
Of rest that shall not cease,
Where the cold world’s farewell
Fades into endless peace.

VERSE: GIVE ME THY HEART

With echoing steps the worshippers
Departed one by one;
The organ’s pealing voice was stilled,
The vesper hymn was done;
The shadows fell from roof and arch,
Dim was the incensed air,
One lamp alone with trembling ray,
Told of the Presence there!

In the dark church she knelt alone;
Her tears were falling fast;
“Help, Lord,” she cried, “the shades of death
Upon my soul are cast!
Have I not shunned the path of sin,
And chosen the better part?”
What voice came through the sacred air?—
“My child, give me thy Heart!”

“Have I not laid before Thy shrine
My wealth, oh Lord?” she cried;
“Have I kept aught of gems or gold,
To minister to pride?
Have I not bade youth’s joys retire,
And vain delights depart?”—
But sad and tender was the voice—
“My child, give me thy Heart!”

“Have I not, Lord, gone day by day
Where Thy poor children dwell;
And carried help, and gold, and food?
Oh Lord, Thou knowest it well!
From many a house, from many a soul,
My hand bids care depart:”—
More sad, more tender, was the voice—
“My child, give me thy Heart!”

“Have I not worn my strength away
With fast and penance sore?
Have I not watched and wept?” she cried;
“Did Thy dear Saints do more?
Have I not gained Thy grace, oh Lord,
And won in Heaven my part?”—
It echoed louder in her soul—
“My child, give me thy Heart!”

“For I have loved thee with a love
No mortal heart can show;
A love so deep, my Saints in heaven
Its depths can never know:
When pierced and wounded on the Cross,
Man’s sin and doom were mine,
I loved thee with undying love,
Immortal and divine!

“I love thee ere the skies were spread;
My soul bears all thy pains;
To gain thy love my sacred Heart
In earthly shrines remains:
Vain are thy offerings, vain thy sighs,
Without one gift divine,
Give it, my child, thy Heart to me,
And it shall rest in mine!”

In awe she listened, and the shade
Passed from her soul away;
In low and trembling voice she cried—
“Lord, help me to obey!
Break Thou the chains of earth, oh Lord,
That bind and hold my heart;
Let it be Thine, and Thine alone,
Let none with Thee have part.

“Send down, oh Lord, Thy sacred fire!
Consume and cleanse the sin
That lingers still within its depths:
Let heavenly love begin.
That sacred flame Thy Saints have known,
Kindle, oh Lord, in me,
Thou above all the rest for ever,
And all the rest in Thee.”

The blessing fell upon her soul;
Her angel by her side
Knew that the hour of peace was come;
Her soul was purified:
The shadows fell from roof and arch,
Dim was the incensed air—
But Peace went with her as she left
The sacred Presence there!

VERSE: THE WAYSIDE INN

A little past the village
The Inn stood, low and white;
Green shady trees behind it,
And an orchard on the right;
Where over the green paling
The red-cheeked apples hung,
As if to watch how wearily
The sign-board creaked and swung.

The heavy-laden branches,
Over the road hung low,
Reflected fruit or blossom
From the wayside well below;
Where children, drawing water,
Looked up and paused to see,
Amid the apple-branches,
A purple Judas Tree.

The road stretched winding onward
For many a weary mile—
So dusty foot-sore wanderers
Would pause and rest awhile;
And panting horses halted,
And travellers loved to tell
The quiet of the wayside inn,
The orchard, and the well.

Here Maurice dwelt; and often
The sunburnt boy would stand
Gazing upon the distance,
And shading with his hand
His eyes, while watching vainly
For travellers, who might need
His aid to loose the bridle,
And tend the weary steed.

And once (the boy remembered
That morning, many a day—
The dew lay on the hawthorn,
The bird sang on the spray)
A train of horsemen, nobler
Than he had seen before,
Up from the distance galloped,
And halted at the door.

Upon a milk-white pony,
Fit for a faery queen,
Was the loveliest little damsel
His eyes had ever seen:
A serving-man was holding
The leading rein, to guide
The pony and its mistress,
Who cantered by his side.

Her sunny ringlets round her
A golden cloud had made,
While her large hat was keeping
Her calm blue eyes in shade;
One hand held fast the silken reins
To keep her steed in check,
The other pulled his tangled mane,
Or stroked his glossy neck.

And as the boy brought water,
And loosed the rein, he heard
The sweetest voice that thanked him
In one low gentle word;
She turned her blue eyes from him,
Looked up, and smiled to see
The hanging purple blossoms
Upon the Judas Tree;

And showed it with a gesture,
Half pleading, half command,
Till he broke the fairest blossom,
And laid it in her hand;
And she tied it to her saddle
With a ribbon from her hair,
While her happy laugh rang gaily,
Like silver on the air.

But the champing steeds were rested—
The horsemen now spurred on,
And down the dusty highway
They vanished and were gone.
Years passed, and many a traveller
Paused at the old inn-door,
But the little milk-white pony
And the child returned no more.

Years passed, the apple-branches
A deeper shadow shed;
And many a time the Judas Tree,
Blossom and leaf, lay dead;
When on the loitering western breeze
Came the bells’ merry sound,
And flowery arches rose, and flags
And banners waved around.

Maurice stood there expectant:
The bridal train would stay
Some moments at the inn-door,
The eager watchers say;
They come—the cloud of dust draws near—
’Mid all the state and pride,
He only sees the golden hair
And blue eyes of the bride.

The same, yet, ah, still fairer;
He knew the face once more
That bent above the pony’s neck
Years past at that inn-door:
Her shy and smiling eyes looked round,
Unconscious of the place,
Unconscious of the eager gaze
He fixed upon her face.

He plucked a blossom from the tree—
The Judas Tree—and cast
Its purple fragrance towards the Bride,
A message from the Past.
The signal came, the horses plunged—
Once more she smiled around:
The purple blossom in the dust
Lay trampled on the ground.

Again the slow years fleeted,
Their passage only known
By the height the Passion-flower
Around the porch had grown;
And many a passing traveller
Paused at the old inn-door,
But the bride, so fair and blooming,
The bride returned no more.

One winter morning, Maurice,
Watching the branches bare,
Rustling and waving dimly
In the grey and misty air,
Saw blazoned on a carriage
Once more the well-known shield,
The stars and azure fleurs-de-lis
Upon a silver field.

He looked—was that pale woman,
So grave, so worn, so sad,
The child, once young and smiling,
The bride, once fair and glad?
What grief had dimmed that glory,
And brought that dark eclipse
Upon her blue eyes’ radiance,
And paled those trembling lips?

What memory of past sorrow,
What stab of present pain,
Brought that deep look of anguish,
That watched the dismal rain,
That watched (with the absent spirit
That looks, yet does not see)
The dead and leafless branches
Upon the Judas Tree.

The slow dark months crept onward
Upon their icy way,
’Till April broke in showers
And Spring smiled forth in May;
Upon the apple-blossoms
The sun shone bright again,
When slowly up the highway
Came a long funeral train.

The bells toiled slowly, sadly,
For a noble spirit fled;
Slowly, in pomp and honour,
They bore the quiet dead.
Upon a black-plumed charger
One rode, who held a shield,
Where stars and azure fleurs-de-lis
Shone on a silver field.

’Mid all that homage given
To a fluttering heart at rest,
Perhaps an honest sorrow
Dwelt only in one breast.
One by the inn-door standing
Watched with fast-dropping tears
The long procession passing,
And thought of bygone years,

The boyish, silent homage
To child and bride unknown,
The pitying tender sorrow
Kept in his heart alone,
Now laid upon the coffin
With a purple flower, might be
Told to the cold dead sleeper;
The rest could only see
A fragrant purple blossom,
Plucked from a Judas Tree.

VERSE: VOICES OF THE PAST

You wonder that my tears should flow
In listening to that simple strain;
That those unskilful sounds should fill
My soul with joy and pain—
How can you tell what thoughts it stirs
Within my heart again?

You wonder why that common phrase,
So all unmeaning to your ear,
Should stay me in my merriest mood,
And thrill my soul to hear—
How can you tell what ancient charm
Has made me hold it dear?

You marvel that I turn away
From all those flowers so fair and bright,
And gaze at this poor herb, till tears
Arise and dim my sight—
You cannot tell how every leaf
Breathes of a past delight.

You smile to see me turn and speak
With one whose converse you despise;
You do not see the dreams of old
That with his voice arise—
How can you tell what links have made
Him sacred in my eyes?

Oh, these are Voices of the Past,
Links of a broken chain,
Wings that can bear me back to Times
Which cannot come again—
Yet God forbid that I should lose
The echoes that remain!

VERSE: THE DARK SIDE

Thou hast done well, perhaps,
To lift the bright disguise,
And lay the bitter truth
Before our shrinking eyes;
When evil crawls below
What seems so pure and fair,
Thine eyes are keen and true
To find the serpent there:
And yet—I turn away;
Thy task is not divine—
The evil angels look
On earth with eyes like thine.

Thou hast done well, perhaps,
To show how closely wound
Dark threads of sin and self
With our best deeds are found.
How great and noble hearts,
Striving for lofty aims,
Have still some earthly cord
A meaner spirit claims;
And yet—although thy task
Is well and fairly done,
Methinks for such as thou
There is a holier one.

Shadows there are, who dwell
Among us, yet apart,
Deaf to the claim of God,
Or kindly human heart;
Voices of earth and heaven
Call, but they turn away,
And Love, through such black night,
Can see no hope of day;
And yet—our eyes are dim,
And thine are keener far—
Then gaze till thou canst see
The glimmer of some star.

The black stream flows along,
Whose waters we despise—
Show us reflected there
Some fragment of the skies;
’Neath tangled thorns and briars,
(The task is fit for thee,)
Seek for the hidden flowers,
We are too blind to see;
Then will I thy great gift
A crown and blessing call;
Angels look thus on men,
And God sees good in all!

VERSE: A FIRST SORROW

Arise! this day shall shine,
For evermore,
To thee a star divine,
On Time’s dark shore.

Till now thy soul has been
All glad and gay:
Bid it awake, and look
At grief to-day!

No shade has come between
Thee and the sun;
Like some long childish dream
Thy life has run:

But now the stream has reached
A dark, deep sea,
And Sorrow, dim and crowned,
Is waiting thee.

Each of God’s soldiers bears
A sword divine:
Stretch out thy trembling hands
To-day for thine!

To each anointed Priest
God’s summons came:
Oh, Soul, he speaks to-day
And calls thy name.

Then, with slow reverent step,
And beating heart,
From out thy joyous days,
Thou must depart.

And, leaving all behind,
Come forth, alone,
To join the chosen band
Around the throne.

Raise up thine eyes—be strong,
Nor cast away
The crown, that God has given
Thy soul to-day!

VERSE: MURMURS

Why wilt thou make bright music
Give forth a sound of pain?
Why wilt thou weave fair flowers
Into a weary chain?

Why turn each cool grey shadow
Into a world of fears?
Why say the winds are wailing?
Why call the dewdrops tears?

The voices of happy nature,
And the Heaven’s sunny gleam,
Reprove thy sick heart’s fancies,
Upbraid thy foolish dream.

Listen, and I will tell thee
The song Creation sings,
From the humming of bees in the heather,
To the flutter of angels’ wings.

An echo rings for ever,
The sound can never cease;
It speaks to God of glory,
It speaks to Earth of peace.

Not alone did angels sing it
To the poor shepherds’ ear;
But the spherèd Heavens chant it,
While listening ages hear.

Above thy peevish wailing
Rises that holy song;
Above Earth’s foolish clamour,
Above the voice of wrong.

No creature of God’s too lowly
To murmur peace and praise:
When the starry nights grow silent,
Then speak the sunny days.

So leave thy sick heart’s fancies,
And lend thy little voice
To the silver song of glory
That bids the world rejoice.

VERSE: GIVE

See the rivers flowing
Downwards to the sea,
Pouring all their treasures
Bountiful and free—
Yet to help their giving
Hidden springs arise;
Or, if need be, showers
Feed them from the skies!

Watch the princely flowers
Their rich fragrance spread,
Load the air with perfumes,
From their beauty shed—
Yet their lavish spending
Leaves them not in dearth,
With fresh life replenished
By their mother earth!

Give thy heart’s best treasures—
From fair Nature learn;
Give thy love—and ask not,
Wait not a return!
And the more thou spendest
From thy little store,
With a double bounty,
God will give thee more.

VERSE: MY JOURNAL

It is a dreary evening;
The shadows rise and fall:
With strange and ghostly changes,
They flicker on the wall.

Make the charred logs burn brighter;
I will show you, by their blaze,
The half-forgotten record
Of bygone things and days.

Bring here the ancient volume;
The clasp is old and worn,
The gold is dim and tarnished,
And the faded leaves are torn.

The dust has gathered on it—
There are so few who care
To read what Time has written
Of joy and sorrow there.

Look at the first fair pages;
Yes—I remember all:
The joys now seem so trivial,
The griefs so poor and small.

Let us read the dreams of glory
That childish fancy made;
Turn to the next few pages,
And see how soon they fade.

Here, where still waiting, dreaming,
For some ideal Life,
The young heart all unconscious
Had entered on the strife.

See how this page is blotted:
What—could those tears be mine?
How coolly I can read you,
Each blurred and trembling line.

Now I can reason calmly,
And, looking back again,
Can see divinest meaning
Threading each separate pain.

Here strong resolve—how broken;
Rash hope, and foolish fear,
And prayers, which God in pity
Refused to grant or hear.

Nay—I will turn the pages
To where the tale is told
Of how a dawn diviner
Flushed the dark clouds with gold.

And see, that light has gilded
The story—nor shall set;
And, though in mist and shadow,
You know I see it yet.

Here—well, it does not matter,
I promised to read all;
I know not why I falter,
Or why my tears should fall;

You see each grief is noted;
Yet it was better so—
I can rejoice to-day—the pain
Was over, long ago.

I read—my voice is failing,
But you can understand
How the heart beat that guided
This weak and trembling hand.

Pass over that long struggle,
Read where the comfort came,
Where the first time is written
Within the book your name.

Again it comes, and oftener,
Linked, as it now must be,
With all the joy or sorrow
That Life may bring to me.

So all the rest—you know it:
Now shut the clasp again,
And put aside the record
Of bygone hours of pain.

The dust shall gather on it,
I will not read it more:
Give me your hand—what was it
We were talking of before?

I know not why—but tell me
Of something gay and bright.
It is strange—my heart is heavy,
And my eyes are dim to-night.

VERSE: A CHAIN

The bond that links our souls together;
Will it last through stormy weather?
Will it moulder and decay
As the long hours pass away?
Will it stretch if Fate divide us,
When dark and weary hours have tried us?
Oh, if it look too poor and slight
Let us break the links to-night!

It was not forged by mortal hands,
Or clasped with golden bars and bands;
Save thine and mine, no other eyes
The slender link can recognise:
In the bright light it seems to fade—
And it is hidden in the shade;
While Heaven nor Earth have never heard,
Or solemn vow, or plighted word.

Yet what no mortal hand could make,
No mortal power can ever break:
What words or vows could never do,
No words or vows can make untrue;
And if to other hearts unknown
The dearer and the more our own,
Because too sacred and divine
For other eyes, save thine and mine.

And see, though slender, it is made
Of Love and Trust, and can they fade?
While, if too slight it seem, to bear
The breathings of the summer air,
We know that it could bear the weight
Of a most heavy heart of late,
And as each day and hour flew
The stronger for its burthen grew.

And, too, we know and feel again
It has been sanctified by pain,
For what God deigns to try with sorrow
He means not to decay to-morrow;
But through that fiery trial last
When earthly ties and bonds are past;
What slighter things dare not endure
Will make our Love more safe and pure.

Love shall be purified by Pain,
And Pain be soothed by Love again:
So let us now take heart and go
Cheerfully on, through joy and woe;
No change the summer sun can bring,
Or the inconstant skies of spring,
Or the bleak winter’s stormy weather,
For we shall meet them, Love, together!

VERSE: THE PILGRIMS

The way is long and dreary,
The path is bleak and bare;
Our feet are worn and weary,
But we will not despair.
More heavy was Thy burthen,
More desolate Thy way;—
Oh Lamb of God who takest
The sin of the world away,
Have mercy on us.

The snows lie thick around us
In the dark and gloomy night;
And the tempest wails above us,
And the stars have hid their light;
But blacker was the darkness
Round Calvary’s Cross that day;—
Oh Lamb of God who takest
The sin of the world away,
Have mercy on us.

Our hearts are faint with sorrow,
Heavy and hard to bear;
For we dread the bitter morrow,
But we will not despair:
Thou knowest all our anguish,
And Thou wilt bid it cease,—
Oh Lamb of God who takest
The sin of the world away,
Give us Thy Peace!

VERSE: INCOMPLETENESS

Nothing resting in its own completeness
Can have worth or beauty: but alone
Because it leads and tends to farther sweetness,
Fuller, higher, deeper than its own.

Spring’s real glory dwells not in the meaning,
Gracious though it be, of her blue hours;
But is hidden in her tender leaning
To the Summer’s richer wealth of flowers.

Dawn is fair, because the mists fade slowly
Into Day, which floods the world with light;
Twilight’s mystery is so sweet and holy
Just because it ends in starry Night.

Childhood’s smiles unconscious graces borrow
From Strife, that in a far-off future lies;
And angel glances (veiled now by Life’s sorrow)
Draw our hearts to some belovèd eyes.

Life is only bright when it proceedeth
Towards a truer, deeper Life above;
Human Love is sweetest when it leadeth
To a more divine and perfect Love.

Learn the mystery of Progression duly:
Do not call each glorious change, Decay;
But know we only hold our treasures truly,
When it seems as if they passed away.

Nor dare to blame God’s gifts for incompleteness;
In that want their beauty lies: they roll
Towards some infinite depth of love and sweetness,
Bearing onward man’s reluctant soul.

VERSE: A LEGEND OF BREGENZ

Girt round with rugged mountains
The fair Lake Constance lies;
In her blue heart reflected
Shine back the starry skies;
And, watching each white cloudlet
Float silently and slow,
You think a piece of Heaven
Lies on our earth below!

Midnight is there: and Silence,
Enthroned in Heaven, looks down
Upon her own calm mirror,
Upon a sleeping town:
For Bregenz, that quaint city
Upon the Tyrol shore,
Has stood above Lake Constance,
A thousand years and more.

Her battlements and towers,
From off their rocky steep,
Have cast their trembling shadow
For ages on the deep:
Mountain, and lake, and valley,
A sacred legend know,
Of how the town was saved, one night,
Three hundred years ago.

Far from her home and kindred,
A Tyrol maid had fled,
To serve in the Swiss valleys,
And toil for daily bread;
And every year that fleeted
So silently and fast,
Seemed to bear farther from her
The memory of the Past.

She served kind, gentle masters,
Nor asked for rest or change;
Her friends seemed no more new ones,
Their speech seemed no more strange;
And when she led her cattle
To pasture every day,
She ceased to look and wonder
On which side Bregenz lay.

She spoke no more of Bregenz,
With longing and with tears:
Her Tyrol home seemed faded
In a deep mist of years;
She heeded not the rumours
Of Austrian war and strife;
Each day she rose contented,
To the calm toils of life.

Yet, when her master’s children
Would clustering round her stand,
She sang them ancient ballads
Of her own native land;
And when at morn and evening
She knelt before God’s throne,
The accents of her childhood
Rose to her lips alone.

And so she dwelt: the valley
More peaceful year by year;
When suddenly strange portents,
Of some great deed seemed near.
The golden corn was bending
Upon its fragile stalk,
While farmers, heedless of their fields,
Paced up and down in talk.

The men seemed stern and altered,
With looks cast on the ground;
With anxious faces, one by one,
The women gathered round;
All talk of flax, or spinning,
Or work, was put away;
The very children seemed afraid
To go alone to play.

One day, out in the meadow
With st